Posted in: Disc Reviews by David Annandale on July 15th, 2005
Synopsis
Grand Hotel (1932) was the model: a large cast of known faces with soap opera problems. The High and the Mighty takes this set-up and puts the characters in a plane flying from Hawaii to San Francisco, then blows out an engine and has the fuel leak away. John Wayne is the Co-Pilot With The Tragic Past, Robert Stack is the Pilot Losing His Nerve, and they are surrounded by a collection of other very recognizable types: the Cute Kid, the Charming Dying Man, the Loud Couple From N...w Jersey, the Selfish Coward, the Guilt-Ridden Atomic Scientist, and so on. The crisis brings out the best and worst of everybody.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
I didn’t know what quite to expect from watching D.E.B.S. for the first time. So, it looks like a group of college girls who double as CIA assassins, right? OK, I can buy that, I mean, I’m a fan of Alias, so I can dig it. You’ve got Amy (Sara Foster, The Big Bounce), D.E.B. Academy’s top notch student with her pick of anywhere she wants to go; her friend, the tough and ambitious Max (Meagan Good, The Cookout), along with the younger Janet (Jill Ritchie, Herbie Fully L...aded) and the very French Dominique (Devon Aoki, Sin Cit).
Posted in: Disc Reviews by David Annandale on July 8th, 2005
After a wild night with a man she just met, Yumi Takigawa enters the convent of St. Clore as an apprentice nun. She hasn’t joined out of religious conviction. Her mother was a nun here, and died under mysterious circumstances when Takigawa was born, and she has come here to find out what really happened. She encounters all the necessary ingredients of a nunsploitation movie: lesbians, a lustful priest, plenty of whippings, lashings of torture, and tons o’ blasphemy
Watching this 1974 film (based on a comic series) is to realize that the terms “over the top”, “blasphemous”, “delirious” and “outrageous” are sorely inadequate. Most films of this kind promise much, but are hopelessly ham-handed in their execution. This is energetically shot, the colours are eye-poppingly sumptuous, the climactic torture sequence (involving our heroine bound naked by thorny vines and whipped with roses) is a jaw-dropper, and there’s even a touch of the supernatural. So is the merciless attack on religion, of a ferocity that one cannot imagine a Western filmmaker getting away with, especially in this day and age. Screen this at a Republican Party convention, and watch half the audience drop dead of a stroke. For connoisseurs of sleaze, you are about to encounter a masterpiece.
Posted in: Disc Reviews by Gino Sassani on July 4th, 2005
Synopsis
Among the more unjustly ignored performances was Jack Nicholson’s turn as Union boss Jimmy Hoffa in Hoffa. Fox finally decided to put out the Danny DeVito directed, David Mamet written film on DVD. Mamet’s script seems to romanticize Hoffa, portraying him as more of a Union man, as one who was forced to make deals that could compromise his integrity, but he overlooks his integrity in order to help benefit the American working man. The story is told in the point of view of Hoffa aide Bobby Ci...ro (DeVito), a fictitious character whose flashbacks are used to help us see how Hoffa perhaps should be viewed, as opposed to the punchline in some jokes we may make now.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2005
Synopsis
In the midst of all of this Lucas-generated Star Wars hype, why not release an animated film on DVD whose storyline seems to eerily mirror Episode IV’s A New Hope? The story is about a boy named Orin, who works in an underground mine that’s guarded by silver stormtrooper-looking robots. I’m just saying. One day, he finds a sword that has magical powers, and with the help of his friends, he goes on an intergalactic adventure to free his friends from an evil warlord named Zygon. With he...p from the magic sword, of course.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Gone in 60 Seconds is a guilty pleasure - its vacuous and superficial, full of typical Hollywood produced "guy-movie" cues. Cars, guns, explosions, anti-heros, and Angelina Jolie abound, as well as comically evil villains, comically thin plot devices, and comically honourable car thieves. All that being said, though, the movie is great for what it is - a typical Bruckheimer celebration of over-the-top action. Its fun to get lost in the action, and director Dominic Sena imparts a great sense of ...ace (which he failed to carry over into 2001's Swordfish), keeping the tension level-high, the action front & centre, and the cars at full throttle. There's also some real funny moments too - the "Brick House" rendition at the police impound lot makes me cackle like a hyena every time.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 26th, 2005
Synopsis
After making such internationally renowned samurai period films such as Rashomon and The Seven Samurai, Akira Kurosawa did make another film Yojimbo, with a decidedly different tone, bordering on dark comedy. The opening shot is of Sanjuro (Toshiro Mifune, Throne of Blood), a samurai without a master, who looks at a mountain, and suddenly scratches his head, as if his hair is on too tight. It’s almost the breaking down of a facade, helping to show you that the film will ...e bit different from other Kurosawa samurai films. The introductory cards say that the film is set in the 1860s, and the samurai comes into a town ruled by rival gangs. He doesn’t know this when he comes in, but the first thing he sees in town is a dog carrying a human hand. People have said that the way that this film was told reminds them a lot of the Clint Eastwood/spaghetti westerns that came out several years later, and it’s easy to understand why, with the quiet main character whom you can never really tell he’s a hero or villain. He deals with some situations with a toothpick in his mouth, reminding me of Chou-Yun Fat in Hard Boiled. Kurosawa does action flicks? That’s probably the best way to characterize it, but he does it well, without a lot of one-liners or lack of common sense seen within a lot of today’s action films.
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Synopsis
Sydney is a poker-faced professional gambler with a soft heart for a hard luck story. He plays guardian angel to unlucky John and a hooker, Clementine, whom he grows to love like family. When John and Clementine’s honeymoon night leads to a disastrous hostage situation, Sydney takes care of it, as usual. But when slick casino pro Jimmy threatens to reveal a secret from Sydney’s past that could destroy his relationship with the newlyweds, Sydney decides to hedge his bets and not leave anything to ch...nce.
