Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
“You’ve got Samuel L. Jackson. You’ve got Bernie Mac. Just turn on the camera and I guarantee you got something you can keep.”
During an August weekend in the past summer of 2008 the entertainment world lost two of it’s brightest stars in just two days. On August 9th comedian extraordinaire Bernie Mac died from complications of pneumonia. The Mac-Man, as his friends liked to call him, was little more than 50 years old. Just a few hours after Bernie Mac passed, on August 10th legendary soul man Isaac Hayes also died. Hayes was 10 days shy of his 66th birthday. This was certainly a tragic weekend for the entertainment community, but the unlikely coincidence is made somewhat bittersweet by the fact that both men appeared together in what would be one the final appearances by both performers. That movie was the comedy Soul Men. To make the coincidence carry further, that film would have as its main plot point the idea of getting to the funeral of a soul legend, recently passed away.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2009
It didn’t take the Friday The 13th film series long to reach down into the gimmick bag. The sad thing is that the franchise didn’t really need a gimmick. Steve Miner returned to the director’s chair, and he delivered an important, if not great entry into the franchise’s history. Jason would, for the first time, don the hockey mask that would make his image the iconic horror visage it remains today. This was also an important film because a young makeup artist from this staff would break out to become one of the best in the business. Stan Winston was an uncredited artist on this film. Of course, I have no way of knowing what was his, but can there be any doubt that he left his mark throughout the film? Winston didn’t often talk about the film at all. It’s almost as if he never considered it a part of his resume, but he’s likely the biggest thing to come out of the movie.
There’s nothing new at all in the story. A fresh group of teens converge on another section of the banks of Crystal Lake. This time we’re on a farm that just so happens to border the bloody lake. Jason sets about doing what Jason does, and soon there are less and less of the teens going around. In 2D the film looks silly at times. There are so many obvious scenes intended strictly for the quick 3D effect. These moments include a wash pole, an eyeball in the hands of a Crazy Ralph clone, a snake, and a passed joint. Unfortunately these stretches make this the slowest of the Jason films. Still, there’s plenty of killing to go around, and while the effects don’t quite catch up to Tom Savini’s work in the first film, there are more creative moments here than the second film. With a new system in place, the MPAA didn’t feel the need to go crazy in chopping the film, so it benefits from a smoother edit than the second film had.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2009
“The Magic Gourd has magical powers. He can carry you high up to the sky, right up to the clouds, where they feel just like cotton candy. Stick out your tongue and they taste like cotton candy. That’s the power of The Magic Gourd. If you become the Gourd’s master, he can grant you anything you wish for…”
Disney films have always had a world wide appeal. Children everywhere on the planet have grown up with the same classic images that we have in the United States. The language might not be the same, but the message and the magic has always been there to discover. So I guess it makes some sense that the studio might begin to do some international joint projects intended originally for children of another country and culture. Would the wide appeal translate in reverse? Could a film based on a Chinese story, made in China with Chinese actors, be able to bring the magic to American audiences as well? After watching The Secret Of The Magic Gourd, I don’t think I’ve found my answer, at least I hope not.
Posted in: Disc Reviews by Gino Sassani on January 28th, 2009
The Great Polar Bear Adventure is indoctrination pure and simple. Disguised as a warm and fuzzy nature show in the realm of Meerkat Manor and its like, this film has really only one theme.: Humans are very bad creatures, for the most part. It follows the plight of a family of polar bears who can no longer find the frozen ice river floes that provide them with tasty seal meat. The reason, of course, is what the bears call the two legs. Somehow the bears know that it is the two legs that are causing the winter to grow shorter and the ice flows to disappear earlier every year. Of course, for the last two years ice floes have returned to normal, but let’s not confuse the issue with the facts. Eventually the bears are driven closer to a two leg settlement where they are forced to rummage through trash piles in order to survive. Eventually one of the rare good two legs darts them and takes them further north where they can roam and survive…for now.
Whatever your politics, I would hope that the idea of using children’s entertainment to push an agenda would not be why you might buy a video for the kids. There are plenty of good programs out there, so that it doesn’t seem necessary to have to have a conversation with your kids to explain why humans are so evil. Not the message I would want to send to children. Sure, the bears are cute and the CG animators did a great job of making it look like they were actually speaking. I don’t even mind a moral or a good message at the end of a kid’s show, but I assure you that you will find this program heavy handed.
Posted in: Disc Reviews by Michael Durr on January 27th, 2009
The Cambodia’s K11 red light district might sound to some like a good time. The fact is that the K11 district is home to such horrific acts such as child slavery & prostitution. It’s sleazy, filthy and about as immoral as you could imagine. Guy Moshe decided to tackle this subject when he directed the 2006 movie: Holly. Guy had to make sure that he brought the harsh reality to screen in a proper fashion. In doing so, he made quite possibly the most uncomfortable film this reviewer has seen in a long time.
Patrick (played by Ron Livingston) lives in Cambodia playing cards and getting rid of stolen goods for his pal Freddy (played by Chris Penn). He’s become immune to the effects of the world in chaos around him. Crime is rampant and the Cambodian world is oozing with underage women who are sold in slavery. Then they are forced to work in brothels catering to everybody from locals to the government to travelers who come to the area just for the immoral delights.
Posted in: Disc Reviews by Gino Sassani on January 20th, 2009
There’s something I hate about election season. No, it’s not all of those negative ads. No, it’s not the wall to wall coverage on the news networks, It isn’t even the campaigning that closes streets and makes you late for work. It’s the fact that every studio decides to dust off any title they think is even remotely political in nature and put it out, hoping to cash in on the perceived political craze. Of course, there is no craze out there, and all they are really doing is making sure the discount bins are going to be overflowing at your local Wal Mart.
Election has to be the product of that kind of thinking. Why else would a film this bad and with no spectacular visuals to show off beat quality films like Jaws and Lord Of The Rings to the high definition format? Paramount, I love you guys, I really do, but do you honestly think that anyone was holding their breath for this title on Blu-ray? With a $25 million budget in 1999 the film brought in just under $15 million total box office. It was the 97th ranked film in 1999 in total gross (giving new meaning to the word).
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
“It’s not about monsters, or zombies, or vampires. It’s about kids.”
One of the horror trends going around involves the isolation of a young couple who find themselves suddenly terrified. The pursuer can be a creature or undead vengeful spirit, but more often than not the attacker is very much human. The location can be a desert or even a hotel room as it was in one of the better examples of the subgenre, Vacancy with Kate Beckinsale and Luke Fox. Many of these kinds of films have become far too predictable and, dare we say, boring. They rely totally on jump scene scares and a few gallons of gore. So, when Britain got into the act, I admit I was bracing myself for more of the same. Happily, Eden Lake is a standout film. Its quality took me totally by surprise, but everything about this film was pretty well done. Of course all of the cliché moments are there, but if you check out Eden Lake you’re in for an entertaining, if not disturbing, ride.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
Supercop is really just the American title for the third entry in Jackie Chan’s very popular Police Story series in Hong Kong. For the first time in the franchise, Chan decided to go with an outside director, and he made a wise choice with newcomer Stanley Tong. Tong might have been a green director, but he had a natural feel for the abilities and strengths of his mega-star. The two would go on to collaborate on several more films after this rather remarkable first time pairing. It didn’t hurt that Tong not only had Jackie Chan to draw upon for the film, but he also had Chan’s Hong Kong film female equivalent with the talented Michelle Yeoh. Both stars are accomplished martial artists and perform nearly all of their stunts without the use of doubles. Tong’s task here was to allow his stars to “do their thing”, yet bring something new and fresh to the formula of Police Story, and to a certain degree all of the Jackie Chan films. He succeeded on all accounts, and Supercop is easily the best of the Chan Police Story films. The two would also team up for one of Chan’s most popular films, Rumble In The Bronx. While I’ve not seen anywhere near all of Chan’s Hong Kong outings, this is high and away the best that I’ve seen from that market.
Jackie Chan once again stars as police inspector Chan. When he overhears his superiors talking about a dangerous mission in need of a “supercop”, Chan volunteers for the task. Of course, he has to convince his girl that the month long job is going to be easy and safe, all the while giving her his life insurance policy and bank book records. Chan’s job is to pretend to break the infamous Panther (Wah) out of State custody and infiltrate the organization. He is briefed and trained by INTERPOL Inspector Jessica Yang (Yeoh). Once he’s ready the breakout commences, but the military guarding the prisoner aren’t in on the gag. After dodging bullets and missiles, Chan gets Panther safely away. Now the gang wants to meet with their contact in a local town that just so happens to be Chan’s cover story hometown. This is where his family is supposed to be. The only trouble is that Chan’s never been there before. INTERPOL sets up a fake group of family and friends, and it’s amusing to watch Chan try and fake his way about knowing these people when he’s not even sure who they are each even playing. Chan has a particular problem when he’s introduced to his “sister” played by Yang. The two follow the gang through various government operations to recapture him. Finally they’re in it for the meet and payoff, but Chan’s cover gets blown by a chance meeting with his girl, May (Cheung). Now it’s as much a matter of survival as of bringing down the bad guys.
Posted in: Disc Reviews by Archive Authors on December 31st, 2008
“I fear I’ve done some things in life too late… and others too early.”
Not a creed for the growing minions of our divorced population (though it probably should be), but a remarkably summative line from the new film The Duchess starring Keira Knightley and Ralph Fiennes. Knightley is Georgiana, a spirited young girl, who starts with a fairy tale ideal of how her life as a married woman will be, but soon learns the world (and especially her husband, Fiennes) isn’t ready for her brand of feminism. Knightley does an admirable job of charming the peripheral characters, as well as viewers, but she cannot seem to win the affections of her husband. As time passes, she no longer cares, and instead seeks solace in the arms of Charles Grey (Dominic Cooper), a promising young politician.
Posted in: Disc Reviews by Gino Sassani on December 31st, 2008
Based on the true story, Coach Carter follows the tale of a high school coach who was once an All-American athlete himself. He is brought in to coach basketball at his old school where he still holds a few records. He accepts a challenge to turn around a program that has become mired in a tradition of defeat. He takes a no nonsense approach to the players from the moment he meets them He insists on being called sir and insists that they demand the same respect from him. He puts them through workout drills that seem almost impossible, exhausting the entire squad. A few leave, unwilling to meet the high standards. In addition to the physical shape he is whipping them into, he has brought about a higher level of team spirit. That spirit is evidenced when one of the walkouts asks to return. Carter requires him to complete an impossible number of tasks. When the player comes up short as the deadline approaches, the team offers to take some of the load and do it on their own time. Lesson learned. Carter requires them to sign detailed contracts that outline his expectations which include a 2.3 GPA, .3 above the state requirement. The method pays off as the school goes on an incredible winning streak. But when Carter discovers that several of the team members are failing in their academic responsibilities, he makes a controversial call to lock the gym, canceling all practices and games until the GPA is met by everyone on the team. The community becomes outraged, but Carter holds steady, willing to be fired rather than relent. To his surprise, the team stands behind him, and they help each other reach the goal in time to make a run at the championship.
Coach Carter is really two films in one. It is certainly a sports film with many of the clichés that entails. You’re going to get a good dose of sportsmanship and plenty of basketball action. There is a second film here that makes this one rise above the many chumps to champions type movie you know you’ve seen a hundred times, if you’ve seen it once. Carter, as played by Samuel L. Jackson, is a dynamic character. In a way Jackson takes something away from the accomplishments of the real Ken Carter, because he’s so powerful that for us, it’s no wonder these kids were willing to follow him into Hell and back. I’m sure the real Ken Carter had a much tougher fight, simply because he’s no Samuel F’n Jackson. The second film here deals with the neighborhood the school is in. These kids deal with drugs and violence on a daily basis. Their lives outside of the school are likely more trying than anything they’ve encountered in school or basketball. This “second” film really begins after the first hour when the lockout begins.
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![Coach Carter [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/coach-carter-blu-ray-large.jpg)
