Shattered, whose original (and more original) title was Butterfly on a Wheel, presents us with the household of Gerard Butler and Maria Bello. Life seems idyllic. They have a nice house, a lovely little girl, and the money is flooding in as Butler rises in his career (though his tactics don't always seem entirely fair). Into their lives erupts Pierce Brosnan, who kidnaps their daughter, then forces the couple to perform one strange act after another, each event destroying their lives further.

I don’t particularly care how many times filmmakers recycle old tales, so long as they produce enjoyable films. The Invasion revisits sci-fi scribe Jack Finney’s “The Body Snatchers” for the fourth time on film, following in the steps of the original 1956 film and the ’78 and ’93 remakes. Dave Kajganich wrote the screenplay, and Oliver Hirschbiegel (The Downfall) directed. Then Warner hired the Wachowski brothers (The Matrix) to rewrite some scenes and inject more action into the film, and James McTeigue (V for Vendetta) to direct the re-shoots.

So is The Invasion a case of too many cooks in the kitchen, or just the right creative balance to bring Finney’s classic horror tale to life in the new millennium?

Screwball comedies can be fun, sometimes. The comedy where the main cast members have the intelligence of a three-toed sloth...combined. Dumb & Dumber was a good example. Gags that get created simply on the premise of their inadequate brain power. However, Dumb & Dumber created an awful sequel. What's worse is that created a few wannabes in the process. One of those films arguably is Brothers Solomon. However, this viewer hoped just for a second that I wouldn't be holding my head in my lap the entire ninety three minutes asking for my very painful headache to go away.

As expressed before, I have a certain fondness for Garfield. The larger than life orange tabby cat has been a staple of my comic strip reading diet for more than 20 years. I've watched Garfield & Friends, seen the longer animated specials, and even sat through the first of the full length movies (I couldn't stomach the nerve for the second one). So naturally, I was a little excited when I heard that Garfield would be a full CGI showing in a new dvd called Garfield Gets Real I just hoped it would be better than what I've heard about the Tale of Two Kitties

This is one of those wholesome movies the entire family can enjoy. From veteran director Michael Apted (Coal Miner’s Daughter), Amazing Grace is the true story of William Wilberforce, the 18th Century political activist who spent nearly his entire adult life campaigning to end the British slave trade. It’s a simple but compelling story wonderfully told, with a superb cast including Ioan Gruffudd (Fantastic Four), relative newcomer Benedict Cumberbatch (Atonement) and stage and screen legends Albert Finney (Big Fish) and Sir Michael Gambon (Harry Potter and the Prisoner of Azkaban).

And so here we are, on the opening night of Cloverfield. This is a film that, as a huge fan of creature features, I devoutly hope will be good. So my thoughts on that perhaps next week. But with the possibility of the first original giant monster movie to come out of Hollywood since... since... Tremors?... being worth seeing, an unfortunate screening experience last night has moved me to reconsider some remarks I made here some time ago. At the time, I was mounting a defense of cheap CGI creature-featrues (of the sort that inevitably winds up on the Sci-Fi Channel) by making the case that they were analogous to the B-level monster movies of the fifties.

It's not often that a review starts with the final score, but I'm going to break that rule. Go out and buy this DVD set. Stop reading this review, leave your residence, and go directly to your nearest DVD retailer for a copy of the 3-disc version of Hot Fuzz. When I first watched Shaun of the Dead, I was absolutely blown away at how deftly creators Simon Pegg and Edgar Wright were able to mix the comedy, spoof and horror genres into one of the most entertaining and original films of the decade. While I had high hopes for the follow up project, deep down I was expecting to find a case of the sophomore slump; a good film that manages to fall short of the success of the debut. Not only was my gut feeling dead wrong, but I am of the opinion that the two have actually been able to surpass their previous success. Shaun of the Dead was not a fluke, but merely a warm-up to the amazing success of Hot Fuzz.

Honestly, is adding a cinematic volume onto a series when one film seemed to have addressed it is beyond me. You've got Carlito's Way, a film whose main character (played by Al Pacino) died at the end, yet in Carlito's Way - Rise to Power, we're getting a prequel? I think that all that could have been answered was done so in the Pacino film, but we're seeing a film about how Carlito, pardon the word choice, has "rose to power"? What's the point? Needless to say, I'm still popping the hood and looking what's underneath.

Imagine a world where William Shakespeare is being controlled by creatures akin to witches, a place where Santa is a deadly menace, and a rather eccentric fellow travels about in a police call box with a rather deceptively spacious interior. To Dr. Who fans of all ages, this is all very familiar territory. I fell in love with Dr. Who as played by Tom Baker from 1974 – 1981. He was the fourth actor to portray the Doctor and arguably the most popular. With a pocket full of jelly babies and a trusty sonic screwdriver,

So from time to time, I get television shows to review that frankly I don't really follow. However, my wife does, so she grabbed the tenth season of Frasier from me quicker than a crackhead getting a fix at the methadone clinic. I encourage you to peruse and enjoy her literary stylings.