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There was a time when racial stereotypes on television and in the movies could be very funny. Shows like All In The Family and Sanford And Son brought an entire generation to their knees with laughter. Today audiences are a little more timid when it comes to that kind of humor. This is the kind of movie you end up looking both ways before you think about letting out even the slightest giggle to make sure no one is watching, or worse, training their cell phone camera on you.

As the name suggests, this is a collection of ten movies on LGBT themes. In chronological order, here's what we have:

The Children's Hour (1961): Shirley MacLaine and Audrey Hepburn are the headmistresses of a girl's school, and their lives are turned upside down when one ghastly little child accuses them of being romantically involved. It is clear, though, the MacLaine would very much like to be. This was director William Wyler's second stab at adapting Lilllian Hellman's play, and this time was able actually to deal with the play's central issue, rather than disguise it as he had to

"Don't act like the hypocrite, who thinks he can conceal his wiles, while loudly quoting the Koran." - Hafez (14th Century Iranian Poet)

The Stoning Of Soraya M is based upon a book written by Freidoune Sahebjam. The book is currently banned in Iran as well as other countries. It is based on a true story. The book and now the film have caused quite a bit of controversy over the years. Director Cyrus Nowrasteh is no stranger to controversial topics. He appears to have a flair for significant historical events, and his work has shown some insight into the actual significance of his subjects

In Florida we have some very large bugs. There's this one particular spider that is quite a problem in my house. It's real name is a huntsman spider, and it grows to about 16 feet, not including the legs. It sports 27-inch fangs and tends to move the furniture around at night while it stalks its prey. Yes, it stalks its prey at night in my house while I'm trying to sleep. Years ago I coined my own name for these clever, ferocious killers. I call them Rambo Spiders. The name fits these long-legged freaks perfectly as they perform their recon missions throughout our home. When I find them, I terminate them with extreme prejudice.

In an attempt to win over more of the male viewers into their audiences, filmmakers of the romantic comedy genre have tried many tactics. To date, very few of them have worked to any great extent. The problem appears to be getting the mixture just right. Too much of the guy stuff and you'll turn away your core "chick" audience. Too little and you're really not reeling in too many guys. Of course, we go anyway to please the ladies in our lives.

"Barugon: The Freezing Monster - This carnivorous reptile, a nightmare cross between a monitor lizard and a chameleon, is found only in New Guinea's Valley Of The Rainbow. It is born every 1000 years, according to legend, from an egg resembling a large opal. It has a long, darting tongue used as a battering ram, while the tip sprays a freezing mist that immobilizes its prey..."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds.

The title is grammatically ambiguous. Is this a film about vampire killers who happen to be lesbians, or killers of lesbian vampires? The former might have given the film some nicely subversive potential, but the latter is the case. Our heroes are the gormless pair of the serially dumped Jimmy (James Corden) and the piggish Fletch (Mathew Horne) – basically Shaun and Ed from Shaun of the Dead, minus the wit. Heading out to a randomly picked village in rural England for a low-budget vacation, the duo happen upon a VW bus filled with women who, based on the available evidence, have just finished a gig as background dancers for a hip-hop video. The group arrives at a decrepit mansion and proceed to party, unaware that the area is cursed by the lesbian vampire queen Carmilla. Seeking to resurrect their matriarch, her minions proceed to vamp all but one of the women, and the stage is set for a supernatural battle of the sexes.

Most people associate the book, War and Peace in the same respects as they do torture. A one thousand, two hundred and twenty five page book that is regarded as one of the most brilliant pieces of historical fiction is a nightmare to most advanced high school and college kids. However, perhaps more fascinating than any single piece of work by Leo Tolstoy is the life in which he lead. Last Station attempts to give us the last few years of the Count’s life in film form.

Bill Williamson (Brendan Fletcher) is an angry young man. His boss treats him badly, he can't get good service at the local coffee shop, and his parents are trying, none too subtly or smartly, to get him to move out. He hangs out with a friend who talks a big talk about changing the world, but does nothing. Bill, by contrast, is about to do something: gearing up with so much body armor he becomes a walking tank, he begins a gigantic massacre in town, beginning by blowing up a police station, and going on to gun down anyone who crosses his path. There is, however, rather more method to his madness than might appear.

Whenever there is a disaster, there are always the inevitable questions that follow. Where did it all begin? Could it have been avoided? What can we learn from this? No, I'm not talking about the oil leak in the Gulf.  Hollywood is no exception. You have your disaster movies like Earthquake, and you have your movies that are disasters like Waterworld. Of course there are even disaster movies that are also disasters like the recent 2012. Some disasters you never see coming. But, many such events could have been predicted and possibly avoided if only the right folks had been paying attention. This is the story of one such event: Showgirls.