"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints.

For as much as I might viscerally disagree with the creation of a film or its sequel, I lay much of the blame at you, the viewer and movie-going public. You created the furor around the Step Up series of films. You all went in droves to the first film when it was released in August 2006, when movies were winding down in the blockbuster season and thus helped it make $65 million domestically and more than $110 worldwide. It’s your fault that another film was inevitable, so in the down-turn of this past February, we got a second one. That one made about the same domestically, but made $30 million or so more and almost brought in $150 million worldwide. Count on the fact that another 90-minute film about teens dancing will be made and that the Step Up trilogy (I threw up in my mouth a little when writing that) will be complete.

Family Ties is likely remembered most as the series that launched the career of Michael J. Fox. There’s no question that he owes a great debt to Alex Keaton. It’s almost a bit awkward now to watch him as this young, extremely conservative teenager after Fox has spent so much of his life as a liberal poster boy in the last couple of elections. Politics aside, it’s hard not to credit his performances in Family Ties and the Back To The Future films

Death of Sierra, No Yoda vs Vader, and Pre-Owned Sales going extinct? - Welcome to the column that is about to start a rant the size of Barbara Streisand’s nose before the surgery known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. 52/27/22/14. Every character this week in Warcraft with the exception of my hunter got some love. My troll rogue marched and hit level 52 with help from the Hinterlands and earned his first useable trinket. My blood elf mage stormed six levels and made his way into the Ghostlands. Even the dwarf priest who had not seen action for at least a month got some good shoulders & found his way questing again in Redridge.

Flipping through the latest issue of Rue Morgue, I happened on a capsule review that mentioned how most grindhouse fare (whether actual or neo) rarely delivered on its promises. This is, of course, absolutely true, and I don’t for a moment pretend that this comes as news to anyone reading these words. I do want to consider this factor from two angles, though.

The first huge mistake this new film on The Boston Strangler makes is in the casting. If I were to mention to you The Boston Strangler and Bundy in the same sentence, who would you think about for the latter reference? I’d bet most of you would be thinking about Ted, the infamous serial killer finally electrocuted here in sunny Florida a few years back. Unfortunately that’s not who I’m talking about here. It’s none other than Bud Bundy, that hapless young pervert from Married With Children. That’s right, folks. David Faustino plays Albert De Salvo, the suspected killer.

In the business of reviewing films you will definitely have your ups and downs. This week has absolutely been a downer. It seems that I can’t get a break. There are just too many bad movies out there. When I settled down to view Mama’s Boy there was a little hope. Looking at the cast you see some pretty solid names. Two veteran Godfather film actors in Diane Keaton and Eli Wallach make for a pretty good start. Jeff Daniels might not be the best out there, but he certainly has range playing plenty of fair to good comedic roles

Can you take the dump of death”, or What’s the fastest way to get drunk”. These are the types of questions and answers that make up the Spike TV series Manswers. The idea is that the show answers those pressing questions that you guys out there might have been to afraid to ask. On first look you might get the mistaken idea that this is a copy of A&E’s far superior Mythbusters. On the surface the premise appears the same. Both shows appear to tackle the oddball question and attempt to find the truth behind the BS.

John Leguizamo needs his own kind of wing in some Movie Hall of Fame. I would not say it is a typical wing, but a varied and interesting one nevertheless. He’s done mainstream movies like Ice Age, Moulin Rouge, & the Happening. John has also found himself in roles you just don’t see everyday. He’s been a Clown (Spawn), a Drag Queen (To Wong Foo), and even a Mario Brother (You really think I would fail to mention that John was Luigi in Super Mario Bros?). In The Take, he has a different character to portray. It’s a serious role and requires him to make quite the transformation and bring home an award winning performance.

Cult Epics continues its erotic archival work with these two collections of short films. Volume 1 consists of pieces from the 1940s (with at least one from 1938 thrown in), while Volume 2 deals with the 50s. The former has such amusing “documentary” shorts as “They Wear No Clothes” (*gasp*) and various comedy routines. The latter has the inevitable Irving Klaw shorts. None of these films are by any definition “good,” but they are fascinating records of the state of American sexuality at that time. Watching all of these at one sitting would be quite the chore, but then, when was the last time you read an encyclopaedia straight through? There is a similar documentary value here.