Posted in: Disc Reviews by Archive Authors on May 12th, 2009
The Caller is a film starring Frank Langella and Elliott Gould. It is a tense thriller about corporate foul play and voyeurism, wait, what year is it? With the recent critical acclaim of Langella, it seems only fitting to market his name on a low-budget film. Unfortunately for the film, Langella’s performance is one of the only shining moments. Langella plays an aging VP of an energy company that decides to blow the whistle on the corporate wrong doings that are going on. Understanding that he’s written his own death certificate, Langella hires a private investigator (Gould) to follow him to help catch his eventual killer.
Posted in: Disc Reviews by David Annandale on May 5th, 2009
Dustin Hoffman is the titular Harvey, a morose jingle composer who, with his job hanging by a thread, arrives in London for his daughter's wedding. He is a complete outsider at the rehearsal dinner, and feels even more cut off when his daughter informs him that she wants her stepfather to give her away. Meanwhile, the scarcely more cheerful Emma Thompson spends her time being set up for disastrous blind dates and being constantly harangued on the phone by her mother. These two losers at the game of love meet, and something blossoms between them.
Posted in: Disc Reviews by Archive Authors on May 4th, 2009
With the gigantic success that the Blue Collar Comedy Tour has accumulated, it was only a matter of time before each one of the comedians received their own HBO or Comedy Central special. Jeff Foxworthy is associated with the “Are you smarter than a 5th grader?” game-show. Larry the Cable guy is showcasing his acting range with box office phenomena (i.e. Witless Protection and Delta Farce). Bill Engvall has struggled to find his niche and seems to be on every sitcom pilot that has come out in the last two years. And then there’s Ron White, if you’re anything like myself, this is your next question, who?
Posted in: Disc Reviews by Michael Durr on April 27th, 2009
Sometimes I feel like a broken record. Once upon a time, I adored the likes of Steven Seagal and Jean Claude Van Damme. I would spend many hours watching Above the Law or Bloodsport until I had nothing else better to do. When I matured, I left many of those movies behind. However, the spirit of those movies was still within the type of movies I would typically watch. The problem is that both of these starts pretty much went from feature film to direct to DVD. But Jean-Claude has tried to change his image by taking on more serious roles. His newest, JCVD; he takes on the role of himself the actor.
Posted in: Disc Reviews by Gino Sassani on April 24th, 2009
Every once in a while a movie comes along that has a very strong social message, but never comes across as heavy handed or preachy. What Doesn’t Kill You is one of the best of those movies that I’ve seen in some time. It’s based upon the real life struggles of Brian Goodman, who wrote the screenplay while he was in prison. Goodman was a lifelong criminal who was also addicted to booze and drugs. With the inspiration he gained from his two young sons, Goodman turned his life around. He got himself sober and avoided the temptations that would lead him back into a life of crime and ultimately prison.
Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
I’m not a wrestling fan. There is very little about that world that holds any charm for me. I find the grandiose posturing to be rather dull. The characters aren’t all that interesting to me, and I don’t find myself compelled to spend 100 bucks on a “free for all” pay per view event. With that said, this film did bring back a flood of memories for me. When I was a kid, perhaps 11 or 12, I looked at wrestling a little differently. I had an uncle who would watch it from time to time, but the television version never held much for me even then. I grew up in a relatively middle sized town in eastern Pennsylvania. If you play Monopoly, you’ve heard of the Reading Railroad.
Posted in: Disc Reviews by David Annandale on April 21st, 2009
So Toby Wilkins will be helming The Grudge 3. That's a bit of a shame. Not because I think he's the wrong man for the project. Rather, it's the wrong project for the man. Or, less glibly but more precisely, he is showing real promise as a filmmaker, and it would be a shame to see more talent squandered on a franchise that should definitely be put out to pasture. I base this evaluation on the evidence presented in Splinter, a nifty little creature flick .
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
The Last Kiss is based on the internationally acclaimed Italian movie L’ultimo bacio which was written by Gabriele Muccino and adapted for this American version by screenwriter Paul Haggis. From all reports the movie is remarkably similar to the Italian classic with only the ending modified. Haggis tells us in the extras of this release that he attempted to merely translate the original work and performed little in the way of modifications. From the looks of things, the ending was a bit of a struggle for these filmmakers,
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
Everybody who is old enough remembers Mutual of Omaha’s Wild Kingdom. It was once one of the highest rated shows on television. On NBC it ran from 1963 until 1971. It would continue to run in syndication for decades. An elder Marlin Perkins would host the show, while a young Jim Fowler would be out in the field. Every week they would show us animals in the wild from all over the world. Long before there was a Crocodile Hunter or Nigel, there was Wild Kingdom. Strange Wilderness attempts to urinate all over our fond memories,
Posted in: Disc Reviews by David Annandale on April 14th, 2009
Alan Rickman, in a stunningly unexpected bit of casting, plays an arrogant, womanizing SOB of a chemistry professor who has just been awarded the Nobel Prize. While he and wife Mary Steenburgen jet off to Sweden, their son (Bryan Greenberg) is kidnapped. Before long, the parents receive are sent a severed thumb as proof of the kidnapper's serious intent. But nothing is quite what it seems.