Fletcher Reed (Jim Carrey) is your typical lawyer in that he’s successful and seemingly loves his job. He openly lies each and every day to the judge just so his client can win the case. In fact Fletcher has gotten so accustom to lying so much that he doesn’t even realize that his son Max (Justin Reed) has pretty much became aware that his father is a liar (he means to say lawyer). When Fletcher doesn’t show up to Max’s birthday, Max wishes that for 24 hours his father couldn’t tell a lie. Enter the real humorous and...sometimes touching portion of the film as Fletcher slowly realizes that his son is trying to teach him something about his life.

The biggest positive about a film like Liar Liar is that the film has so many numerous sequences where the viewer can’t help but laugh or at least crack a smile. From the ‘scratched my car’ joke to the ‘do you know why I pulled you over’ joke, the laughs are consistent. But the most important thing here is that the laughs are actually funny and not gross out. Liar Liar represents a time when Hollywood brought out films that contained genuine humor that might occur in real-life instead of completely disgusting humor that you don’t laugh at, but rather humor that you cringe at.

Not all heist films are created equal. The Hard Easy is a poor man’s Ocean’s Whatever. Number. While that might appear more often than not a knock on the film, that would not be so in this case. Actually I rather liked the film, more for its nuances. The first thing that impressed me was the cast. This isn’t the gaggle of A listers found in the Ocean films. These are still some hard working craftsmen. Just because this isn’t as hyped or financed to the hilt doesn’t take anything away from the performances. It might...have made them work even harder.

Paul (Thomas) and Roger (Boreanaz) both have some serious money problems. Paul owes a huge gambling debt to vicious mobster Freddie (Allen). Roger is caught up in a stock scam about to explode in his face. The only way out, or so it appears, is an easy score. Seems there’s this can’t miss opportunity waiting for the right crew to come and make a good $15 million. Circumstances pull both of these misguided lads into the job. The problem is, of course, they don’t know each other. Both are working with separate crews planning the same job. So this easy score gets very hard; hence the title. When both crews show for the same diamond heist, all hell’s gonna break loose. What this film lacks in action it more than makes up for in characters. Peter Weller has some of the best lines in his over the top portrayal of Ed who leads Roger’s crew for the heist. The cigar crunching ex commando is such a stock character that it’s actually pretty funny to observe. An aging Bruce Dern puts in an almost equally rousing turn as Gene, the leader of Paul’s gang. Where most films concentrate on pulling off the job, this film mines the characters themselves for most of the running time. While it might not be gold they’re mining, it still comes up silver. Rae Allen might have the best role in the very short appearance of female mobster Freddie. I don’t know about you, but I’ll never look at a wrench quite the same way again. Her facial stuff is priceless. Gary Busey plays Vinnie, a counselo of sorts for Paul, who might just be setting him up for a fall. Vera Farmiga has the most unlikely role as Dr. Charlie. Why do all of the women in this film have guy names?

Synopsis

One of my favorite movies of all time is Rocky Horror Picture Show. My favorite character of that movie is Dr. Frank-N-Furter who is just a sweet transvestite transexual from Transylvania. So when I got Priscilla Queen of the Desert to review which had two cross dressers and a trannie and a grand helping of humor to boot, I was hoping it would become one of my favorite movies as well. The story behind Priscilla is that Tick Belrose (drag name: Mitzi) ...(played by Hugo Weaving) got a contract to perform a show way out in the Australian desert. He convinces an old trannie named Bernadette (male name: Ralph) (played by Terence Stamp) and a rather flamboyant newcomer named Adam (drag name: Felicia) (played by Guy Pearce) to come along to be part of the act. From there, they take a faboulous journey across the desert with many hilarious stops along the way.

Posted in Disc Reviews by Joshua Noyes

Smokey, aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times.

Where was I when Miss Potter was in theatres last year? I don’t recall hearing much about it, and that’s a shame. This is one of the most charming, infectiously light-hearted films I’ve seen in long while.

It’s the story of Beatrix Potter (Renée Zellweger, Chicago), the 19th century British creator of the famous Peter Rabbit children’s stories. When we first meet Beatrix, she’s an unmarried woman in her early thirties, lugging her portfolio of paintings and a story to potential publishers. In meeting with two crusty older gents, it seems she’s not going to have any luck. They flip through her drawings of rabbits dressed in human clothes, while she insists they, the rabbits, are her friends. She must be crazy. Lucky for her, these guys have an annoying younger brother who’s insisting he be allowed into the family publishing business. They decide to give him this “bunny book” to minimize the harm he would surely do to their serious business.

Freedom Writers is based upon The Freedom Writers Diary; a book written by teacher Erin Gruwell and her students. I’ll admit that initially I was quite mixed about what to expect from this film; on one hand I just didn’t want to sit through another one of these To Sir with Love, Stand and Deliver, Dangerous Minds type movies, but on the other hand I hoped it would be different and live up to some of the rave reviews I have read. Well, let’s find out.

Instead of giving a lengthy sy...opsis I will spell this one out simply. Erin Gruwell (Hillary Swank) is white teacher who is new to a predominantly black high school. The kids are your typical Long Beach gang bangers and she goes to great lengths for them to see their potential. From taking on a second job for money to spend on the class too distancing her relationship with her husband Scott (Patrick Dempsey), Gruwell will stop at nothing to overcome the doubting student and fellow staff who believe she is just overly optimistic, guess how this one is going to end folks.

Synopsis

Gabrielle Anwar is a children’s author (of the Edward Gorey school, from the looks of things) who is haunted by intense nightmares. When she sees the house of her dreams on television, she heads out to the small town where it is located and rents the place. Sure enough, there are ghosts there. Fortunately, Forest Whitaker is also in the neighbourhood as a psychic investigator.

Synopsis

Hello, all you happy people. Growing up, many people of my generation when turning to classic cartoons turned to Bugs Bunny or Mickey Mouse or even Popeye. I wasn't normal (who would have guessed?). I found my cartoon home when I wasn't watching Transformers or He-Man in the old Tex Avery cartoons of yesteryear. My favorite character was Droopy, the little dog with the deadpan wit and a penchant for outsmarting the big bad Wolf or Spike/Butch the bulldog. Tex was fa...ous for throwing one gag at you and then while you are still laughing throw another. He would usually follow that up with a third one for good measure. It was this constant unapologetic slapstick that would become his signature and would be found most consistently in the hands of Droopy.

The Wishlist, Part 1. Wherein I pine over films that are overdue for a DVD re-release, or have yet to see the light in that format at all. Today’s subject: the 1980 sci-fi fiasco Saturn 3.

The film is a joy for a number of reasons. First, there’s the absurd plot: on a research base orbiting Saturn, passions flare as the idyll of the couple living there is disrupted by an unstable new arrival and his killer robot, who both wind up lusting after the woman on board. If the storyline were all that was ri...ible about the film, it might well be pretty entertaining on that count alone. Then there are the production values. The special effects appear to have been lifted from two completely different movies with utterly dissimilar budgets. At one moment, the audience is presented with 2001/Star Wars-style mile-long spaceships, complete with portentous fanfare on the soundtrack. At the next, the FX are suddenly far more reminiscent of a typical episode of Thunderbirds. Those shows looked pretty damn good for puppet adventures, but an audience catching big-budget SF pic within just a few months of Alien would be expecting a bit more consistency. But the film seems equally proud of all its effects, good or bad, and displays them like a doting parent.

Having heard exactly zilch about The Last Sin Eater before receiving my review copy, I expected it to be a low-budget horror flick. Boy, was I wrong. This film is based on a bestselling novel by Francine Rivers, a popular writer of Christian-themed fiction. Produced under the 20th Century Fox FoxFaith brand, it’s intended for an Evangelical Christian audience.

The story is set in 1850’s Appalachia, where a group of early Irish settlers have made their home. When the grandmother of 10-year-old ...adi (Liana Liberato) dies, Cadi loses the only person who loved her no matter what sins she’d committed, for even her own mother seems to blame her for a recent family tragedy. At her grandmother’s funeral, during a mysterious ritual, Cadi sees the Sin Eater (Peter Wingfield, Holby City), a disturbing man who symbolically eats the sins of the recently departed, taking them upon himself to allow the dead to rest in peace.