Posted in: Disc Reviews by Gino Sassani on May 24th, 2005
White Noise borrows much from the successful cycle of modern horror films. There is a tremendous likeness to both The Ring and FearDotCom. The use of a television screen for eerie f/x and a few shocks reminds us of the former, while the torture of the kidnapped victim in industrial and dank surroundings is taken right out of the latter. White Noise has some wonderfully disturbing moments. The atmosphere is rank with just enough possibility to be truly scary at times. Michael Keaton adds that element of respectability and believability which carries a weak script much farther than it deserves. I should also point out that the cinematography is simply brilliant. Transitions are masterfully crafted into a stunning visual experience. I expected this film to disappoint and it did; however, it was not quite the disaster I was anticipating.
The idea of EVP, Electronic Voice Phenomenon, has been around since about the 1970’s. The film’s use of the television is a new fictional wrinkle that obviously makes for more compelling drama. White Noise quickly leaves the arena of the EVP world and enters a mythos of its very own. It is this diversion that creates the biggest problems I have with the film. It seems Keaton sees not only dead folks but those soon to be dead. We are never given any explanation as to how this new development occurs. Normally that’s not a problem, but the film appears to go to great lengths to make sure we understand the principles of EVP, then fails us once the story ventures into new ground. The ending is a completely unsatisfying. I don’t need to be told everything, but would like to have more answers than questions when the credits roll. It seems three really bad dead guys are pissed off, but we never find out who they are or why they’re so angry.
Posted in: Disc Reviews by David Annandale on May 23rd, 2005
As is the trend for today, this is the Special Edition re-release of The Day After Tomorrow tagged as the All-Access Collector's Edition. As much of this set is the same as the original release, pieces of this review will be taken from our prior review of The Day After Tomorrow.
Storms both freakish and intense devastate the planet. Climatologist Dennis Quaid realizes that the world is on the brink of a sudden new ice age. As a freezing hurricane descends upon the US, Quaid must struggle through the snow and killing cold to reach a crippled New York City, where his son (Jake Gyllenhaal) is huddled with other survivors in the Public Library.
Posted in: Disc Reviews by Archive Authors on May 21st, 2005
Kinsey, starring Liam Neeson, is a film that seems more relevant today. Albert Kinsey, known to his students as Prok, had to fight societal conservatism to get his work published and recognized. The movie is part biography/part sociological study. The director/writer Bill Condon traces Kinsey’s life from early childhood to older age. The flaws of the film are a matter of narrative clarity: in two hours, Condon tries to pack too much in. However, Kinsey sports a strong cast, which makes the two hou...s fly by. This is one of best films of 2004.
Liam Neeson is perfectly cast as the complex “Prok”. Neeson seems so natural in these “important roles” (think Oscar Schindler). He has the detachment of a scientist, but we know the heart is raging underneath. He is seduced by a male colleague (played by the stellar Peter Sarrsgard), and the scene is electric. There is also a scene later in the film where Kinsey feels the guilt for opening up this “Pandora’s Box”. Neeson has a breakdown that is perfectly believable. Laura Linney (in her Oscar Nominated role) is equally as watchable as Kinsey’s wife “Mac”. Linney captures the complexities of this character as well; she’s torn between unconventional morality and her love for “Prok”. In the film’s final touching scene, Prok and Mac emerge as a couple that really does need each other. There is a depth and subtlety to their relationship that words cannot express. Kudos to Condon for bringing such a modern, mature relationship to the screen. Rounding out the cast is Peter Sarrsgard, Timothy Hutton, and an excellent John Lithgow (as Kinsey’s father). In a nice bit of type casting, Lithgow plays a conservative preacher (Footlose anyone?), but his final scene with Kinsey is a heartbreaker; one is reminded that Mr. Lithgow needs to leave the 3rd Rock more often.
Posted in: Disc Reviews by Archive Authors on May 21st, 2005
There’s nothing like a big Hollywood epic. And Martin Scorsese is the man to deliver. The Aviator is a tantalizing blend of Old Hollywood and modern filmmaking panache. The movie tells the story of Howard Hughes. He rose to fame as a Hollywood producer and aviator extraordinaire. Eventually, Hughes descended into a crippling OCD affliction. The movie gives us a taste of the tragedy to come, but doesn’t dwell on it. The Aviator is a thrilling ride into the world of a complicated man.
The...movie is backed by an extremely solid cast. Leonardo DiCaprio plays Hughes. I had my doubts, but Leo delivers the goods. He’s got movie star looks, but Leo’s descent in psychological hell is quite convincing. I was reminded that, yeah, he can be one of our finest actors (Gilbert Grape comes instantly to mind). Cate Blanchett (in her Oscar winning role) is a dead ringer for Kate Hepburn. And it’s a performance that’s not just mimicry either. Memorable performances also include Alan Alda (in a nice turn), Alec Baldwin (always fun to watch), and John C. Reilly (class act all the way). Kate Beckinsale is an okay Ava Gardner, and Gwen Stefani’s much talked about role (as Jean Harlow) is really just a glorified cameo. The real deal is DiCaprio as Hughes. Leo is pitch perfect.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2005
What the Bleep Do We Know!? appears to be a New Age film without actually saying the words “New” or “Age.” Consider this, the film, produced by Captured Light & Lord of the Wind Films, is about “a life-changing journey with Amanda (Marlee Matlin, Children of a Lesser “God), a divorced photographer who tumbles down a metaphysical rabbit hole.”
Now, that premise sounds interesting enough, you’re unsure where Amanda will wind up or how she’ll get there. But read on…”Her mind-bending voyage throug... the worlds of science and spirituality includes revelations by quantum physics experts, playful animation and even a conversation with a 35,000 year-old being.”
Posted in: Disc Reviews by David Annandale on May 6th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on May 6th, 2005
There are a lot of dumb movies out there. But there's a good kind of dumb and a bad kind of dumb. National Treasure falls into the good dumb category. Nicholas Cage plays Ben Gates, a treasure hunter, an archaeologist I'm really not sure. But his mission is to steal the Declaration of Independence in order to prevent the "bad" archaeologists from taking it. Make sense? There are hidden clues, apparently, in this document which lead to hidden treasure. A treasure Gates' grandfather (played by Christophe... Plummer) told him about when he was a child. In essence, this movie is part Indiana Jones and part Da Vinci's Code.
There are plenty of explosions and chases, no worries there. There's a high level of silliness here, not to mention Scooby Doo logic. But Nicholas Cage is perfectly cast. He is an actor who can walk that fine line between gravity and camp. There's also a love interest and a wise cracking sidekick (played by Diane Kruger and Justin Bartha, respectively). Both performances, particularly Bartha's, take a refreshing crack at the action movie archetypes. Sean Bean is also along for the ride as the main baddie. Bean is always worth watching.
Posted in: Disc Reviews by David Annandale on May 5th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on May 4th, 2005
Wes Anderson has been a breath of fresh air since he hit the Hollywood scene in 1996 with his first feature length film Bottle Rocket. Since then, Anderson has continued to stretch the imagination of film-goers with fabulous films such Rushmore (1998), The Royal Tenenbaums (2001), and now with The Life Aquatic with Steve Zissou (2004). Anderson’s films are not for every joe-schmo film fan; his work could even be described as an acquired taste. But from a creative and visual perspective,...Wes Anderson’s work stands by itself.
Anderson has a thing for using actors that he is comfortable with, so in The Life Aquatic, we see many return actors from his previous films – Bill Murray, Owen Wilson, & Anjelica Huston. Fresh to this film, and with a good chance of appearing in future Wes Anderson projects, include Cate Blanchett, Willem Dafoe, & Jeff Goldblum. With a cast that reads as a whos-who of Hollywood, how could this film not be entertaining?
Posted in: Disc Reviews by David Annandale on May 1st, 2005
Synopsis
