Posted in: Disc Reviews by Gino Sassani on April 20th, 2007
As I watched the DVD for Deja Vu I had this uncanny feeling that I’d seen it all somewhere before. Suddenly it hit me. I had seen it all before. It was a darkened multi-plex last Thanksgiving weekend. That’s when I saw the film for the first time and was somewhat intrigued by the originality of the story. I have to say that watching it again on DVD, I think I liked it more the second time around. The basic concept is perhaps not original at all. It is the framework of the idea that I found refreshing. The film also...sparks more than a casual philosophical debate that brings in such high concepts as morality and paradox. This is certainly a film worth thinking about, and that is all too rare today.
Another area in which this film excels is the casting. It’s not that these are the most stunning performances I’ve seen. What I admire most here is the way the actors easily blended into their parts like a chameleon disappearing from a predator. None of the portrayals leap from the screen and dazzle you with their art, but you almost instantly accept all of them as the characters they play. For such a well known actor like Denzel Washington that is no small feat but, I believe, one of the best compliments one can pay to an actor. Paula Patton is stunning without looking like a typical sex symbol.
Posted in: Disc Reviews by Archive Authors on April 18th, 2007
Take a second and think about your life. You have a pretty set schedule right? Get up, go to work, come home, eat dinner, watch TV and go to sleep and repeat. Pretty dull no? Imagine getting a card when day at your birthday inviting you to open your life into a completely different world of change. Would you necessarily change? And what would come from the change? That is what David Fincher looks at in his 1997 film The Game.
Nicholas Van Orton (Michael Douglas) is your typical investment banker. Hi... life is completely in order and he knows exactly what is going on, why it’s going on and when it’s going on. And Nicholas likes his life in this order. His brother Conrad Van Orton (Sean Penn) knows that his brother’s life needs a reshuffle so he decides to give his brother a card to a company called CRS, which Conrad tells Nicholas he tried while in London. Curious at what CRS is, Nicholas travels to their office and after nearly a day of tests that include questions like ‘Do I enjoy hurting small animals’, Nicholas receives a phone call saying that his application has been rejected. Now Nicholas is a man of order and is obviously annoyed by this. Then one evening he notices a small wooden clown in his driveway. Upon further inspection, Nicholas realizes that the clown has a key inside of it. This key marks the beginning of a series of strange events that demand Nicholas’s attention if he wants to survive this game.
Posted in: Disc Reviews by Archive Authors on April 17th, 2007
January is typically the month when most studios dump those films they think won’t succeed on our laps. Unfortunately this was the case with Smokin’ Aces, a film that has such an odd sense of humor that we can’t help but smile at what’s in front of us. As we know Joe Carnahan’s previous effort Narc is a dark, gritty film with little to no humor. How could a man with such a dark, violent mind direct a film with as much violence but such a level of humor?
Our film opens with two federal agents ...itting in a surveillance van late at night. Messner (Ryan Reynolds) and Carruthers (Ray Liotta) are eavesdropping on a conversation a few mob bosses are having. Before you re-read that sentence, yes Ryan Reynolds the typical college film guy is playing a serious man here. Talk about weird huh? Moving on though, we soon learn that Buddy “Aces” Israel, a Las Vegas stage magician, a man who absolutely loves hanging out that Las Vegas crowd (read pimps, gangsters, drug dealers) made the big mistake of pretending to be a gangster himself. It turns out that Israel made a big mistake by trying to impress his buddies. Such a mistake that has the FBI agreeing to work with Israel as he rats out his varying Mob connections in hopes of being protected.
Posted in: Disc Reviews by Archive Authors on April 9th, 2007
In many ways, slasher films are like porno movies. Chief among them is that many times you just want to skip to the good parts. There may be a plot, but it’s so poorly constructed, the dialog is downright embarrassing and the direction leaves a lot to be desired. But the one thing they get right is all that matters. After all, there’s only one reasons we watch.
Going to Pieces: The Rise and Fall of the Slasher Film is a documentary which does just this. It features some of the most gruesome and fam...us scenes from slasher films, all while exploring the slasher film’s history, from inception in the late 70's, right up until what seems like a few months ago, with in-depth and fascinating interviews from the slasher film masters themselves, as well as others in the slasher film industry.
Posted in: Disc Reviews by Archive Authors on April 8th, 2007
On June 4, 1968, U.S. presidential hopeful Robert F. Kennedy was shot in the kitchen of the Ambassador Hotel, and later died in hospital. Bobby is the story of that day, and the people who were there.
It’s not so important that I summarize the characters and their stories for you. What you should know is that Bobby is one of those films that cuts between many plot lines that seem unrelated until the end, when an event brings them all together. In this case, we’re talking about 22 people at the...Ambassador Hotel, and the assassination that changed their lives forever.
Posted in: Disc Reviews by Archive Authors on April 4th, 2007
To the credit of James Bond film producers Michael G. Wilson and Barbara Broccoli, they realized that recycling a storyline with Russian antagonists or other satellites of communism, was stale even several years after the Berlin Wall fell. But in its place, the big Bond villain was a Serbian national of sorts named Renard, who was shot in the head, and the bullet, still lodged in his brain, made him magically impervious to pain.
When it comes to The World is Not Enough, the ideas and aspirations (the script was written by Neal Purvis and Robert Wade) were fairly lofty, and the directing choice (Michael Apted of Gorky Park fame) was interesting. In this installment, Pierce Brosnan reprises his role as 007, this time following the death of a wealthy English businessman whose daughter (played by Sophie Marceau, Braveheart) was kidnapped and held for ransom. How does Renard play into it? Well, he's holding the daughter for ransom, part of a larger plot to control the world's oil supply.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
A ferocious typhoon washes up a giant egg on Japan's coast. Unscrupulous entrepreneurs lay claim to it, planning to exploit it as a tourist attraction. The egg in fact belongs to Mothra, now nearing the end of her life cycle, and the twin fairies from Infant Island come to Japan in the hopes of having the egg returned. No such luck, but when Godzilla returns and begins another rampage, this time it is the inhabitants of Infant Island who are turned to for help in the hopes that Mothra will come to Japan's aid.
This was one of the Godzilla films that was least hacked about for its American release (the running times between the two versions here differ by less than 30 seconds), and of the first series of Godzilla films (running from the 1954 original to 1975's Terror of Mechagodzilla, this is arguably the best after the first. Colourful and exciting, with lively monster battles that never undermine the dignity of the creatures, this is Toho at the top of its game.
Posted in: Disc Reviews by Archive Authors on April 2nd, 2007
Turistas is a horror film about six hard-bodied 20-somethings whose vacation in paradise turns bad when they're drugged, robbed and kidnapped on behalf of a crazed doctor who wants to harvest their organs while they're still alive.
I think that about sums it up. Now let's talk about why this film isn't any good. First, while I realize characters in horror movies are supposed to fall into traps, never before have I seen characters this stupid. They don't just make one or two dumb choices. No, these kids take every single chance they get to put themselves in danger.Even when someone - in absolute terror - tries to warn them away from the evil doctor's home in the middle of the jungle, they insist on going anyway.
Posted in: Disc Reviews by Archive Authors on March 31st, 2007
Admittedly after George Lazenby left the James Bond franchise when On Her Majesty's Secret Service was released, producers Harry Saltzman and Albert Broccoli wanted to go with a more American-based Bond in their seventh film, and were pretty serious in their intent. At one time, Adam West (yes, Batman) was even involved in negotiations to play the part. Actor John Gavin (Psycho) was signed and sealed for the role a week before principal photography started. But Sean Connery was pitched for it, a bunch of money was thrown at him, and he went upon his merry way to reprise the role that made him famous.
In this film, which was adapted from Ian Fleming's novel by Richard Maibaum (Goldfinger) and Tom Mankiewicz (Live and Let Die) and directed by Guy Hamilton (The Man with the Golden Gun), James finds himself at the beginning of the film thwarting yet another attempt at world domination, this time by Blofeld (Charles Gray, who ironically played a Bond ally in You Only Live Twice). SPECTRE does make a larger plan though, with the planned kidnapping and impersonation of a mysterious and reclusive Las Vegas-based millionaire, in order to proceed with nuclear testing with the goal of mutually based destruction.
Posted in: Disc Reviews by Archive Authors on March 31st, 2007
Once Roger Moore left the Bond franchise (some would say three or four films too late), quite a few things left with him. When Timothy Dalton, whose most well-known work before this was an excellent supporting turn in The Lion in Winter, was brought in, several things seemed to change. First and perhaps most notably, the return of a James Bond that smoked cigarettes was most startling. Second, supporting characters like Lois Maxwell (who played Miss Moneypenny) and Bernard Lee (M) were replaced with younger, fresher (?) perspectives. Was all this change in the perspective of "modernizing" Bond worth it? Well, Dalton's role in The Living Daylights was the first of two Bond films, so easy come, easy go I guess.
In this installment, based on an Ian Fleming story that was adapted to a screenplay by current Bond producer Michael Wilson and Richard Maibaum (Diamonds are Forever), James helps a Russian general (played by Jeroen Krabbe, The Fugitive) defect to England from Russia, but he is unfortunately reacquired by the KGB and kidnapped. James is dispatched to Russia to kill the Russian general that was presumably behind it (played by John Rhys-Davies, The Lord of the Rings), and along the way encounters a beautiful musician named Kara Milovy (Maryam D'Abo, White Nights), who is also reaching out to the defecting general.
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