Ever find yourself shuffling around your local video store, eyes glazed over at all of typical genre fare studios churn out year after year, longing for something different? You could head over to the independent/festival section for relief, but it might mean straying farther from your usual tastes than you’d like. Enter The Brave One, an intelligent thriller that takes the usual revenge tale and rearranges its DNA. It offers the unusual perspective of director Neil Jordan (The Good Thief) and Jodie Foster’s finest performance since The Silence of the Lambs.

OK. Listen up. My name’s Athena and I’m a 12 year old Siberian Husky living in Florida. When I heard Gino say he needed a break and some down time, I decided to pitch in. It turns out that pulling a speaker from the shelf was not the kind of “break” he was talking about, and maybe not what he meant by “down” time either, now that I think about it. So, in between the “bad dogs” and those funny little words that come out whenever I get creative, I was able to figure out what he was really talking about.

Here we are again with a semi-themed collection of SpongeBob cartoons (seven in all, for a brief 77 minute running time). Food is the recurring theme here, with the title episode seeing SpongeBob creating a Krabby Patty so perfect that he falls in love with it, and keeps it with him until Patty can be charitably described as “festering.” Collections like this don’t exactly have the same value as a complete season, but that doesn’t change the fact that the nautical nonsense at work here is, as ever, pretty damn funny.

Sarah Caine (Lisa Pepper) is a newspaper columnist whose career is in a rough patch – her work lacks inspiration, and she is barely syndicated anymore (only two newspapers still carry her). But perhaps her muse is soon to be revived. Her Amish sister dies, leaving her children in Sarah’s care. Cue the culture shock as Sarah travels from the Big Smoke (well... Portland, anyway) to the Amish community, and then again as the children come back with her.

In the Valley of Elah is the second film I’ve seen recently that addresses the condition of soldiers returning from the Iraq war. Unlike Home of the Brave, however, Elah is actually a strong film with impressive performances and a story that hooks you and holds on to the end. It’s a Paul Haggis production – the two-time Oscar winner wrote, directed and produced the film – so Elah has some serious cred right off the bat, thanks to the success of other Haggis projects. Maybe you’ve heard of Crash, best picture winner of 2004, Million Dollar Baby or Letters From Iwo Jima?

Those credits aside, In the Valley of Elah’s best feature is a masterful performance by Tommy Lee Jones (No Country for Old Men), who’s up for a best actor Oscar for his portrayal of an old-school army veteran searching for his son.

The Devil May Cry over installation, Stop smashing my Poker, and downloading from Xbox Live could make you a winner? - Welcome to the column that thinks that DLC is something you might want to change your pants afterwards known as Dare to Play the Game.

Welcome to another edition of Dare to Play the Game. Level 17, ding ding ding. Okay so I'm still playing World of Warcraft (I still have a strange inclination to call it Whorecraft, cause I feel like a dirty dirty one). My new toy has to be the lockpicking skill. I already got it up to 62 which I know for non-noobs is nothing but I'm digging it. I'm completely fascinated by the pick-pocketing skill too.

I have watched these DVD episodes of the Ira Glass series This American Life, some segments more than once, and I have to say I just don’t get it. Perhaps it is because I never heard the radio program on which they are based. It is a somewhat popular show with a cult following. I tend to avoid public radio at all costs as it is far too heavy handed in its liberal politics for my particular tastes. Still, I approached the series with an open mind that knew literally nothing going in. I’m sorry to report that I still seem to know nothing about the show.

Every few years, word arrives that the much-lamented Hammer Studios will shortly rise from the ashes. Back in the 90s, for instance, Richard Donner was supposed to be behind a resurrection of the Quatermass films. Well, the word has arrived again, and the revived Hammer has gone at least as far as releasing a teaser trailer and a set visit for its first production in decades: a vampire tale called Beyond the Rave.

I remember when Ocean’s Eleven was first announced, and how disappointed I was. Steven Soderbergh was already well-respected by critics and serious film buffs due to his films Sex, Lies & Videotape, Out of Sight, Erin Brockovich and Traffic. He was the last person in Hollywood that needed to sell out to the masses by directing a re-make packed with eye candy. Not only that, but he chose to re-make a fantastic film that starred the Rat Pack. Essentially, Soderbergh decided to go to Vegas and relieve himself on the legacy of Frank Sinatra in the name of the almighty dollar.

Director's cut can be a misleading term. The very definition of cut means to take away. A lot of Director's Cuts add in footage to the original release to make it longer. Then there are Director's Cuts which don't even involve the director. They involve a team which could possibly care less about whether the finished product resembles a movie or a saturday morning cartoon. Then there are Director's Cuts which involve a family member like a son. That my friends is another animal indeed.