Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
John Bonito has had very little experience in filmmaking. He's done a few wrestling tidbits and one earlier film called The Marine, and that was nearly six years ago. Chances are you haven't heard of either. If Carjack is any indication of his limited ability, the new film out on Blu-ray isn't going to help with that name recognition. So, with a no-name director and a direct-to-video release, the film really left small expectations. We might go into a film like this expecting a rather dull, "been there, done that" feel to it. In that sense Bonito doesn't disappoint at all. But take a closer look at the cast and hope emerges for something perhaps a little better than that. The only response I can offer for that is that a car wasn't the only thing jacked here. Someone made off with nearly a couple hours of my life. In that Bonito is guilty of grand theft, while some of you might plead it down to petty larceny.
Lorraine (Bello) is trying to put together the pieces of a broken life. Her husband has left her and is threatening to take her son away. She was once negligent and he wondered off into the night alone. She's in group therapy trying to work out those kinks in her life. Her therapist tells her she needs to take control more, and that aspect of her development is about to be tested.
Posted in: Disc Reviews by David Annandale on November 28th, 2011
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself.
I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished. Super 8 plays like the Lost Spielberg Movie, with all the wonder, thrills, and sentimentality one would expect. There is so much here that works beautifully. The young cast is terrific, the dialogue crackles, the effects are spectacular, and the creature is both menacing and sympathetic, like some unholy version of ET reworked by H.P. Lovecraft.
Posted in: Disc Reviews by Michael Durr on November 23rd, 2011
Fishing is fairly foreign to me I admit it. The idea that you have to get up at the crack of dawn just to sit in a rusted over boat without saying a word to only catch not a darn thing seems like a waste of time if nothing else. The television fishing shows on TBS do not make it sound any better either. The only thing appealing to me about it is if you can find some beautiful scenery to fish in. Perhaps a place like Oregon, which is the setting for our new review: The River Why.
There is nothing like fly fishing up in the lakes of Oregon just outside of Portland. At least that is what Gus (Augustine) Orviston (played by Zach Gilford) has always thought. Why even as a baby, he was delivered underwater (in a tub). He would sleep with a pet fish; he would be able to catch his own fish even at ten years old. Gus loves fish and everything to do with fishing, well except his fishing crazy parents.
Posted in: Disc Reviews by Michael Durr on November 20th, 2011
Deep inside most people's hearts lies a layer of curiosity. Many of us could go that one step farther and say it boils down to perversion. Whether it involves a spectacular car crash or two lovers in the throws of passion, there are uninhibited moments that we want to see. But what happens when those moments go beyond curiosity and straight into voyeurism? Worse yet, perhaps straight into a very dangerous situation? Well then one might be feeling much like Jeffery Beaumont in Blue Velvet, one of David Lynch's best movies.
In the serene peaceful town of Lumberton, we see blooming flowers, kids walking and Mr. Beaumont (played by Jack Harvey) watering the grass. However, the water hose hits a snag and gets caught up in the bushes. As he struggles with the apparatus, his heart suddenly gives out and he falls to the concrete below. As he lays there motionless on the ground, a child comes out to see what happened and the dog decides to take a drink. Ants lurch out of the ground and we fade to black.
Posted in: Disc Reviews by M. W. Phillips on November 13th, 2011
“What thousands must die, so that Caesar may become great.”
When Hong Kong released Infernal Affairs in 2002, it pretty much revived the Asian gangster genre and proved the inspiration for Martin Scorsese’s Best Director Academy Award winner, The Departed. I saw The Departed before I watched Infernal Affairs and, now seeing it, must say I prefer Scorsese’s Boston noir re-envisioning of the film more than the original. I realize this goes against the hardcore fans and critics of the film, but it doesn’t take anything away from the hardboiled crime sensation directors Andrew Lau and Alan Mak created.
Posted in: Disc Reviews by M. W. Phillips on November 9th, 2011
“Things never go well before first going wrong and then getting worse; which is one of the many lessons our silent drifter has been hearing for as long as he can remember.”
Bunaku is the name of a 400-year-old form of Japanese puppet theater. These elaborately staged productions star intricately-detailed puppets operated by puppeteers dressed head to toe in black, who almost blend into the background, but never really do, making their puppeteering as hypnotic as the puppets and sets themselves. Although Bunraku’s genre movie mishmash doesn’t use puppets, with the exception of the opening title sequence, it does rely on many of the same lavish and surreal esthetics.
Posted in: Disc Reviews by David Annandale on November 8th, 2011
This is the DVD release of the film whose Blu-ray incarnation was reviewed by Gino, so I’m going to let him take it away for the review of the film itself. I’ll check back in for the specs.
"It’s back to the 1950?s with its telltale alien invasion science fiction matinees. There’s Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That’s right. This is 1950?s Americana. Well … almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they’re rounded, and instead of wheels they ride on a cushion of air. And then there’s the “people”. They’re green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, “Give me a high four”?
Posted in: Disc Reviews by M. W. Phillips on November 7th, 2011
“The mind is like a labyrinth in which anyone can get lost.”
The debut film from Mexican director Fernando Barredo Luna, Atrocious is yet another entry into the “found footage” genre. This is a niche where you either enjoy the handheld bouncy ride or you don’t (or if you have motion sickness, you can’t). I, for one, quite like this style of horror. With video cameras in our phones, tablets, computers, cars, and appliances as well as security cameras recording our every move 24 hours a day; the media sources for these stories are endless. The “found footage” genre really captures the YouTube viral zeitgeist. If done right, these films can easily suspend your disbelief, tricking your brain into believing what it is seeing is real and the horror we witness feels more real and immediate.
Posted in: Disc Reviews by David Annandale on November 1st, 2011
His troops defeated and massacred, General Pang (Jet Li) staggers away from the battlefield, more dead than alive. After a brief by intense overnight encounter with a mysterious Lian (Xu Jinglei), he falls in with bandits headed up by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro). He finds a renewed purpose in life with this group, and forges the band into a formidable fighting force, one that will play an ever greater role in shaping the conflicts that are dividing China. But the fellowship he forms with his blood brothers has a fatal flaw: as fate would have it, Lian is promised to Er Hu. Betrayal and tragedy lurk in the wings.
First, the positives: this is a very handsome production, with a visual sweep that is appropriately epic. The battle scenes are expertly staged, whether these be small-scale skirmishes or grand campaigns. These are spectacular, exciting moments in the film. The characters and their story, however, are far less interesting. The love between Pang and Lian is difficult to empathize with – we don't really understand why these two are obsessed with each other, and must take it on faith that they are. All of which makes it difficult to care about the relationship, and thus its consequences are more irritating than tragic. And while Pang's internal conflicts are sometimes compelling, Lian's characterization is so perfunctory that she comes across as little more than venal, misogynist caricature. In the end, then, the film seems to drag on longer than its 113 minutes, as one finds one's eyes glazing over between the battle scenes. This is a beautiful movie, but an uninvolving one.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
In the world of Marvel comics Captain America was indeed the first Avenger, and as the full title implies we're going quite a way into the past to create this hero. But the first shall be last, and it's certainly true on this long road to the May 2012 release of The Avengers on film. You see, this is the final piece to the puzzle for that great assembly of heroes. We've had two chances to witness both The Hulk and Iron Man and a recent film introduction to Thor. Other characters like Black Widow and Hawk Eye came as guests on the other films. But the introductions are now complete.
Steve Rogers (Evans) is a 98-pound weakling. He's the guy you see in the comics all right. The guy getting sand kicked in his face on those old Charles Atlas ads we used to read on the comic back pages. But he has a heart of solid gold, and he doesn't like bullies. So when Hitler and his boys begin to goosestep over Europe, he tries desperately to enlist. Each time he's shot down and denied his chance to contribute to the cause. That is, until he comes under the eye of Professor Abraham Erskin (Tucci). He has been tasked with reproducing a Nazi experiment to create a supersoldier. He admires Steve's heart and decides to make him the test subject. The experiment works, and Steve receives super strength and agility. But he can't seem to win the respect of Colonel Phillips (Jones). And when Erskin is killed in a Nazi invasion, not even a brave performance to get the bad guy convinces Phillips to give him a chance. He remarks: "I was promised an Army, and all I got is you". But the papers noticed his performance, and soon the country was shouting for Captain America.
![Carjacked [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/carjacked-blu-ray-large.jpg)
![The River Why [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-river-why-blu-ray-large.jpg)
![Blue Velvet [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/blue-velvet-blu-ray-large.jpg)
![Infernal Affairs [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/infernal-affairs-blu-ray-large.jpg)
![Bunraku [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/bunraku-blu-ray-large.jpg)
