Posted in: Disc Reviews by Archive Authors on June 23rd, 2008
It's not that video game movies are bad because they are based on video games -- things that are usually void of character development and plot in favor of cheap thrills -- it's just that they've mostly been handled by hacks, from the director down to the caterer. This usually makes the movie about as tedious as the filmed vignettes you're forced to watch in between the video game's levels.
Hitman is the newest example of a video game movie, although by the time you read this review, chances are there's another video game movie out in theaters. Uwe Boll seems to crap out about a half dozen of these things each year. Anyway, Hitman does little to advance the fate of video game movies, due to bland characterization and a murky yet simple plot. That said, it's a visual feast of bullets, blood and Olga Kurylenko (Quantum of Solace). But that's about the only thing Hitman has going for it.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2008
Resurrecting The Champ claims to be “inspired” by a true story written by J.R. Moehringer for the Los Angeles Times Magazine. I’m not very well versed in the original story, so I won’t bore you with any attempt to justify the film against actual events. I only hope that the real Moehringer wasn’t a tenth the idiot that Erik is in this film. Perhaps so close on the heels of the Tomase Spygate fiasco it’s not as hard to believe that a reporter could be this gullible.
Posted in: Disc Reviews by Archive Authors on June 17th, 2008
It’s nice when a movie lives up to its expectations and even surpasses them because it rarely seems to happen anymore. Such is the case with Anton Corbijn’s Ian Curtis bio-pic, Control.
I’ve been waiting to see Control for a long time. From the start, the film sounded interesting, since I am a huge fan of post-punk alternative rock music, the genre that Ian Curtis and Joy Division practically invented in the late 1970’s. But when I heard that long-time band collaborator and renowned music video director Anton Corbijn was directing the film, my anticipation rose to even higher levels.
Posted in: Disc Reviews by Archive Authors on June 14th, 2008
Katherine Heigl gets her Juila Roberts on in the romantic comedy 27 Dresses as Jane, a friendly woman who can't say no to planning weddings for the many people she knows. Ever since she was young she's loved weddings, even though she doesn't seem to have the time to find a future groom of her own. She's in love with her boss, George (Edward Burns), but when Jane's sister Tess (Malin Akerman) drops in for a visit, Tess and George fall in love and before Jane knows it, they're engaged to be married and she's planning their wedding. Let the cliched rom-com hijinks begin!
Along the way Jane meets Kevin (James Marsden), a cynical, anti-marriage commitments writer for the fictional New York Journal and the two begin a bickering love/hate relationship. Chances are you know how it'll turn out.
Posted in: Disc Reviews by Archive Authors on June 13th, 2008
I’m not sure how many people are familiar with the process of moviemaking, but when a film is not up to studio expectation and takes a long time to finally arrive to theaters after filming has wrapped, the result is sometimes due to financial issues with the studio. But most of the time it’s due to the fact that the studio has seen the final product, and it’s so abhorrent and without any value, redeeming, comic or otherwise, that it will be released as quietly and without recognition as possible. Now I don’t know if there were any financial issues surrounding Strange Wilderness, but I will say this: the film was shooting as far back as December 2005 and was released in February 2008, and at this point on rottentomatoes.com, there is not one positive review from the three dozen that are on the site. I’ll leave it to you to decide what the reasons why are.
Strange Wilderness was written by Peter Gaulke and co-written (and directed) by Fred Wolf. Both of whom were writers on Saturday Night Live. Wolf, in fact, is the head writer for the show to this day. The film is based on a series of shorts the pair would put together, and in the feature, Peter (Steve Zahn, Rescue Dawn) is the son of a nature reporter and enthusiast, and does a show extolling nature, but things aren’t going his way. So, after an unproductive meeting with his network executive (Jeff Garlin, Curb Your Enthusiasm), he decides to go on an expedition for well-known wilderness legend Bigfoot. So he packs up his crew, which include Cooker (Jonah Hill, Superbad), Junior (Justin Long, Walk Hard), Fred (Allen Covert, Little Nicky) and Danny (Peter Dante, Big Daddy), and they all head out into the woods to find Bigfoot. Peter’s crew is a couple of cans short of a six pack, so wacky hijinks ensue.
Posted in: Disc Reviews by Archive Authors on June 13th, 2008
Come on, admit it, you want to say that Hayden Christensen was the worst part if the latest trilogy of Star Wars films, and yeah, the guy did bring the suck, to be sure, but he wasn’t really that bad, right? Well yeah, he was, but he’s not the only thing wrong when it comes to Jumper, the latest film from writers David S. Goyer (The Dark Knight) and Jim Uhls (Fight Club), who adapted the Steven C. Gould novel. Directed by Doug Liman (The Bourne Identity), Jumper features Christensen as David Rice, a man who grows up with a genetic gift, the ability to ”jump” from place to place, Christensen’s performance was his first major role since transforming Darth Vader from an ominous, silently rueful and dominating presence, to a dude who thought his girl was cheating on him, so he started hanging out with a creepy old guy as a result.
David is unsure about his ability when he first discovers it but then starts to use it to his advantage, going to places ‘round the world, walking in and out of banks unnoticed, pretty much getting a chance to do whatever he wants. He leaves his Dad (Michael Rooker, Mallrats) early on in his life, and his mother (Diane Lane, Untraceable) had long since abandoned him, so the world is pretty much his oyster, right? Wrong. There’s a guy out there who captures and kills “jumpers,” a guy named Roland, played by Samuel L. Jackson with a grey wig, which, if I may, pretty much tells you it’s going to be a bad movie. Honestly, outside of a Quentin Tarantino movie, have you seen a really good movie that he’s in where he’s wearing some stupid hair prosthesis? Thank you. Soon, David finds someone else that can jump, a British guy named Griffin (Jamie Bell, King Kong), who, aside from telling David he’s not completely unique, also tells him that Roland is part of a group who hordes and kills jumpers named “Talismans,” so he’s generally got to watch his butt around them.
Posted in: Disc Reviews by Archive Authors on June 2nd, 2008
You probably remember where you were when you saw the trailer for Twister. Hot off the heels of Forrest Gump, which was a nice story with some pretty cool computer effects at the time, Twister simply took the effects to a whole other level. Barns were torn apart, cars were tossed into the air, and that one shot, where the car is driving as a tractor is thrown and slammed into the ground, and the tire from the tractor hurdles through the car window. You wanted to go see that film, whatever the cost might be.
But holy crap, once that movie came out, the film landscape was redefined. But it was less about actual storytelling per se, and more about the computer effects that carried the film along, with not a lot of significant or even interesting story or characters that were appealing enough to care about. No real original ideas, just 113 minutes where director Jan de Bont (Speed) tries to dazzle you and say, “Hey look! Really cool twisters!” And you know why that is disappointing? Because one of the writers was Michael Crichton, who’s written some pretty cool stuff: Jurassic Park and Westworld, and yet nothing much is to be had here. Bill (Bill Paxton, Aliens) has returned to Oklahoma and “Tornado Alley” with his fiancée (played by Jami Gertz of Still Standing lore), to find out if Bill’s estranged wife Jo (Helen Hunt, As Good As It Gets) has signed the couple’s divorce papers. Jo hasn’t yet, so Bill’s got to stay on her to get them done. In the meantime, the chase to find a twister has begun, and Bill, compelled by an urge to see a technology that he and Jo had envisioned come to fruition, helps Jo and her crew out for one day.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2008
The first National Treasure film took us on a historical journey through the locations that were the birthplaces of The United States. There might not have been a ton of historical accuracy, but there were enough things right that it was an entertaining adventure. For the sequel, the entire canvas was greatly expanded. While we’re once again deep in some arcane American history, the locations span the globe.
Posted in: Disc Reviews by Gino Sassani on May 13th, 2008
Just in time for the release of one of the most eagerly awaited films in years comes a new box set of the Indiana Jones Adventures. The problem is that these transfers are not upgrades so, aside from squeezing out a few extra bucks, what’s the point? I’m sure that The Kingdom Of The Crystal Skull will add hundreds of millions to the
Posted in: Disc Reviews by Archive Authors on May 2nd, 2008
It’s hard to peg a movie like Things We Lost in the Fire. While people want to slam it and say that it’s not an uplifting movie, I think that upon further review, they might want to examine those behind it, and see that it’s another solid effort from them.
Written by Allan Loeb in his writing debut and directed by Susanne Bier, the talented Danish director behind the film Brothers, the film centers on a recent widow named Audrey, played by Halle Berry (X2), who lost her husband Brian (David Duchovny, The X-Files) to a murder in tragic circumstances. After notifying Brian’s friend Jerry (Benicio Del Toro, Traffic) about the murder, Jerry doesn’t seem to take it so well. Brian and Jerry have been friends since they were kids, and while Brian went onto a life as a successful architect, Jerry was a lawyer before becoming addicted to cocaine and heroin, and was spending his days at a sleazy dive apartment getting high. Yet Brian would come and visit Jerry, to catch up and talk about his family. When Audrey would be skeptical of how Jerry might be exploiting Brian, Brian stuck by him. So what Audrey winds up doing is inviting Jerry to live with them. In the process, Jerry helps Audrey and her kids cope with their loss, while trying to strike the delicate balance of sobriety.
