Posted in: Disc Reviews by Archive Authors on December 13th, 2010
Written by Dave Younger
Young Adam (2003, 98 min.), set in drab postwar Glasgow, Scotland, combines the kitchen-sink dramas of late 50s/early 60s northern England with a Hitchcockian tale – what if you discovered your girlfriend floating dead in a river? Throw in explicit full-frontal NC-17 sex (most movies, like Blue Valentine, will do anything to avoid this kiss of death, but Young Adam embraces it; they wanted to cut Ewan McGregor’s junk for the American release, but he fought to keep it in) with the sexually-charged characters of Joe (McGregor), Ella (Tilda Swinton), and Cathie (Emily Mortimer), and you have more than enough angry young men and women to overcome the tedium of being one of the working poor in the grimy, coal-infused landscape of the docks of Glasgow.
Posted in: Disc Reviews by Gino Sassani on December 9th, 2010
"Nobody thinks of it from the whale's point of you."
I think this is the very first film I've ever seen that was made in Iceland. Of course, Iceland isn't one of those movie-making meccas known throughout the world for their movie magic. The truth is, there haven't been too many films set in Iceland and even fewer shot on location there. Now that Harpoon has come along, I don't expect that is going to change any time soon.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2010
Written by Diane Tillis
Vogue magazine editor Juliette (Patricia Clarkson) travels to Cairo to attend a UN function where she will meet up with her UN-official husband Mark (Tom McCamus). Mark is unavoidably delayed in Gaza, but sends a trusted friend and former UN official Tareq (Alexander Siddig) to keep Juliette company. Tareq and Juliette have known of each other for years, but this is the first time they have met face to face. They travel together exploring the wonders of the city, the daily life of native Egyptians, and the culture of Cairo. Their days are filled with more wonder than Juliette has experienced in years. Juliette is a woman with a sensitive, soft, and nurturing nature who blossoms like a desert rose while in Cairo. Tareq is a mysterious, gentle, but experienced man who learns how to love again. Their friendship deepens into an undeniable attraction of love and trust. However, their flourishing love will end when Mark finally arrives in Cairo. They had only days together, but Tareq and Juliette will remember those days forever.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2010
The axiom in Hollywood these days is that more is better. Every year we get inundated with blockbuster films sporting $200 million budgets, groundbreaking f/x, epic journeys and casts of thousands. Enter first-time director J. Blakeson and his intimate and quite claustrophobic thriller, The Disappearance Of Alice Creed. Right from the start we know that we're in for something completely different. There are no opening credits of any kind. There isn't even a title screen. We don't get that until about 90 or so minutes later when the film is over. In between you will experience the leanest, meanest little movie you likely have ever seen.
Two hoods, Danny (Compston) and Vic (Marsan), are preparing meticulously for their big crime. They kidnap Alice Creed (Arterton) and tie her to a bed with a blindfold and ball gag. Everything is planned down to the most minute detail. It all seems to be going perfectly. But, like all so-called perfect crimes, there are going to be some hitches in this one.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2010
"Man, we'll die with you. Just don't ask us to do it twice."
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in is ribcage, have a ton of concrete wall fall on his head and get run over by a truck but still manage to take out the bad guy while muttering some witty little catch phrase that we would all be repeating, because if we can deliver the line just right that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letter to the action movie fans. It's called The Expendables, and it's out right now on high definition Blu-ray from Lionsgate.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2010
Dear Faithful Readers, Due to the nature of Sam Kinison's work on stage and off stage, this review may contain foul but funny humor, bad but heeeeelarious language, and not so politically correct (but correctly off the wall) jokes. Please be aware before you continue to read. Yours Always, Noms
*Yells into a microphone* NOW LET'S GET THIS PARTY STARTED! Oooooooo owwww owww owwwwwwww! For those of you who don't know, Sam used to be a preacher. No, I am not a liar dangit, look it up! But after his divorce with his first lousy skeeze who broke his heart into a billion pieces, I mean *cough* wife... he left that behind and became a comedian. And not just any comedian, an effin legendary comedian. It is just sad that his life was cut short, and not because of drugs or alcohol that HE used (which everyone and their mothers swore was gonna be the cause some day) but due to a drunk driving, 17 year old, kid. The world works in mysterious ways.
Posted in: Disc Reviews by William O'Donnell on November 17th, 2010
Based on the books by Jan Guillou this film is in fact the merging of two epics produced in Sweden. It also happens to be Sweden's most expensive production thus far. It tells the tale of a boy raised in a convent and trained to become a warrior by a former knight Templar. He falls in love and has a child with a young woman named Cecilia and the two are forced away from each other. Cecilia must pay penance living as a nun while Arn is sentenced to 20 years fighting in the name of God as a Knight Templar in Jerusalem.
This is indeed a huge production, and a beautifully shot one at that. The director of photography deserves any credit he recieves for making this film look as big and epic as it wishes to feel, allowing it to rub shoulders with the monster budgets of Kingdom of Heaven and Braveheart.
Posted in: Disc Reviews by Michael Durr on November 16th, 2010
My dad was a Vietnam veteran. He did his time and came home to his wife (and eventually me). Because of when I was born, I never knew my father before the war. Therefore, I can’t really speak on his personality changes after he went off to fight the good fight. But in the same breath, I can tell you that we really don’t talk about that time except in very broad brush strokes. War is heck and hopefully my experience with The Dry Land is one that isn’t such a painful undertaking.
James (played by Ryan O’Nan) is an Army man and has come home from Iraq and arrives in the El Paso airport. He is greeted by his wife, Sarah (played by America Ferrera) and his best friend Michael (played by Jason Ritter). They exchange pleasantries and affection and go home to their doublewide trailer so that James can adjust to civilian life once again.
Posted in: Disc Reviews by Archive Authors on November 12th, 2010
Lock ‘n’ Load is a hidden camera reality TV series that is based out of a gun shop in Colorado. The show is centered on the gun shop proprietor Josh T. Ryan. He interjects himself into every story and casually interviews each customer. The show attempts to personify each gun owner and provides a background for each purchase. The show is marketed as a comedy but I found myself rarely laughing.
Josh T. Ryan is the host of the show and is too frequently involved in each story. In the later episodes there are personalized interviews with the customers without the host. These interviews are far more thought provoking; as they contextualize the customer’s story as to what made them purchase a gun. The show needs to incorporate more of the customer and less of the host. Audiences are far more likely to identify with a common person than a caricature.
Posted in: Disc Reviews by Archive Authors on November 12th, 2010
Melinda Gordon (Jennifer Love Hewitt) is basically the kid from The Sixth Sense, only with boobs, killer cheekbones, and a formerly lucrative pop career. I may not be entirely accurate about that last item, but until this 6-disc set arrived, I had not really watched the show. It always seemed a little too Touched by an Angel meets The Sixth Sense meets Jennifer Love Hewitt’s aforementioned cheekbones for my taste. Upon viewing the episodes in this set, I pretty much stand behind that assessment, and though it is still not my particular cup of tea, I can understand its appeal to its fans.
The show revolves around Melinda’s ability to communicate with ghosts, spirits of the dead who have unfinished business in this realm and are unable to cross over to the next world. Whether that’s heaven or another dimension is never expanded on in the show, so it avoids awkward questions about religion. In most episodes, she comes in contact with one of these troubled spirits, and then spends the episode working out what happened to them, what’s keeping them from crossing over, and things of that nature. She does this with the help of a stalwart group of friends, some of who have abilities of their own. Jamie Kennedy’s character, for example, can’t see but can hear dead people. A second gifted character is introduced in this season, but we’ll get to that in a minute.