They say that it isn’t over until the Fat Lady sings. Did you ever wonder what “it” was or who the heck this Fat Lady is they keep talking about? I can’t help you there, but I do know who the Fat Man is. It’s William Conrad, who came back to television in 1987 as J.L. McCabe, better known as “the Fatman”. McCabe was one of those tough as nails district attorneys. He was actually an ex-cop, so had great criminal instincts. McCabe wasn’t above bending the law to put away the bad guy, and he wasn’t considered a very friendly type of fellow. He majored in stubbornness and plain speaking.

William Conrad was no stranger to audiences when Cannon joined the Quinn Martin stable of television dramas. In fact, most folks knew his voice before they got to know his trademark girth. Conrad was the original Matt Dillon when Gunsmoke was a radio drama. When the drama entered the visual medium of television, even Conrad admitted later that the audience, who thought of him as tall and handsome, would have been disappointed. His voice lent authority to any role he played, and on radio his size was never an issue.

Episodic Gaming, Irish Anthem screw-up & Pub Games for Fable II? - Welcome to the column that gets drunk & gambles a lot, but not enough to admit they have a problem known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. So somewhere in my World of Warcraft experience, I think I burnt myself out a little bit. I was playing with my level 19 blood elf hunter quite a bit, going into battlegrounds and such.

I don’t know what it is about Owen Wilson, but whatever film he’s in he seems to be playing himself. The soft-spoken, rather glib personality has taken him places over the years, but you have to ask yourself if he’s ever going to actually take any risks. Drillbit Taylor is no more a stretch for the actor than any of these other roles. What that means for us, the viewers, is that we’re sure to get a solid and quite believable performance. We know that we’ll end up warming to Wilson’s character in spite of the various flaws we are apt to discover along the way. If Wilson does anything well, it’s redemption.

If you read my recent review of Bender's Big Score, you'll know I wasn't exactly thrilled by Futurama's first dvd movie. But like many things (such as relationships and less than average presidents), you always want to give it a second chance. Bender, Fry, Leela & others are fantastic characters and perhaps with the first film, they just had a bump in the road. We, as viewers know they can do better. They just have to steer clear of disgusting & annoying villains as well as confusing plots. Let's hope that it holds together for the solid ninety minutes and see what pans out.

Futurama is one of my favorite cartoon shows. When it was cancelled a few years back, I went ahead and collected the four fine dvd season sets and proceeded to watch them whenever I had time. Truth is, if you are a nerd like me, Futurama is much funnier than the Simpsons and deserved much more than seventy two episodes. Somebody listened. The people at Fox decided there was more life to Futurama and ordered up four straight to dvd movies which will be cut up among sixteen episodes for a fifth season. The first one is titled: Bender's Big Score. Here is hoping that the plot isn't Bender getting involved with a larger female robot (I think he already did that in a previous episode).

We’re all familiar with the zombie movie, most particularly the post-1968 zombie flick. That was the year George Romero permanently transformed the zombie into a flesh-eating ghoul – perhaps the only instance of a long-standing monster having its rules of behaviour altered almost beyond recognition, and to the point that there have been virtually no NON-flesh-eating zombies on film since Night of the Living Dead. But that’s a topic for another time. Co-existing with the neo-zombie movie, and sometimes fusing with it (as in 28 Days Later and its sequel), is the tale of mass psychosis. A recent example is the 2007 film The Signal, directed by David Bruckner, Jacob Gentry and Dan Bush.

Todd Haynes continues to dazzle and amaze with his body of work. In Velvet Goldmine, he told the story of a fictitious glam-rock band in David Bowie/Ziggy Stardust style. Far From Heaven found him taking the Douglas Sirk films of the ‘50s into a nontraditional turn. In his follow-up film I’m Not There, his first directorial effect in five years, Haynes examines the persona and essence of Bob Dylan without actually really using the name or the words together at all in the film in a film released in 2007, where features like No Country For Old Men and There Will Be Blood earned a slew of awards, I’m Not There was an understated gem, and yet summing it up is a little difficult.

No Piracy for Crytek, Free Rainbow Six & Diablo III? - Welcome to the column that cares about you as the consumer but asks that you don't let the other consumers know about our torrid affair known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. Rule #1 for this week, if you aren't a twink in the 10-19th level World of Warcraft Warsong Gulch battleground, be prepared for many many deaths. I have a level 19 blood elf hunter and after my main Lantanador (who is level 49) had so much success in the 40-49 WSG battleground, I figured I would give it a try with my hunter.

If you’ve followed my reviews, you know that I love Stargate. SG-1 or Atlantis; I can’t get enough of them. When the collection of Stargate Infinity discs arrived at my doorstep, I tore into them like a Wraith into a red shirt. Now the Stargate might be an incredible mystery that delights a legion of fans. What is not much of a mystery is why this children’s cartoon version of the franchise only lasted one year.