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"And it came to pass in these days that a decree went out from Caesar Augustus that all the world should be taxed. And all went to be taxed, everyone into his own city. So it was that Joseph, a carpenter, went up from Galilee unto Bethlehem to be taxed with his wife, Mary who was with Holy Child."

Every spring around the time of Easter you could count on several annual films to make their way to televisions across the country for special family presentations. For Easter you had The Greatest Story Ever Told and King Of Kings.

"May, 2009 - Seven brave astronauts are about to launch on the most challenging and risky missions ever flown in space. This is the last chance to save the Hubble Telescope."

You have to really go back to April of 1990 to get to the start of the story. That's when the shuttle Discovery launched from Cape Kennedy with the Hubble Telescope in its cargo bay waiting to bring the ends of the universe to our waiting eyes. I was there that day among the crowd of hopefuls as the shuttle ignited its thrusters and pierced the sky for space.

Three years after her unsettling turn in Dario Argento's Four Flies on Grey Velvet (1971), Mimsy Farmer headlined this giallo-related effort by director/co-writer Francesco Barilli. She plays a successful chemist on the verge of a psychotic break. She has been haunted since her childhood by the death of her father, and she has recurring memories (or are they fantasies?) of her mother in the arms of a sinister man. Her sense of reality crumbles as objects and people from her past appear and vanish.

I have been reviewing various discs for plenty of years now. As a rule, I’ve stayed away from most documentaries as I know that unless they involve video games, I will probably use them for a sleep aid. That is not to say I can’t enjoy them, I just know my track record. Then, I received the grand mother of all documentaries, The Civil War by Ken Burns with an anniversary edition to boot. Yep, this is going to be a long and bumpy ride, let’s hold on shall we?

Our Planet is a merging of a large handful of documentaries that originally aired on the History Channel. Here they are packaged together to thematically display the “Past, Present, and Future of Earth.”

One of the (many) reasons that Scream 3 was such a weak entry is that it tried to riff on the rules of trilogies, when, at the time of its release, there really weren't any horror film trilogies, with notable exception of the Omen series (and the not-so-notable exception of the trio kicked off by Captive Wild Woman in 1943). But the last few years have seen the completion of two horror trilogies, whose third parts were a very long time in coming. Dario Argento wrapped up his Three Mothers trilogy with the disappointing Mother of Tears in 2007. And now, hitting home video, is a primal roar that also happens to be José Mojica Marins' 2008 conclusion to his Coffin Joe saga.

There is a place in London of the United Kingdom that is down in the Royal Borough of Kensington and Chelsea that used to be the first Church of Christ. However, throughout the years the populace decreased that flowed into the church and it became a shell of its former self. Still a goregous location, in 2001 it became home to the Royal Philharmonic Orchestra. That building is called Cadogan Hall. Fast forward to 2009, a band called Marillion decided to play there which led to this 2011 release.

A newspaper article infuriates the White House, which retaliates with all its political might to discredit the story, crush its author and cover up its own internal corruption. Sound familiar, like maybe All the President’s Men? If that’s among your favorite docudramas, then make room on the shelf for Fair Game, a real-life paranoid trip that unfolds across continents but finds its emotional center in a quiet suburban home.

Phoenix is having a rough night. Her scumbag ex boyfriend has just shown up in her apartment with a gunshot wound and a sack of stolen cocaine and her psychotic HIV positive prostitute sister has also shown up, having just shot a john in the face. Plus there are gangsters after the cocaine who will stop at nothing to get it back. Plus there’s her lesbian friend downstairs whose brother is involved on multiple levels and wants to drag her into a plot to steal and sell the cocaine. Plus it’s her birthday.

All eyes are on Angelina Jolie; okay, so that's not much of a surprise, is it? But, I'm talking about the opening scenes of Jolie's partnership with Johnny Depp in the remake of the French spy thriller Anthony Zimmer, retitled for the American audience, The Tourist. Her character Elise is attracting a lot of attention from men hidden away in vans with surveillance equipment trained on her every move and from every angle. No, it's not the paparazzi this time. Elise is being followed because the intelligence community believes she will lead them to their real target, an elusive master criminal named Alex.