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Hammer has risen from the grave. A group of investors have resurrected the film brand and intend to honor the tradition of the once-defunct horror giant. President Simon Oakes is a self-proclaimed fan since he was a kid. He has no interest in trying to fit Hammer into the new mold of torture porn or slashers. He acknowledges that there is plenty of room for those kinds of films in the horror genre. He hopes to bring back more than just the Hammer name. He intends to bring back the gothic spirit that was Hammer Films. Let Me In appears to have been a sincere effort in that direction. But the look and feel of that film along with the rich Hammer legacy have set the bar incredibly high. The last thing I expected from all of this was a direct-to-video standard stalker film called The Resident.

Juliet (Swank) has just come from a bad breakup. She caught her ex sleeping with her friend. Now she's trying to set off on her own. She's an ER doctor at Brooklyn Hospital and is looking for an affordable apartment in the area. She gets a call from Max (Morgan) who owns a nice vintage building with a vacant apartment he's fixing up. The place is huge with a spectacular view and is a "reasonable" $3800 a month. She takes the apartment and finds herself somewhat charmed by Max in the process. She finds herself a little creeped out by his grandfather August (Lee). This leads her to send Max mixed signals. She kisses him but pulls back. Later she invites him to her bed but pulls back again. Apparently, she's still in love with Jack (Pace), who is trying to win her back. Max doesn't take rejection very well and has a series of secret passages into her apartment and a large assortment of peepholes throughout. Juliet finds herself feeling uncomfortable in the apartment but just can't quite put her finger on it, which is more than we can say for Max who has no trouble laying his fingers on her. The last 20 minutes of the film is a typical run-and-chase piece with very predictable results. There aren't any twists or surprises to be found here at all.

"Sherlock Holmes, the immortal character of fiction. Created by Sir Arthur Conan Doyle, he's ageless, invincible and unchanging. In solving significant problems of the present day, he remains -- as ever -- the supreme master of deductive reasoning."

"They rob, kill, and terrorize, and they've left their mark on our nation's history."

"How did The Bible come to be? The Bible wasn't always a book or even a series of books. In the beginning there wasn't even a written language. The prophets and holy men who roamed these lands seeking the truth and preaching God's word as they perceived it were talking to illiterate audiences who could only be reached by the witnessed testimony and the spoken word."

"Once upon a time, a single drop of sunlight fell from the heavens. From this small drop of Sun grew a magical golden flower. It was said that this flower held the power to heal the sick and injured. From this flower sprang a glorious kingdom, ruled by the most generous king and queen, who were soon to have a baby..."

That baby has been the subject of many tales over the years. Walt Disney himself had begun work on an animated feature based on Rapunzel back in the 1940's. Uncle Walt was fascinated with timeless fairy tales, and they became the studio's specialty over the years. For one reason or another the film was pushed back and eventually shelved for other titles. But it seems that the studio that still bears his name continues to have the same fascination with fairy tales and fables. Somehow you probably just knew that they would eventually dust off those old plans and return to the story of Rapunzel.

"And it came to pass in these days that a decree went out from Caesar Augustus that all the world should be taxed. And all went to be taxed, everyone into his own city. So it was that Joseph, a carpenter, went up from Galilee unto Bethlehem to be taxed with his wife, Mary who was with Holy Child."

Every spring around the time of Easter you could count on several annual films to make their way to televisions across the country for special family presentations. For Easter you had The Greatest Story Ever Told and King Of Kings. For Passover there was always The Ten Commandments. And so it is an appropriate time to see all three of these films make their way unto high definition and Blu-ray for the very first time. We've already reported on the excellent release of The Ten Commandments. Our review of The Greatest Story Ever Told will come to these pages very close to Easter itself. That leaves the one more in this Holy Trinity of movies to review.

"May, 2009 - Seven brave astronauts are about to launch on the most challenging and risky missions ever flown in space. This is the last chance to save the Hubble Telescope."

You have to really go back to April of 1990 to get to the start of the story. That's when the shuttle Discovery launched from Cape Kennedy with the Hubble Telescope in its cargo bay waiting to bring the ends of the universe to our waiting eyes. I was there that day among the crowd of hopefuls as the shuttle ignited its thrusters and pierced the sky for space. I bought a commemorative coin from a roving vendor and drove the two hours home without even listening to any music. Watching a shuttle launch is an almost religious experience that, unfortunately, few will ever know. I've been lucky enough to witness seven.

Three years after her unsettling turn in Dario Argento's Four Flies on Grey Velvet (1971), Mimsy Farmer headlined this giallo-related effort by director/co-writer Francesco Barilli. She plays a successful chemist on the verge of a psychotic break. She has been haunted since her childhood by the death of her father, and she has recurring memories (or are they fantasies?) of her mother in the arms of a sinister man. Her sense of reality crumbles as objects and people from her past appear and vanish. She retreats deeper and deeper into a paranoid shell. But just because you're paranoid doesn't mean they aren't out to get you, and there are signs that she may be the victim of a sinister conspiracy.

By the time Barilli's film reaches its admittedly chilling finale, it has ceased to make a lick of sense. This isn't necessarily a bad thing: many gialli (and related Italian horror films) follow a logic that belongs to dreams rather than the real world. But even as Barilli adopts a stately pace (all of the violence in the film is reserved for the last fifteen minutes), he also tries to do too much, as if he were trying to fuse Repulsion with The Wicker Man. The film's head-scratching aspects get in the way of the fist-in-the-gut denouement, or at least prevent it from having quite the impact it deserves. However, the film is handsomely shot, and the ending is sufficiently powerful that it will linger in the mind.

I have been reviewing various discs for plenty of years now. As a rule, I’ve stayed away from most documentaries as I know that unless they involve video games, I will probably use them for a sleep aid. That is not to say I can’t enjoy them, I just know my track record. Then, I received the grand mother of all documentaries, The Civil War by Ken Burns with an anniversary edition to boot. Yep, this is going to be a long and bumpy ride, let’s hold on shall we?

“To understand our history is to understand the Civil War”, Shelby Foote (Writer and Historian).

Our Planet is a merging of a large handful of documentaries that originally aired on the History Channel. Here they are packaged together to thematically display the “Past, Present, and Future of Earth.”

HOW THE EARTH WAS MADE