Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
“Sex addicts. These people are the reason that emergency rooms have special tools to remove the champagne bottle, the fluorescent bulb, and the hamster. For the freaks in here, sex is a compulsion like gambling, drugs, or shoplifting…”
That describes Victor Mancini (Rockwell), the focus of the rather absurd little black comedy based on the novel by Chuck Palahniuk and adapted for the screen by Clark Gregg, who also directs and acts in the movie.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
There is an old saying that in the land of the blind, the one-eyed man is king. Don’t tell that to Julianne Moore’s character. In this quasi science fiction morality tale, her character learns that it’s not what you can’t see that will hurt you, rather what you can see. This is a very dark film that takes an incredibly cynical look at humanity. She’s the only seeing person in an isolated group of mysteriously blind people. The film is obviously told from her perspective, as anyone else’s would be impossible to present, at least on film.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“A movie filled with so much terrible horribleness, you’ll crap someone else’s pants”
Bruce Campbell has carved out himself quite a little niche in the acting game. No one would consider him a superstar, and the films he’s most notable for are the kind of cult favorite films that critics tend to hate, all except this particular critic. What’s kind of funny about the whole thing is that Campbell has appeared in some seriously successful films, including all three Spider-Man movies. His parts in these affairs might have been small, but Sam Raimi fans know that it wouldn’t be a Raimi film if it didn’t have Bruce Campbell somewhere.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
Paul Newman was born in 1925 near Cleveland, Ohio. He was an attendee of the world famous New York Actor’s Studio drama school in 1947. His first movie is included here, The Silver Chalice. The effort actually embarrassed him, and he took out an ad apologizing for the performance. It was looking like this young actor was going to disappear into obscurity in short order. Fortunately for moviegoers everywhere he decided to stick it out. He would deliver in the 1960’s and 1970’s some of the best movies ever made.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
Escape To Chimp Eden tastes a lot like Orangutan Island. Both shows deal with the rescue of captive abused primates. In both shows the animals are taken to a rehabilitation center where the goal is to teach the animals basic survival skills. The hope is that they might one day return to the wild and be able to survive and socialize with other wild primates. That’s about as far as the similarities go, however. In Orangutan Island, the show is very much about the apes themselves and their growing skills. In Chimp Eden, however, the spotlight is almost always on the incredibly melodramatic Eugene Cussons. This guy could give William Shatner lessons in overacting.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“Safety is the greatest risk of all, but safety leaves no room for miracles, and miracles are the only sure thing in life.”
Spike Lee finds a noble cause in the experiences of the Buffalo Soldiers, fighting in Italy during World War II. There’s no question that history hasn’t always dealt fairly with the contributions the black soldiers have made on the battlefields that have, at times, defined our nation.
Posted in: Disc Reviews by Michael Durr on February 23rd, 2009
There are many shows out there that never make it past the original pilot episode. Most of them fail because there isn’t anything original about the plot or perhaps the cast chosen isn’t strong enough to bring out a good character. Heck, it could even be as trivial as the locale chosen to whether or not the network executives give it a nod. So the question remains, what exactly happens to these pilots that either fail or haven’t been picked up yet for next season? They get released on dvd. A little publicity never hurts.
Posted in: Disc Reviews by Archive Authors on February 21st, 2009
Ridley Scott’s Body of Lies is a reliable piece of filmmaking exemplary of the great director’s ability to make a tensely watch-able film, even if said film isn’t his best work. Such is the case with this Leonardo DiCaprio-Russell Crowe-led action-thriller that focuses on the post-Iraqi invasion conflict. DiCaprio’s Roger Ferris is left with those little pieces of death that have proven so much more dangerous after the old regime was toppled by U.S. forces, and he seems fine with it.
Posted in: Brain Blasters by David Annandale on February 21st, 2009
The European horror revival continues apace. Today's entry in the please-don't-remake-it category is the 2007 Spanish entry King of the Hill, directed by Gonzalo López-Gallego. It's another case of a simple premise worked out rigorously, and with great skill. Leonardo Sbaraglia plays Quim, a man on his way though the Spanish countryside. Stopping at a filling station, he has a quickie encounter with shoplifter Bea (María Valverde) in the washroom, after which he discovers that she has lifted his wallet. Catching sight of her vehicle heading up a mountain road, he takes the detour in pursuit. Then, once he is well off the beaten track, nicely far away from civilization as he knows it, he sees a glint on a mountain peak, and then a bullet hits his car.
Posted in: Disc Reviews by Gino Sassani on February 20th, 2009
Natalie Wood was born Natalia Nikolaevna Zakharenk. Her parents were born in Russia. Obviosly a name change was in order for her to pursue an acting career, particularly when said career was in the era of The Red Scare and Hollywood was blacklisting some of its most talented products for even a hint of Comunism. That career was to start when Natalie was just 4 years old. But it wasn’t until 1947’s Christmas Classic, Miracle On 34th Street that she won over the hearts of a nation as Susan Walker. She was married to television and film star Robert Wagner, not once but twice.


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