Posted in: Disc Reviews by David Annandale on April 27th, 2005
Synopsis
Directed by Gordon (Them!) Douglas, these three crime thrillers have Frank Sinatra doing his best hard boiled as he unravels complicated (and not always entirely comprehensible) mysteries.
Posted in: Disc Reviews by Archive Authors on April 25th, 2005
Blade: Trinity caught a lot of flack from most critics, and even the movie going public as per the box office returns (only grossing $52 million domestically). When I went to see this film in the theatre, half of my party was extremely disappointed with the flick. The other half, including myself, thought the film was quite entertaining. I must admit, this film does not come close to the original Blade, but I did find it a little bit more entertaining the Blade 2.
The biggest change...to this sequel is the addition of Ryan Reynolds and Jessica Biel to the cast of Vampire Hunters. Reynolds is a breath of fresh air to this series with his wit and humor, and Biel, well, she looks great. Reynolds one-liners were a little much at times (which turned many viewers off), which made this picture more of an action-comedy then an action-horror. You could tell they were stretching for a premise this time around, but the cast pulled through for the most part. I don't think you will get a consensus on this films quality, but if you are looking for some over the top action and some cool special effects, this film is worth a watch.
Posted in: Disc Reviews by Gino Sassani on April 24th, 2005
Elektra was pretty much a failure at the box office, bringing in just over half of its production cost. Add to this the raised expectations of comic characters in the movies and it’s a safe bet Elektra won’t return anytime soon. Although this was not a great film by any standards, it’s a shame it tanked so badly. I missed the film in its theatrical run, and I was actually expecting a far worse film.
Garner is quite good in the role; I thought she brought a ton of emotion to a difficult character. The biggest problem here is the script. Perhaps it was too ambitious, but it was just riddled with holes. The few provided flashbacks don’t serve to bring us from the Daredevil character to where she is now. At times it seems this story would have served better rewritten as an origin story, possibly a prequel to the Daredevil outing. The supporting cast, with the exception of Terrance Stamp, was very bland. The only other notable surprise here was Kristen Prout as the young Abby. The cinematography was wonderful and the locations were breathtaking. This could have been a much better film. Still, it’s worth a view.
Posted in: Disc Reviews by Archive Authors on April 24th, 2005
Enduring Love claims to be a psychological thriller, but comes across as more of a drama then a thriller. The story moves along quite slowly and the overall tone of the film is somewhat dry. The story does take a few interesting turns, and does keep you guessing at times, the story was not suspenseful enough to keep my eyes peeled to the screen for the span of the film.
One thing I can say about this film is that the story is different than anything that I have seen before. It touches upon some od... yet creative human elements, and the acting is quite good. Here is the stories synopsis provided by Paramount… “Joe (Daniel Craig, Road to Perdition) is an accomplished writer and professor whose rational life is thrust into a downward spiral of guilt after witnessing a freak, fatal ballooning accident while picnicking with girlfriend Claire (Samantha Morton, Minority Report). Jed (Rhys Ifans, Notting Hill), another man involved in that fateful day, seeks out Joe looking for consolidation and a way to make sense of this tragedy they’ve both witnessed. Jed soon becomes as inescapable to Joe as his guilt, and both men find themselves hurtling towards a final, terrifying choice driven by the destructive nature of obsession or the true endurance of love.”
Posted in: Disc Reviews by Archive Authors on April 21st, 2005
The Film
Suspect Zero follows the contradictory teacher/student relationship between serial killer Benjamin O’Ryan (Ben Kingsley) and FBI Agent-in-Pursuit Tom Mackelway (Aaron Eckhart, sporting as much chin as Bruce Campbell). O’Ryan is a tormented refugee of a government program to tap psychic powers for military intelligence, and Mackelway is a borderline-rogue agent, tormented by visions and headaches. Without letting slip any spoilers, the movie sees O’Ryan draw their paths together in pur...uit of justice for him self, his victims, and Mackelway.
Posted in: Disc Reviews by Gino Sassani on April 14th, 2005
Star Trek: First Contact is light-years ahead of any other Next Generation film. There is virtually every characteristic that makes good Star Trek present here. James Cromwell as Cochrane provides the best comedy relief on Star Trek since the tribbles. The Borg infiltration reminds us of the first Alien film with its shadows and cramped airshaft scenes. The action is ramped up several notches from previous films. The basic crew seems to have found its feature legs and is more comfortable as a unit.
Purists will find some fault with the continuity errors the film brings to the Trek Universe, but after four years of Enterprise, these errors are quite minor. Jonathan Frakes is not, in my opinion, one of the brightest actors in Trek’s world, but here he does show he has the chops to be a first class director. Like Nimoy before him, it took one of the show’s main actors to breathe emotion into the franchise. The atmosphere in the cinematography is the best of any Trek before or since. This is probably technically the finest Trek film.
Posted in: Disc Reviews by Gino Sassani on April 13th, 2005
While House of Flying Daggers may be easy to pigeonhole as a movie similar to Zhang Yimou's own Hero or even Ang Lee's Crouching Tiger, Hidden Dragon, the only thing you could say about all three is that they have an impressive level of stuntwork that also, features the acting skills of Zhang Ziyi. But where Lee's work is more story based around three characters' feelings for one another, and Hero had some great stuntwork set against some breathtaking cinematography, House of Flying Dag...ers seems to trump them all.
Set in 9th century China, Mei (Ziyi) is a blind dancer in a brothel, who a policeman named Leo suspects can help find a rebel group called the House of Flying Daggers, who possess exceptional skills with small knives. Leo enlists the help of Jin to help free Mei from prison (after she attempted to kill Leo at the brothel) to help lure the government to the rebels. Along the way, he falls in love with Mei, and he does not want her to fulfill his mission, and will protect her at any cost. If you think any of these details divulge spoilers in any way, then you may not have seen the movie yet, as there are many twists and turns that keep you off-balance in the film, while enjoying the excellent fight sequences.
Posted in: Disc Reviews by Archive Authors on April 10th, 2005
The who’s who of Hollywood have assembled once again in this sequel to the highly successful film Ocean’s Eleven. This time around the cast are equally great and extremely entertaining to watch, but the film seems to lack the same strong storyline that it predecessor carried with it.
This time around, the story takes place a few years after the Bellagio heist. A leading European thief known as The Nightfox, consumed with being the best thief in the world, derives a plan to take out Ocean and his te...m. He informs Terry Benedict, the owner of the Bellagio, that Ocean and his men are the people who robbed him year back. Benedict gives all 11 2-weeks to come up with the cash they stole from him… or they are all dead. As can be expected, after numerous misses and comedic capers, the team one’s up The Nightfox, and clears their dept to Benedict.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2005
What kid growing up in the 60’s and 70’s wasn’t totally and completely captivated by the moon landings? We were equally on the edge of our seats when, for a brief moment in time, it appeared we were going to lose our first men in space. Seldom can a film be successful when the audience has most of the story’s details burned into the core of their memory. After all, we know how this one comes out. Still, the film manages to create the intense tension and anticipation as if we were experiencing it all for the first time. The cast is quite crucial for such a monstrous task. Tom Hanks has arguably never been better. The understated style of Gary Sinise is exactly what the film requires when the suspense mounts. It’s particularly gratifying to have Ed Harris along for the ride, quite possibly an homage to his unforgettable John Glenn in The Right Stuff. Ron Howard should be congratulated on producing a piece of cinematic magic that will likely stand the test of time.
Synopsis
Posted in: Disc Reviews by David Annandale on April 4th, 2005
Synopsis
The Amityville Horror (1979) remains one of the most successful haunted house movies ever. Based on a supposedly true story (emphasis on “supposedly”), the film sees George and Kathy Lutz (James Brolin and Margot Kidder) buy their dream home, only to be driven out by supernatural events (little girl makes friends with demonic piggie, blood runs from the walls, and so on). In scenes that have so little to do with the rest of the action they might almost belong to a separate movie, Rod ...teiger overacts to a degree excessive even by his own none-too-restrained standards as the priest who is targeted by the evil in the house. Too tame to be truly frightening, the film succeeds thanks partly to its “true story” aura, but most especially because of the design of the house, whose eye-like windows made it the most recognizable of all cinematic haunted houses.
