A little while ago, I looked at a recent (and very strong) example of the Evil Kids movie. I mentioned some of the big names in the field (The Omen, the original Village of the Damned, The Bad Seed), but today, for your consideration, a half-forgotten effort from 1974 (smack in the midst of the golden era of grindhouse and drive-in sleaze): Devil Times Five.

Also known as People Toys and The Horrible House on the Hill, this cheap but satisfyingly unpleasant little movie sees a bus overturn, unleashing five homicidally demented children. They make their way through the snow to an isolated resort, whose only residents are the tycoon Papa Doc (Gene Evans, sporting a character name that is oh-so-tasteful), and his assorted squabbling relatives and associates. The children are taken in, and waste no time in bumping off the adults one by one by means mundane (hatchet to the head), creative (bizarre death swing contraption), and just plain wrong (one woman is drowned in the bathtub while pirana are dumped in with her).

When I first heard the title I was thinking, documentary on celebrities impact on making the planet go green. But now having seen Everyone’s Gone Green I can assure you that’s not the case. Instead this is a low budget Canadian movie about a slacker, which doesn’t leave me with much more expectations than when I thought it was a documentary on global warming. As a Canadian I can admit that besides producing some great actors and actresses and supplying some great filming locations, Canadian cinema is about as entertaining as watching the wind blowing around a plastic bag. This movie doesn't prove to be any different.

This movie has a very simple plot, and centers around a problem that seems to phase every single human being, wanting more than we have, and things we don’t necessarily need. The main character Ryan played by Canadian actor Paulo Costanzo who you might recognize from Joey, Road Trip, or even 40 Days and 40 Nights. Ryan is a slacker who wants more out of life so begins to contemplate scamming money while working for a lottery magazine.

I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down.

In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider). Several years earlier Troy killed Archer’s son, since then it’s been his goal in life to put Troy to justice. He gets the opportunity one day when Troy ends up in a coma after boasting about a massive terrorist attack he has planned on Los Angeles.

This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about. The acting is surprisingly rock solid and not at all the flirty surface performances I had expected. So, for a short time, I was able to put aside my outsider feelings and begin to appreciate what I was watching. Before too long I was beginning to recognize the strong production values and clever writing which have been responsible for all that buzz I was hearing. While I avoided the needle scenes like the plague that spread through the hospital’s opening episodes, there is still a lot of high resolution f/x when it comes to wounds and surgery bits. This is by far the most realistic look I’ve seen in any medical show so far. The offbeat banter of the interns works well to offset the rather dramatic storylines hidden beneath this somewhat light series.

Planning a high-profile charity football game that they must nonetheless be sure of winning, the powers that be of Yale attempt to invite the University of Texas, but instead accidentally invite Texas State University, a small college whose town population is a mere 700. Newly arrived coach Jack Haley and his formidable wife Patsy Kelly face the challenge of somehow whipping the football team into something that won’t be utterly destroyed on the day of the big game. The key to possible victory is bumpkin-but-natural-prodigy Stuart Erwin, but he’s a package deal, and comes along with little sister Judy Garland, here making her debut.

In some respects, the film is most interesting in retrospect, featuring as it does future Tin Man Haley in a film with the soon-to-be Dorothy. Also of note is Betty Grable as one of the students assisting Haley and Kelly. This was also a very early release by the newly formed 20th Century Fox studios. All of that history aside, this is still a perfectly pleasant musical, completely enthusiastic in its good cheer. There’s nothing earth-shattering about the comedy or the songs, but they make the 93 minutes pass by most pleasantly.

I like Paul Walker; I tend to enjoy his movies. However my experience with Paul Walker starts with JoyRide and ends with Running Scared. (we'll ignore the Fast and the Furious) So I was kinda excited at the chance to review Bobby Z, a straight to video release that also starred the clever Laurence Fishburne. Two fun actors in what looked like to be a fun action movie. The basic premise was that Tim Kearney (Paul Walker's character) is plucked from a prison by Tad Gruzsa (Laurence Fishburne's character) and his assistant because he looks exactly like the infamous Bobby Z, a drug runner who is supposedly dead. So, Kearney takes on the persona of Bobby Z and is used in a trade for a federal agent that was captured. Of course the deal goes horribly wrong and Kearney finds himself in the Mexican desert. Here he has to stay in the Bobby Z persona as he finds out that Bobby Z had a kid among many other plot points. This drives forward to a conclusion with some predictable twists where Kearney does everything he can to stay alive.

The movie runs ninety four minutes , for the first 40-50 minutes of the movie I was really enjoying myself. The plot started off so strong and the actors (particularly Walker & Fishburne) showed off their wares. The action was intense but not overdone. Then something happened in the last half of the movie. It became dull and incredibly clichéd. Every single cliché about either an action movie or a drama that used the idea of somebody impersonating somebody else is used. It's borderline scary how much just seems borrowed. Tough hard-nose prison guy suddenly develops heart of gold; check. The character he's impersonating has a kid; check. There is a girl who is still in love with the original character but remarks how much he's changed; check. I would go on; but in the event you can't guess the ending I'll stop there. There is even a scene near the end that borrows from Bugs Bunny shorts (think duck season, wabbit season). Not to mention the ending seems a little too cookie cutter and proceeds to just say okay everybody lives happily ever after; the end. When given the situation in a more realistic setting there would be some serious questions to be answered here.

If you're into both movies and graphic novels ("comic books"), you'll want to have a watch at new web TV show "Bif! Bam! Pow! Wow!." Hosted by Tom Seymour of Graham Crackers Comics (a store in Chicago), the show is a quirky, interesting, quickly paced, fun tribute to our comic hero's villains and stories, and oozes graphic-geek cred.

Check out Batman, Spiderman, or Zombies -- all good fun and interesting as hell, with more (apparently) to come.

Do you as the viewer ever watch that movie that you feel due to overwhelming popular opinion you should like? Unfortunately, I run into this all too often. Most of the time I'm able to push that aside, and give an honest review. Sometimes it is harder. Private Fears in Public Places directed by Alain Resnais is one of those movies. Set in Paris (with language to match); this puts six lonely characters in search of love during the harsh winter season. However, what they find isn't what they were searching for. Naturally these characters' stories intertwine and we get a whole lot of snow effects which encapsulate the end of each scene (and each part of this review).

The movie starts out with Thierry (played by André Dussollier), a realtor who is showing Nicole (played by Laura Morante) various flats in attempting to find one that will suit her and her fiancée. Her fiancée; Dan (played by Lambert Wilson) drinks his life away at a local hotel bar since he is between jobs. He is served by Lionel (played by Pierre Arditi), a bartender who must consistently get new caretakers to care for his elderly father. Thierry's assistant is Charlotte (played by Sabine Azéma) who also doubles as the nighttime caretaker to Lionel's father. Her story is entertaining as being a devout Christian but with a secret side. Finally, Thierry's sister; Gaëlle (played by Isabelle Carré) spends her nights searching for love by going out on blind dates. (*snow effect*).
The acting is pretty decent throughout the movie especially in nod to the two male lead characters: Dussollier and Wilson. There is no weak areas I can really find but the movie is just several shades of depressing. Sure there is some excitement and things do look up at certain events through the movie but by the end it comes to a crashing halt and you wonder what's the point. They do everything short of having the entire crew getting run over by a bus to give us any hope at this thing we call love. I'm a very strong believer in true love and watching this turned me momentarily into something less than that. I watch movies to escape not to re-live every failed courtship or bad relationship I've ever had. (*snow effect*).

Hmmm... interesting. Looks like there's a single disc, non-SE version coming too, to complement the 2-Disc SE DVD and 2-Disc HD DVD versions announced yesterday. That's all I know so far...

Click for super enormous version...


Here's the first ever Review Super-Roundup: a soon-to-be-regular feature where we track down reviews all over the net in an effort to provide you with a well-rounded view about a particularly exciting or unique release.

Reviews aren't in any particular order; the one's with numerical rankings come first, and hell, I put UpcomingDiscs at the top because that's my prerogative. Other than that - these are culled from all over, and the quotes from each attempt to capture the spirit of the review. Click on through and enjoy! BTW - if you have a review you'd like included, comment it.