Posted in: Disc Reviews by Archive Authors on March 30th, 2007
The first question I ask about any new version of a film is the obvious - is it better than the original? Same goes for Payback - Straight Up: The Director's Cut. Sometimes, the difference between versions is so minor that the answer is straightforward. In the case of this Special Collector's Edition DVD, however, we're talking about a very different film.
What's changed? I've seen the original a couple of times, but I'm definitely working from memory here. The director's cut is shorter, by about 10 minutes, and darker in tone. There's a new opening that doesn't explain what Porter is after, and his voice-over is gone This results in Porter being a meaner S.O.B. than in the original, as he does plenty of bad stuff before we learn what he's up to, and why his actions might be justifiable. Also absent are a lot of the jokes, which didn't sit well for me in the theatrical cut. Finally, the last third of the film is completely changed to something less complicated and less happy, with an extra shot of ambiguity.
Posted in: Disc Reviews by Archive Authors on March 29th, 2007
Pedro Almodévar is a big deal in Spanish film, and well respected worldwide by those in the know. Almodévar - director, screenwriter and producer - has had major success with films that explore complex themes and favor female characters. His latest, Volver, remains true to those qualities.
Starring Penélope Cruz (Vanilla Sky), Carmen Maura (Comunidad, La) and Lola Dueéas (The Sea Inside), Volver is a film about female resilience, and the power of death over life. Raimunda (Cruz) is a hardworking mother with a lazy husband and a teenage daughter, Paula. When Paula's dad drunkenly approaches her for sex, claiming he's not really her father, she accidentally stabs him to death. Raimunda, taking charge and protecting her daughter, cleans up the mess and hides his body in the freezer of her neighbor's nearby vacant restaurant, which she's supposed to be minding.
Posted in: Disc Reviews by Archive Authors on March 27th, 2007
Two films in, and I am still impressed with Warner Brother's new Raw Feed line of direct-to-DVD horror films. As the direct-to-DVD market continues to grow, Warner's has jumped out in front with their new studio. The first film, Rest Stop, deftly told the story of a woman stranded at a rest stop and terrorized by a local madman. An entertaining film, but certainly not a new premise.Sublime is a much more developed story, and a very involving film.
Tom Cavanagh from TV's Ed and Love Mon...ey stars in a film that is much more psychological horror than outright terror. When George Grieves visits the hospital for a routine colonoscopy, all seems to be going well. When he wakes up, however, he discovers that the procedure was anything buy routine. I don't want to give too much away, but I can honestly say that the film pulled me in early, and didn't let me go until the last frame.
Posted in: Disc Reviews by Archive Authors on March 24th, 2007
He's one of the most compelling villains of modern fiction. Disturbing, disgusting and absolutely captivating at the same time, Hannibal Lecter can really get inside your head.
You may not have read the novels by Thomas Harris, or even seen all of the films, but I'm willing to bet you're familiar with The Silence of the Lambs. One of the greatest thrillers in film history, the film in which Sir Anthony Hopkins became Dr. Lecter is the cornerstone of this three-movie set.
Posted in: Disc Reviews by Archive Authors on March 23rd, 2007
By the time of the fifth James Bond film, producers Harry Saltzman and Albert Broccoli decided to shake things up a bit creatively. Star Sean Connery was probably getting a little antsy inhabiting the suits and drinking the martinis and feared getting pigeonholed (sorry Sean) and announced he was stepping away from the role. However, he still had one more in him, and with You Only Live Twice there was a definite change in style. It may have been based on Ian Fleming's novel, but it was adapted for the screen by Roald Dahl, of Charlie and the Chocolate Factory fame. Lewis Gilbert began the first of his three Bond adventures as director of the Bond films, and in a surprise, Freddie Young took the cinematographer reins, quite a change of pace for the collaborator of such David Lean classics as Lawrence of Arabia.
Moreover, I think You Only Live Twice is probably one o the first Bond films I can recall seeing, growing up back in the day. It's probably because the pre-opening sequence where the spacewalking astronaut gets swallowed by the satellite always stuck with me, who knew? However, the bigger surprise should probably be that there was a pretty good story along with that stunt. In this installment of the film (out of order from the original intent of the producers, who wanted to shoot On Her Majesty's Secret Service), James goes to Japan to continue to thwart the attempts of SPECTRE and Blofeld (Donald Pleasance, Halloween). And because James is in Japan and is as obvious as any tall Englishman can be in Japan, there are some subtle things to make him blend more with the people and the culture.
Posted in: Disc Reviews by Archive Authors on March 22nd, 2007
The Last King of Scotland generated quite a bit of buzz at this year�s Oscars, most notably the performance by Forest Whitaker. Based upon the book of the same name, which was in turn based upon the Ugandan dictator between 1970 and 1979; Idi Amin. Although the movie involves a completely fictional protagonist it apparently shadows the life of Idi Amin quite well, which offers a nice mix of fiction and reality.
Nicholas Garrigan (James McAvoy) recently graduated from medical school and decides to lead his expertise to a small countryside hospital in Uganda. Just upon arriving, a new dictator has stepped into office by force, Idi Amin (Forest Whitaker) who is greatly admired by the people. One day while in the area, Amin is involved in a small car accident and Garrigan begins treating him. A nearby cow injured from the accident is suffering and his noises begin distracting Garrigan who very boldly grabs Amin�s pistol and kills the cow. Amin appears to be offended, but when he hears that Garrigan is from Scotland, a country he respects and Amin begins to admire Garrigan. Initially Amin seems like a great guy out to improve his country; Garrigan even becomes his personal physician and his most trusted advisor. But as the story proceeds we learn more and more of Amin�s corruption and brutal ways, causing alarm for even the always-loyal Garrigan.
Posted in: Disc Reviews by Archive Authors on March 21st, 2007
Eragon is based upon the best selling book, which was written by then nineteen-year-old Christopher Paolini. This film was met with much hype, but initially to me seemed to be another generic Lord of the Rings type rip-off, with the addition of a dragon. Not usually my type of movie, but The Lord of the Rings trilogy did more that just amaze me maybe Eragon has a trick or two up its sleeve.
Right from the beginning Eragon starts off shaky, a storyline that seems too have been done a hundred times before; a mesh of Star Wars and The Lord of the Rings. Eragon is a seventeen-year-old farm boy living in the village of Carvahall in the fictional world of Alagaesia. One night, while out hunting, he stumbles upon a dragon�s egg. At first unsure of what�s really going on, Eragon becomes enlightened that he is the chosen one to save his kingdom. It turns out that before the dark ages of Alagaesia�s dark ruler the land was ruled by Dragon Riders, who are just as they�re called, people who ride dragons. The evil king Galbatroix (John Malkovich) sends his evil minion and sorcerer Durza (Robert Carlyle) to kill Eragon and his dragon as they pose a threat to his dark rule of the kingdom. While trying to unite with the remaining rebels, Eragon is trained by Brom (Jeremy Irons) in the arts of magic, combat, and dragon riding.
Posted in: Disc Reviews by Archive Authors on March 20th, 2007
Ben Affleck is a good actor. So why does he make so many bad choices? I can understand how mistakes like Pearl Harbor could happen on the front end, but how do you explain the fact that he did wonderful work in Hollywoodland and he shows up in a low-budget film like this one all in the same year? He was wonderful in Good Will Hunting and ate up every scene he was in in Boiler Room. Then he did Gigli. This guy is all over the place.
What's frustrating is that he's pretty good...even here, in a film that is overwhelmingly bland. Our man plays a talent agent who is having a crisis of personality. He has lost his confidence, his marriage is falling apart, and there's some unfortunate business with a personal journal. In fact, it's the journal that is the crux of the film. Journal, journal, journal. Practically the entire film is told in voice over. The only thing that I can imagine that is more bland than reading the journal of a no-talent Hollywood agent is hearing the guy read it to you himself.
Posted in: Disc Reviews by David Annandale on March 17th, 2007
James Caan is a sailor whose stopover in Seattle becomes much longer than he expects, as first he has to wait for new orders when a medical exam forces him to miss shipping out with his crewmates, and then his records disappear. During this time, he meets Marsha Mason, a prostitute with an 11-year-old son. Caan falls for both of them, and a finely developed sense of responsibility sees him moving heaven and earth to make life good for all three. His task won’t be an easy one.
On the one hand, the film has the quality common in films of this era (it’s from 1973) to take its time and soak the audience in a convincingly quirky ambiance. Screenwriter Darryl Ponicsan (adapting his own novel) and director Mark Rydell have fun bouncing the various characters off each other, and we have fun as they do so. But the further into the film we go, the more predictable everything becomes, until there is a generalized collapse into hackneyed melodrama. Ponicsan also wrote the book that The Last Detail was based on, and here, as there, he seems incapable of conceiving of female characters who are not prostitutes (that is, when they are not needy, self-absorbed, neurotic, self-destructive prostitutes). The film has fine performances, is crafted well, but is also badly flawed at its core.
Posted in: Disc Reviews by Archive Authors on March 15th, 2007
No matter where you grew up or what books you�ve read, you have undoubtedly come across the workings of William Shakespeare, and especially his Romeo and Juliet. This film takes the dialogue from the original play pretty much word for word but depicts it in a more modern time, with, of course, then-teen heart throbs Leonardo DiCaprio and Claire Danes as our star-crossed lovers.
Instead of swords and castles, there are guns and skyscrapers. The famous opening argument with Benvolio, Tybalt and Mercuteo is a public firefight that kicks off the film. For the few of you who are unfamiliar with Romeo and Juliet, it�s a love story about two young people who are forbidden to love each other because of their families. For as long as anyone can remember, the Capulets and Montagues have shared a mutual hatred for one another. Romeo, a Montague, and Juliet, a Capulet, meet and share a passionate love for one another but are forever bound to secrecy as no one in either family could accept this love connection � the hate runs too deep. The story deals with the tribulations of love in the midst of hate, and the couple�s eventual decline.
