Posted in: Disc Reviews by David Annandale on June 8th, 2007
A mysterious new planet is discovered, and an expedition there discovers a civilization under threat from King Ghidorah. The inhabitants of Planet X ask to transport Godzilla and Rodan to their home for help. Earth agrees, and at first it seems that all has gone well, as Godzilla sends Ghidorah packing. But then it turns out that the Xians are actually invaders, and plan to use all three monsters to subjugate Earth.
If you thought Godzilla grabbing at his butt after being zapped by Ghidorah in Ghidorah, ...he Three-Headed Monster was silly, just wait for the infamous victory jig here. So yeah, the juvenile nature of the series is pretty much set in concrete by this point. This is also the first time of many that aliens will plot our conquest and using monsters somehow figures into their dastardly scheme. That said, the plot is livelier and more entertaining than the previous entry’s.
Posted in: Disc Reviews by David Annandale on June 8th, 2007
There's a heat-wave in January, and dozens of meteorites are falling from the sky. The plane carrying a princess explodes, but the princess has somehow survived, though she has no memory of her former self and believes herself to be Venusian, come to warn humanity of impending calamity. In due course, this calamity arrives as one of the meteorites transforms into King Ghidorah. Earth will be destroyed unless Mothra manages to convince Godzilla and Rodan to stop fighting each other and instead take on King Ghidorah.
This follow-up to Mothra vs Godzilla marks the point at which the series definitively took a deliberate turn for the comic, for good or ill. The slapstick had already been present in King Kong vs Godzilla, but now it would be here to stay. The storylines would also become more and more outlandish. The monster battles here are largely in the countryside, thus cutting costs on the expensive destruction of city miniatures. Whatever one's feelings on the direction the series took from this point on until the late 70's, the wrasslin' is still a lot of fun, both exciting and funny. However, it is far too long in coming. The monsters have far too little screen time, taking backseat to the rather uninteresting (but much cheaper to film) human stories.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2007
Tony Scott’s controversial thriller, Revenge, is based rather loosely on a 1979 novella written by Jim Harrison for Esquire Magazine. I say loosely because the source material is quite short and was necessarily expanded for a feature length film. I never saw the 1990 theatrical release of the film, but research shows it did rather poorly. What I know of the difference between this cut and the original comes from Tony Scott’s commentary, which I’ll discuss in the audio portion of this review. I do know the changes m...st be significant as extra credits were required which provide for an additional composer for new music for some additional footage. The running time is also a stunning 30 minutes or so less than the original film. I say this up front so that if you are a fan of the original your mileage may differ. That DVD was released back in 1998. The DVD cover contains a quote from Quentin Tarantino exclaiming that Revenge is Tony Scott’s masterpiece. He does not imply which version he’s talking about. Either way, that’s saying a ton when you consider Scott’s impressive portfolio.
The film begins as Michael Cochran, no relation to Zephram (I think) is retiring as a Navy pilot. He heads to Mexico to spend time with a very old friend. It is hinted that he is going there to work for him, but that situation is never really explained. Unfortunately he falls in love with his pal’s wife, Mireya (Stowe). I say unfortunately because it happens that his pal Tibby (Quinn) also happens to be a ruthless underworld kingpin with plenty of power, money, goons, and guns. Did I mention he has a lot of guns? From almost the moment Cochran enters this world he seems to be ruffling the feathers of everyone around Tibby even before he starts ruffling Mireya’s bed sheets. Now I hate to disagree with the venerable Mr. Tarantino, but doesn’t all of this look just too contrived to be a masterpiece? Call me, Quentin, and we’ll talk about it over pasta and meatballs, my treat.
Posted in: Disc Reviews by Archive Authors on June 7th, 2007
Pacino and Depp in a mob drama about an undercover fed and his unknowing Mafioso mentor? Fuggedaboudit.
Donnie Brasco is based on the true story of F.B.I. agent Joe Pistone (Johnny Depp, Blow), who spent six successful years undercover in the New York Mafia, as one Donnie Brasco. The film opens with Lefty Ruggiero (Al Pacino, Heat), an aging made man, connecting with Donnie about a diamond ring. Donnie’s cover is he’s in the jewelry “business”, and Lefty wants to unload a ring some guy ...ave him as payment for a debt. When Donnie insists the ring’s a fake, Lefty goes back to see the guy, bringing Donnie along. The guy still claims it’s the real deal, but Donnie asks for a minute to “talk to him.” Permission from Lefty granted, Donnie smacks the guy around, threatens murder and makes the guy give up the keys to his Porsche.
Posted in: Disc Reviews by David Annandale on June 7th, 2007
Synopsis
When all his cowhands desert him to take part in a gold rush, John Wayne is left with no alternative but hire a group of schoolboys, between the ages of 9 and 15, to work for him on a long and dangerous cattle drive. Along with all the usual hazards of such a journey, they are also being stalked by Bruce Dern and his band of rustlers.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on June 6th, 2007
No more farming, No 360 Port for Ninja Gaiden & No sense in Zelda II - Welcome to the column that refuses to take no for an answer (but gets it anyway) known as Dare to Play the Game.
Posted in: Disc Reviews by Archive Authors on June 6th, 2007
Right off the top, I have to admit I’m a big Scrubs fan. Obviously, this portion of the review will be influenced by that bias, but at least I’m up front about it. Now, this DVD set brings us the ingenious sitcom’s fifth season, which aired in 2006. I didn’t catch any of these 24 episodes on TV, so this release was my first time.
Season five, like all of the previous seasons, picks up at the start of a new year at Sacred Heart. This time around, J.D. (Zach Braff, The Last Kiss) and Elliot (Sar...h Chalke, Roseanne) are full-fledged, attending physicians, while Turk (Donald Faison, Uptown Girls) is vying for one of the hospital’s few surgeon positions. As viewers would expect, the usual gang is still doing its thing, with Dr. Cox ranting, Carla bossing people around, the mysterious Janitor hassling J.D. and Dr. Kelso ruling the place with a nasty fist.
Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Gary Cooper is a writer who hit it big with his first book, but has been mechanically producing more of the same ever since while he and his wife booze it up in New York high society. When his publisher rejects his latest tossed-off effort, Cooper and wife (now dead broke) retreat to his old family home in the country. There he gradually falls in love with the daughter (Anna Sten) of his Polish neighbour. She herself is engaged (unhappily) to another man. The budding relationship is thus fra...ght with many perils.
Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Recently released from a psychiatric institute, but hardly a model of stability, archaeologist Taylor Melnick (Geoffrey Lewis) returns home, still haunted by nasty hallucinations involving his demented mother (Karen Black). Complicating his attempts to function are the people around him, ranging from the alcoholic woman across the street to his shady uncle.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2007
I should have known I was in trouble from the opening credits. The graphics are accompanied by some really cheap sounding synthesizer music. It sounds like they sprung for the $39 Casio. Beyond the crappy sound, the melody, if you can call it that, didn’t fit the western I was unfortunately about to see. Let’s keep this simple, shall we? If you pick this baby up at your local video store, I’m going to advise you to put it down and back away from the shelf. Now you owe me. I gave you back 2 hours of your life you we...e about to piss away on one of the worst films ever released in any format. This is extremely low budget nonsense all the way around. The acting is the absolute worst I’ve ever seen. Even George Kennedy is obviously only there for the paycheck, which couldn’t have been that much. George’s life must really suck these days for him to allow himself to be a part of this farce, even if it was only for five minutes. I think he just passed Conrad Brooks on the “do anything for a screen credit and a few nickels” circuit. He fumbles through his scene in a performance I hope he’d rather forget. If you’re looking for corny lines, bad acting, and incredibly poor editing, this is the film for you. Perhaps it should be required viewing at all film schools as an example of how not to make a film. If you just think I’m full of crap, I dare ya to sit through all 118 minutes of this film. I double dog dare ya.
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