Posted in: Disc Reviews by William O'Donnell on November 17th, 2012
A wealthy mother of three has a secret revealed about her past when her well-meaning son brings a homeless man over for dinner. This production is a play that has been filmed (not adapted) with a laugh-track spliced in, making it resemble a television show. It's meant to be inspirational but it's really just a big mess.
Every single scene in this “film” is flawed. The moral questions brought up are contrived and the solutions are ridiculous. The matriarch of the family has made millions in real estate and is planning to shut down a homeless shelter by buying the property (this is actually revealed at the climax of the film but it's so incredibly predictable that I may as well put it right here at the beginning of my review). One of her children wants to stop the deal and save the shelter after befriending one of its residents. I may as well spoil this part too: the homeless man turns out to be the father of the family. That's right. The characters in this film only exist in total extremes; either incredibly rich or utterly poor. The solutions to everyone's problems is when a millionaire faces a moral dilemma and uses their wealth to fix everything...just like it is for all families right? Totally plausible and relatable right?
Posted in: Disc Reviews by William O'Donnell on November 14th, 2012
There are two films that are on the main disc; an experimental film by Nicholas Ray and a documentary by Susan Ray about the making of said film. They are perfect companions on this release and I feel one is crucial for the other, therefore I'm going to treat neither as simply a “Bonus.”
We Can't Go Home Again
Posted in: Disc Reviews by Michael Durr on November 13th, 2012
As a moviegoer, I love my share of epics. The bigger the storyline, the bigger the world, the more I probably enjoy it. Oh, it has to be sci fi/fantasy related too. Fantasy worlds in particular are often amazing since the creator is making it up from scratch. Today, we visit the world Aradius, a land where a very special mineral plays a very important part in the story. The story you ask? The story of Hirokin, the Last Samurai. Let’s explore, shall we?
Let’s start with a little back story. Humans came to the planet of Aradius to trade for Aradium. This special mineral allowed massive metal objects the ability to float. Well as with any precious mineral, it was soon depleted and most of the humans left. However, the planet of Aradius was left with its kinfolk succumbing to disease, refuse and infertility. The Arid people (who we could tell the difference from humans from the veins in the palm of their hands) were ruled by humans who wanted them wiped from the planet.
Posted in: Disc Reviews by Michael Durr on November 5th, 2012
For those who do not know, I am half polish. My mother was born in Poland during the 1950’s after the second World War. Often through my youth I would ask my mother for stories of World War II from her father. However, this was met with much resistance as my grandfather was rather tight lipped about anything that happened in that time period. It was understandable, but I still wanted to learn. In fact, today we visit World War II and more specifically the Nazi Collaborators in our dvd review.
This documentary set includes thirteen hour long episodes spread over four discs. All of these deal with a different section of Europe including Poland, France, Belgium, and Finland. The specials also deal from right within Germany itself as it examines delicate subjects like Jews inside Germany and the Killer Police. This is six hundred and fifty minutes that covers virtually everything about leaders and people who would later be labeled as collaborators. Here are a few examples.
Posted in: No Huddle Reviews by Michael Durr on October 28th, 2012
Quick, what cartoon was generally considered to be the first primetime cartoon of its kind, running from 1960 to 1966 with over a hundred and sixty episodes? Give up? Well that show would be the Flintstones, a stone age comedy that imitated the Honeymooners with quick wit and wholesome family jokes. Today, we have a review that brings together a couple of primetime specials that aired during the late seventies. Let's explore the first volume of Flintstones Prime Time Specials Volume 1 from the Warner Archive.
The Flintstones Meet Rockula and Frankenstone: This special aired on October 30th, 1979. Fred and Wilma dress up as a chicken and rabbit while Barney and Betty dress up as a flower and a bumble bee. They find themselves going to the set of the game show: "Make a Deal or Don't" hosted by the one and only: Monty Marble. The first contestant is Barney who is given $1,000 but is also given the option of taking the curtain. Despite "chicken" taunts by Fred, Barney listens to his wife and takes the money. Fred's egging one of his best friends earns him the right to be the next contestant.
Posted in: No Huddle Reviews by Michael Durr on October 28th, 2012
Most people know I'm a sucker for cartoons and I am willing to give any new toon a try. Often in this day and age I might be let down as a lot of newer cartoons do not always hold up against many of the well defined classics of my childhood. However, I rarely get jaded and I am always eager for the next new show to come chomping down the block. The title for us today to review is Regular Show and 16 of the best episodes that a single disc can buy. Let's take a look.
As mentioned above, this is a best of disc. These episodes come from the second and third season and are presented in Dolby Digital Stereo and 1.78:1 Anamorphic Widescreen. None of the episodes are repeats from the first compilation disc entitled Regular Show: Slack Pack. Somebody really needs to get on the horn and start making season sets for this, but more on that later.
Posted in: Disc Reviews by J C on October 23rd, 2012
The best thing about Gone in 60 Seconds is that the film knows exactly what it is. Just take a look at the breathless blurbs on the Blu-ray case for the latest release. “Over 500 crashes!” “93 cars wrecked in the 40-minute car chase!” No one involved with this movie thought they were making an intimate character piece. I mean the top-billed star is “Eleanor.” Did I mention that Eleanor is a 1973 Ford Mustang?
The plot is little more than a necessary nuisance before the movie’s show-stopping climax, but here we go anyway. Maindrian Pace (what a name!) is an insurance investigator who moonlights as the leader of a car thieving ring. Since Pace is the hero of our story, he only steals cars from people who are insured and subsequently compensated for the trouble he’s caused them.
Posted in: Disc Reviews by Gino Sassani on October 23rd, 2012
“A dragon. A dragon. You bet we saw a dragon. So big and brave he came to save a village in distress. He kept the ship from crashing when he heard the SOS. He faced a group of villains and he fought them with success…”
When Walt Disney Studios released Mary Poppins, the entertainment world was turned on its ears. The integration of live action footage with animation had never been done with such success before. The studio that nearly singlehandedly perfected modern methods of animation was also the studio that learned how to combine it almost seamlessly with real breathing actors. With the release of Pete’s Dragon many years later, audiences couldn’t wait for a peek at how far Disney had perfected the process in those years. While as children we got a big kick out of Pete’s Dragon, anyone looking for the latest in integration technology was in for a dragon-sized disappointment. The creature effects bore no resemblance whatsoever to that earlier technique. The animation itself was crude, by Disney standards at least, and never, not for a second, appeared as if it existed in the same place as the rest of the film. The beast’s green color would fluctuate in hue as well as brightness. There were many obvious mismatches where the two media connected. Even many of the actors’ sightlines were far off the mark. Walt Disney Studios took several steps backwards with the 1977 release of Pete’s Dragon.
Posted in: Disc Reviews by J C on October 21st, 2012
“Patterns are hidden in plain sight. You just have to know where to look.”
You don’t have to be into numbers to enjoy Touch, but it certainly helps. Numerology deals with the mystical or divine meaning behind certain numbers. Detractors believe that people who place too much faith in such things will foolishly find significance in just about anything. Similarly, cynical TV viewers will scoff at some of the coincidences and connections in this Fox drama. Either way, it looks like your high school math teacher was right: you WILL be using some of this stuff as an adult.
Posted in: Disc Reviews by William O'Donnell on October 15th, 2012
There have been numerous DVD releases of Spongebob episodes that are linked together by a theme. Holidays are obvious choices and Halloween is an inevitable choice for any series that has multiple seasons under their belt. As expected as it may be, that does not dampen the loony fun that comes along with Sponebob.
Spongebob Squarepants is the children's show that seems geared more for the college-age crowd than toddlers. This is not a revelation in cartoons, but I feel like this particular DVD set emphasizes this fact about Spongebob more than previous DVD releases of this show. The zaniness translates to all ages (just as it has from Tex Avery right through Ren & Stimpy) but this particular assembly of episodes displays some unnerving imagery that younger viewers may not be able to appreciate as much as older ones. Yes, there are subtle jokes spliced in that kid's will not catch (such as Spongebob's best friend Patrick explaining that looking at clouds helps to calm his “inner demons”), which is perfectl harmless, but it might be a bit much for someone just entering grade school to see Spongebob's eyes melt before bursting into a pile of spiders or being infested with the ghosts of snakes. Such imagery, to me, is a testament to how little concern this show for being stricly for youngsters, and how much it wants to be lapped up by that media hungry 14-30 crowd.
