2.35:1 Widescreen

Three couples are meeting for a trip out to the country to have an old fashioned, American orgy. What instigated said orgy is mostly a mystery, as is what truly keeps them motivated to go through with it. Needless to say, most of them are in it for reasons beyond being carefree and their ulterior motives and inner demons will only spoil the party.

In 2024, the Earth’s ozone layer has been depleted (or so most assume), and life is protected by an electromagnetic shield designed by Connor MacLeod (Christopher Lambert). Eco-crusader Virginia Madsen, however, believes that the ozone layer has restored itself, and the corporation that runs the shield is maintaining it for its own purposes. Meanwhile, back in the past, villain Michael Ironside sends assassins to the future to kill Lambert, who is an aging man as the film begins

In June of 1987 many of us took to our local theaters to watch two future state governors tackle an alien creature in the jungles of southeast Asia. Director John McTiernan had combined the Rambo mercenary-styled film with that of a creature feature. The result was an impressive $60 million on a mere $15 million budget, and a franchise was born. From its first reveal in those Asian jungles, the Predator was an impressive sight. The creature was highly intelligent, to be sure, but it possessed those baser instincts of hunting and survival. It was a monster, but one who utilized advanced technological weaponry to accent its own fearsome brutal nature.

Wow, someone took Dolan’s Cadillac, one of my favourite Stephen King short stories, and made it into a movie! Awesome! Cool, not a bad cast either. Christian Slater and Wes Bentley. Good actors. A little bit of edge to them. This might be alright. What’s that? It’s a straight to DVD release? Well that’s not promising. Hmm? It was made in Saskatchewan? By a Canadian sit-com director? Okay, now you’re just messing with me…

As it turns out, it’s all true. King’s sun-scorched tale of madness and revenge has indeed been brought to the screen, even if that screen is the one hooked up to your DVD player.

"Born with a steering wheel in his hand and lead in his foot, he is the Nightrider, cruising at the speed of fright! This is the Nightrider, and we ain't never coming back. I'm a fuel-injected suicide machine..."

Long before Mel Gibson's troubles involved real-life police officers and a bad case of "foot-in-mouth disease” that has made him his own worst enemy, Mel had more dramatic enemies to deal with. The unknown Australian actor was only 22 years old when he starred in the Outback production that would put both Mel Gibson and his native Australia on the filmmaking map.

Two friends – Marie and Alexia– head out to the country home of the latter’s parents. In the middle of the night, a killer breaks in, slaughters the family, and makes Alexia his prisoner. Marie is locked in a battle to save her friend and not become a victim herself.

Of such simple storylines are horror classics made. Leave it to the French, who, after all, invented the horror movie, to pump such gloriously bloody life back into the cinema of atrocity. After an early bit of extreme nastiness in the opening minutes of the film, the movie gets down to serious terror and atrocity barely a quarter of an hour in, and from that point on never lets up.

Lee Holloway (Maggie Gyllenhaal) is a young woman utterly lacking in self-confidence and given to deliberately cutting herself. She gets her first job as secretary to E. Edward Grey (James Spader), as tightly wound and ferociously self-isolated an individual as you could imagine. What happens when the sadist meets the masochist? Sparks fly

Open Water:

An over-worked couple (Blanchard Ryan and Daniel Travis) whose marriage, while not in danger, has clearly reached some difficult shoals, head off on a diving vacation. A mix-up (which is disturbingly credible) results in the tour ship leaving them behind. Stuck in the middle of the ocean, they float together, hoping against hope for rescue, growing cold and hungry. And then there is the marine life. Like stinging jellyfish. And sharks…

Bruno Hamel (Claude Legault), a surgeon, and his wife Sylvie (Fanny Mallette) enjoy an afternoon tryst while their young daughter Jasmine (Rose-Marie Coallier) heads off to school. Tragedy strikes, though, when Jasmine is assaulted and killed by pedophile Anthony Lemaire (Martin Dubreuil). Bruno and Sylvie are devastated, and each deals with the tragedy an unhealthy way, with Sylvie withdrawing from the world and her husband, and Bruno plotting vengeance. Lemaire is caught, but doesn't remain in police custody long, since Bruno kidnaps him and carries him off to a secluded cottage in the forest. His plan: torture Lemaire for the seven days leading up to what would have been Jasmine's birthday, and then kill him. The police investigation becomes at least as much about saving Bruno's soul as it is about saving Lemaire's life.

Three friends, who have been close since grade school, are approaching their 40s and feeling like they are well past their prime. One friend had a 4.0 grade point average, works at a retail store. One was a star athlete bound for a scholarship, is 25K deep in gambling debt. The final of the three was a successful working rock musician, now drives a beer truck and lost his knack for song writing. As they all hit rock bottom, they venture on a road trip with a pair of tickets to a major College Football match and the hope of starting fresh...or end it all on a high note.