Posted in: Disc Reviews by Archive Authors on June 18th, 2007
Written by Evan Braun
Television today is littered with shows that burned bright but died quickly. In a time when networks are quick to cancel, it’s becoming more and more rare to see a show live out its full potential. Having just concluded its thirteenth season, with many more years on the horizon, ER has more than shown itself to be a proven commodity. It could very well be remembered as one of the most successful and longest-running series in the history of primetime television.
Posted in: Highly Defined, News and Opinions by Archive Authors on June 18th, 2007
I’ve got enough tiki torches, guava juice and poi to last awhile.
Well, I’m still trying to catch up on things on East Coast time, even as things in Hawaiian Time are still dark out as of this writing, not to mention just so damn nice out. Anyway, moving on to the news, which is, well, pretty bland, since all of the next gen released equipment is just about to come out or has come out. Blu-ray buyers do have reason to celebrate though, as Blockbuster has announced Blu titles in their stores for carrying. On...smaller software news, Sony has an email address and phone number set up for the Fifth Element exchange, as the remastered disc comes out next month.
Posted in: Disc Reviews by Archive Authors on June 16th, 2007
I’m kicking myself. Martin Scorcese’s The Color of Money has long been a favourite of mine, but for some reason I never knew it was a sequel to The Hustler, a film 25 years older and three times better.
Starring a young Paul Newman (Road to Perdition) in a role that earned him his second Oscar nomination, The Hustler is about a cocky pool player hustling his way to the top. When “Fast Eddie” Felson (Newman) challenges undefeated straight-pool champ Minnesota Fats (Jackie Gleason,...Requiem for a Heavweight) to a high stakes game, the talented young hustler shows he has the skills to be the best, but self-destructs toward the end of the 25-hour marathon match. Left near-penniless and without the managing partner who helped him get started in the seedy world of pool hustling, Eddie faces an uphill struggle to regain his confidence. Shacking up with smart, attractive and similarly self-destructive Sarah (Piper Laurie, Carrie) proves to be a decent diversion while Eddie wallows in misery, but while he uses her as a crutch, he becomes the cause of her destruction when he agrees to play for Bert Gordon (George C. Scott, Patton), a ruthless, greedy manager, and brings her along when they hit the road.
Posted in: Disc Reviews by Archive Authors on June 16th, 2007
Watching the trailers for Black Snake Moan, I recall thinking it was going to drum up some outrageous controversy. I mean, the only thing we really knew about the film was that a big, scary black man chains up a half-dressed white girl in his home. Not exactly a wholesome image.
It’s a southern gothic parable, starring Samuel L. Jackson (Shaft) as Lazarus, a God-fearing man whose wife just left him for his own brother, and Christina Ricci (Sleepy Hollow) as Rae, a broken young woman wh...’s haunted by terrible sexual abuse at the hands of her stepfather. Other key players include Justin Timberlake (Alpha Dog) as Rae’s boyfriend, Ronnie, John Cothrane Jr. (Madagascar) as Lazarus’ reverend friend, and S. Epatha Merkerson (Law & Order) as a potential love interest for Lazarus.
Posted in: Disc Reviews by Archive Authors on June 14th, 2007
Recently released on HD DVD, this film is the last of the films from the famous British comedy band Monty Python. Originally released in 1983, this is by far Python’s darkest film, filled with violence and dark humor, seemingly tailored to offend everyone. I did not care for the part in the restaurant with the extremely obese man, so there we are.
The film consists of a series of short sketches about various aspects of the “Meaning of Life” or at least an observation of the quirky aspects of life, such as ...he delightful part in which John Cleese plays a sex educator or a very “British” colonel during the 2nd Zulu War near the end of the 19th century. The film actually begins with a short prelude film entitled “The Crimson Permanent Assurance”. What little plot there is seems to involve a group of oppressed accountants rising up against their corporate masters and becoming pirates, using their building as a pirate vessel none the less. It is more amusing in execution than on paper, I especially liked later on when the accountant shouts: “It’s the Crimson Permanent Assurance!!” and then something rather unexpected happens to address the presence of the supporting feature involving itself in the feature presentation.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on June 13th, 2007
Prince in Persia, Game Dev in Texas, and PS3 dominant in 2009? - Welcome to the column that predicts it will be #1 in readers by 2010 (but probably remain at 4,235) known as Dare to Play the Game.
Posted in: Disc Reviews by Archive Authors on June 13th, 2007
Peter Jackson’s the Frighteners is a 1996 comedy/horror film starring Michael J. Fox. It follows the story of a physic investigator/ deactivate who is in league with the very sprits he is supposed to be exorcising. For the first half hour, the film is mostly comedy, with good work by Chi McBride as Cyrus, the ghost of a black man from the 70’s, complete with a huge afro. The other ghosts are less noteworthy and merely amusing, such as R. Lee Ermey as a ghostly version of his character from Full Metal Jacket. T...e movie becomes more of a thriller after Bannister spots a Reaper-like figure killing people that are marked with numbers on their foreheads. The rest of the movie involves Frank’s efforts to stop these mysterious murders.
The special effects by Richard Taylor and WETA are excellent; a clear sign of talent that definitely was a proving ground for Lord of the Rings. This film is no exception, with characters such as Wallpaperman or Portraitman. Rick Baker’s makeup work on the Judge was exceptional. Baker has won Oscars for makeup from the Nutty Professor, Harry and the Hendersons, and Men in Black. The Grim Reaper figure will definitely be recognizable to fans of Lords of the Rings as the inspiration for LOTR is clear and defined.
Posted in: Disc Reviews by Archive Authors on June 13th, 2007
Bruce Nolan (Jim Carrey) is a TV news reporter at Eye Witness Channel 7 in New York who fails to get a job as an anchorman and, after a series of other bad luck incidents, complains to God that He is treating him unfairly and is doing a poor job as supreme deity. God (Morgan Freeman) contacts Bruce and offers him the chance of a lifetime. He offers to give Bruce all the powers he has. Bruce quickly abuses his new powers for personal gain (new car, pleasing his girlfriend), only to be reminded that he also has to take...care of other people's problems. Meanwhile, Bruce endangers his relationship with his girlfriend Grace Connelly (Jennifer Aniston) through his self-centered behavior. In the end, Bruce realizes that God’s powers are meant for only one being, that being is of course God.
When Bruce Almighty works, it works in the highest gear. The film is funny completely enjoyable. As Bruce continues to receive the worst in life, we can’t help but think of a time in our life. After all, haven’t we all had that series of bad moments were you thought, regardless of religious inklings that something or someone was working against you? Bruce fights and fights to understand this and seemingly can’t believe that God is actually answering his complaints. Simply imagine what would happen if the Almighty endowed us with his power?
Posted in: Disc Reviews by Archive Authors on June 12th, 2007
Seraphim Falls was a sparsely released film released early in 2007, recently finding its way to DVD. In addition to being the first film where two Irish stars - Pierce Brosnan & Liam Neeson - share screen time together, it also marks the directorial debut of David Von Ancken who also happened to be a co-writer. After watching this movie I can definitely tell you that I am looking forward to any future projects of Von Ancken’s. But that’s aside from the point, how was this film?
Before watching this m...vie I didn’t know anything about it, and it definitely makes it more interesting this way. The movie opens with Gideon (Pierce Brosnan) sitting next to a fire in the snowy woods, the tranquility of the forest is soon interrupted by gun shots aimed for Gideon, one hitting him. He begins running and pursuing him closely is Carver (Liam Neeson) with a posse. I was perplexed at the time trying to figure out what was going on, more specifically why Carver was trying to kill Gideon. I couldn’t figure out who to cheer for, and after Gideon cleverly kills a few posse members it becomes apparent that he’s not just your average Joe which made it all the more interesting to discover their back stories. As the film progresses you learn more about the connection between these two and their motives, but I won’t spoil that. But you can expect a very entertaining movie with an intense chase that leads from mountains to desert, although there isn’t much dialogue there is a lot of intensity and enjoyment, of course there is some action as well.
Posted in: Disc Reviews by Archive Authors on June 12th, 2007
Fletcher Reed (Jim Carrey) is your typical lawyer in that he’s successful and seemingly loves his job. He openly lies each and every day to the judge just so his client can win the case. In fact Fletcher has gotten so accustom to lying so much that he doesn’t even realize that his son Max (Justin Reed) has pretty much became aware that his father is a liar (he means to say lawyer). When Fletcher doesn’t show up to Max’s birthday, Max wishes that for 24 hours his father couldn’t tell a lie. Enter the real humorous and...sometimes touching portion of the film as Fletcher slowly realizes that his son is trying to teach him something about his life.
The biggest positive about a film like Liar Liar is that the film has so many numerous sequences where the viewer can’t help but laugh or at least crack a smile. From the ‘scratched my car’ joke to the ‘do you know why I pulled you over’ joke, the laughs are consistent. But the most important thing here is that the laughs are actually funny and not gross out. Liar Liar represents a time when Hollywood brought out films that contained genuine humor that might occur in real-life instead of completely disgusting humor that you don’t laugh at, but rather humor that you cringe at.


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