Posted in: Disc Reviews by Archive Authors on January 18th, 2012
Written by Joe Gause
After watching this movie, it really makes me wonder how Hollywood is still allowed to make movies. Although funny in some points, all in all, it’s a very run-of-the-mill college movie. Basically, the story centers around Paul Tarson (Christopher Gorham), a college student who is unable to make decisions, especially when it comes to where he wants his life to go. He is given a chance to follow in his father’s (Ralph Williams) footsteps and be a college professor. As he ponders if this is the road he wants to follow, he ends up falling in love with a student (Arille Kebbel) and thus sparks a typical college love story with all the ups and downs (gee, I think I’ve seen this movie before a hundred times). Just when you thought it couldn’t have any more story lines, Paul decides the meaning of his life is to win a pub trivia contest with his two drinking buddies. So he blows his college professor interview, sleeps with his student girlfriend in the library, and enters the trivia contest.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2011
It all started with a very short novel by French author Pierre Boulle. It wasn't even that much of a hit at first. But a small group of Hollywood moguls led by Arthur P. Jacobs believed in the property and worked hard to get a film made. It wasn't easy. They had to interest a big star and make a test reel in order to get anyone to bite. Fortunately for us all, Fox did bite. After five films, a television series, and a cartoon run, the franchise ran out of steam by the middle of the 1970's. Tim Burton almost killed the chance at rebirth with his terrible remake. But in science fiction, nothing really dies forever. The Apes have returned in one of the best remakes, if it could be called that, in the last 20 years.
Rise Of The Planet Of The Apes is not really a remake of the original 1968 film. It's more closely related to the fourth film in the franchise, Conquest Of The Planet Of The Apes. In that film the infant son of Cornelius and Zira grows into an adult and eventually leads a revolt of the ape population. By that time apes had replaced cats and dogs as pets, which had been killed in a plague. The apes were forced into slavery and Caesar, played by Roddy McDowall, would lead them toward that ape civilization Charlton Heston's Taylor finds in the original movie. It all came rather nicely full circle, and that was eventually the end of it. This film, while honoring much of the traditions of the franchise, tells a much different origin story, but it's a good one.
Posted in: Disc Reviews by David Annandale on December 22nd, 2011
Charles Dickens’ A Christmas Carol is the pre-eminent holiday fare success story. Not only was it gigantically successful for Dickens himself, to the point that not only did he then follow it up with other Christmas books (The Chimes, The Cricket on the Hearth, The Haunted Man), but he also took charge of one of its early adaptations, trimming it down for oral performances. It has also, of course, been the subject of numerous film versions, with everyone from the Muppets to Bill Murray having a go. This one, from 1970, turns the story into a musical.
Albert Finney, grimacing and hunchbacked, and wearing a pretty obvious bald wig, takes on the role of the miser in need of redemption. On hand to provide said redemption are the likes of Alec Guinness, swanning about as a bizarrely fabulous Jacob Marley, Edith Evans as a Ghost of Christmas Present who has apparently come straight from playing Lady Bracknell in a production of The Importance of Being Earnest. The story hews fairly close to Dickens for a good chunk of its running time, though alters scenes inn order to accommodate a variety if rather dire songs. The cast, meanwhile, barely bothers to act, preferring to mug instead, and given the script, one can hardly blame them.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2011
"How about... The Rocketeer?"
Back in 1972 Elton John pushed himself to the top of the charts atop the hit song Rocket Man, who was burning out his fuse up here alone. Well, it wasn't going to be a very long long time before Disney and company gave us a Rocket Man in their family drama/comedy The Rocketeer. It was the first day of summer in 1991 when The Rocketeer first appeared. The box office was moderate, but it had seemed like he disappeared from the scene for a long long time. He's found again, and you can now see him in high definition with this 20th anniversary Blu-ray release.
Posted in: Disc Reviews by Gino Sassani on December 21st, 2011
"Man, we'll die with you. Just don't ask us to do it twice."
Well... that's exactly what Sylvester Stallone is asking you to do. Many will look at this release as a simple case of a double-dip, and to a certain extent it is. But Sly isn't kidding when he tells us that it's a better film this way. At least I thought so. No question the studio wants to build buzz going into the second film, and this edition works as a sort of placeholder. It's still a tough decision, but let's look at the film again, just for argument's sake, shall we?
Posted in: Disc Reviews by Gino Sassani on December 14th, 2011
"Long ago in ancient China, the peacocks ruled over Gongmen City. They brought great joy and prosperity to the city, for they had invented fireworks. But their son, Lord Shen, saw darker power in the fireworks. What had brought color and joy could also bring darkness and destruction. Shen's troubled parents consulted a soothsayer. She foretold that if he continued down this dark path, he would be defeated by a warrior of black and white."
We all know who that warrior is, don't we?
Posted in: Disc Reviews by M. W. Phillips on December 13th, 2011
“Oh hidy ho officer, we've had a doozy of a day. There we were minding our own business, just doing chores around the house, when kids started killing themselves all over my property.”
A carload of preppie college kids set off for a Memorial Day weekend of partying deep in the backwoods of West Virginia. They encounter a couple creepy looking hillbillies leering at them on the highway. Stopping to gas up they encounter the two rednecks again, but this time one of the two approaches the girls holding a scythe over his head and laughing like a madman. Feeling threatened, the kids get in the face of the rednecks warning them to back off. Later, deep in the woods, an urban legend is shared around the campfire about the Memorial Day Massacre, a series of unsolved hillbilly murders which took place in that same forest twenty years ago to the day. To shake off the scary story the kids decide to go skinny dipping. Unknown to them, the two backwoods hicks watch from offshore in a small fishing boat…
Posted in: Disc Reviews by William O'Donnell on December 7th, 2011
A small town girl named Lorie Walker is injured, which forces her to abandon her dreams of becoming a professional ballerina. After a chance encounter with an old friend, she is convinced to appear in a rap music video. The director of said video is immediately smitten with her beauty and takes her away to Los Angeles to become a Video Model.
The music video's Lorie appears in are of the lowest common denominator standard (her debut video seems to only consist of the lyrics “I got a big booty cutie” repeated over and over) and her roles only demand that she stand around and look pretty for the camera. If you are not a casual fan of modern (and may I say, low grade) hip-hop, these will be the first hurdles you have to cross to become invested in this film.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
There have been a lot of films out that deal with the Iraq war and the various political situations that region of the world has had to deal with since that time. Most of these efforts are trying so hard to make some radical political point that they tend to serve their audiences poorly as entertaining films. Happily, that's not the case with Lee Tamahori's The Devil's Double. The film cuts through the polarizing political elements and provides a brutal view of the Hussein regime through the actions of one of Saddam's sons, Uday. Tamahori has created a modern Scarface by using those regime elements to paint the picture of a man overwhelmed with power and driven to excess. Unlike Scarface, Uday is not an outlaw; rather in this environment he is the law, and suddenly we have a film that delivers a unique take on the theme of the corruption of power.
Latif (Cooper) is a simple soldier in the Iraq army in the days before the Kuwait invasion. He has been called to the Royal Palace, summoned by Prince Uday (Cooper) whom he had known in his school days. The two share a remarkable resemblance that Uday intends to exploit. He wants a body double to help protect him from the various threats that his position elicits. Latif attempts to decline, but Uday threatens his entire family if he doesn't accept. Acceptance means that Latif is now dead, and he is to live in the palace with all of the luxury of a prince. Uday refers to him as his brother. But instead of having Latif take his place in public, he merely drags him around with him. It's a poor plan for a body double, because it soon becomes pretty much general knowledge that this look-alike exists. Latif finds himself more and more disgusted as he is drawn closer in toward this world. All he wants now is to escape.
Posted in: Disc Reviews by William O'Donnell on December 4th, 2011
This historical film looks at the three-year siege of Leningrad during World War 2. The film follows a Russian, female police officer who aids a stranded, English news reporter as they try to survive the siege. Said survival goes beyond enduring the battles between Russian and German forces as a lot of focus is placed on the starvation of the denizens of Leningrad as supplies become desperately limited and the people must live off of 300 grams of rations a day, an amount that declines as days go by.
There is a nice balance between depictions of those fighting the battles and civilians just trying to survive. The battles themselves are accurately brutal at times, and the city of Leningrad is looks as cold and wreaked with famine as its inhabitants. Visually, this film does a wonderful job of recreating the horrible images of war. There are dead bodies frozen on the streets and battlefields that the characters have to become acclimatized to.
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