DVD

A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.

The Freebie is a festival friendly drama-comedy about Darren (Dax Shepard) and Annie (Katie Aselton) ailing sexual relationship.  The film is interested with relationships after they pass the lust stage.  How do couples maintain a healthy romantic relationship? Darren and Annie strive for ways to spice up their situation and the idea eventually becomes one night of freedom from each other to explore other options. 

Denis Leary and Friends presents: Douchebags and Donuts includes stand up sets from Adam Ferrara, Lenny Clarke, Whitney Cummings and Denis Leary. Also, there are musical performances by The Enablers featuring the Rehab Horns.  All proceeds from this event (as well as portions of the DVD sales) went/go to Denis Leary’s charity, The Leary Firefighters Foundation.

An ex-con trying to pull one last heist is sucked into a booby trapped house and must face against a madman who is torturing the family within. The makers of 3 SAW films (and not the first three) have ventured into familiar territory of nonsense gore, whisper thin plot, and then even more nonsense gore.

“’Have gun, will travel’ reads the card of a man. A knight without armor in a savage land…”

Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett Butler gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age.

Written by Diane Tillis

Magic is a source of great debate. From the great magicians like Harry Houdini to the modern magicians like David Blaine, they continue to force their audiences to pick a side of the debate. Should you believe the truth of the trick? On the other hand, you could forget the truth and believe in the magic. Which side would you choose?

Written by Diane Tillis

When I first heard about Hot in Cleveland, I thought the show would be a modern remake of The Golden Girls. Both shows have four older, single women, living under one roof, as they try to survive each day with a little bit of humor. Before watching the show, I was worried that Hot in Cleveland would appear to be a hasty decision by TV Land because they wanted to jump on the Betty White bandwagon

Written by Diane Tillis

You know him from Baywatch, Knight Rider, and America’s Got Talent. After nearly four decades in the entertainment business, David Hasselhoff created quite a name for his career as a pop icon. Now at a point in his dwindling career, Hasselhoff takes the plunge to be the center of attention at a Comedy Central Roast production. The man of a thousand voices, Seth MacFarlane (Family Guy), hosts the production.

A young dreamer named Power is fired from his mining job just before his union-leader father instigates a strike. Wishing he could be a drummer, but never getting the chance to play an actual kit, Power does not know what to do with his constant ambitions that make him air-drum 24/7. Fate steps in and he discovers an underground movement of air-drumming that all leads to a major event in New York city where he will have a chance to face off against a billionaire country-music star, who just so happens to be the son of the evil Copper Mine owner who is treating his Union friends, and family, so unfairly.

George Papdapolis (Alex Karras) and Katherine Calder-Young (Susan Clark) meet on a Greek cruise, and, after a whirlwind romance, return to Chicago. They're a bit of an odd couple – she's a blue-blood, complete with male secretary, and he's an ex-football player. The cross-class romance is barely underway, however, when they suddenly find themselves the guardians of the unspeakably adorable seven-year-old Webster (played by twelve-year-old Emmanuel Lewis) after his parents die (George had agreed to be his godfather back in the day).