Posted in: Disc Reviews by Archive Authors on February 26th, 2007
The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.
Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed. When each man sets out on his own, their rivalry grows as fast as their individual careers, with each of them suspicious of the other, and always striving to learn the other's secrets. The question is, who will win in the end, and what will be the cost of victory?
Posted in: Disc Reviews by Archive Authors on February 24th, 2007
As I right this review, the date is February 24th, 2007 one day before the Annual Academy Award Ceremony, which is a show that this film is nominated in the Best Picture category for. Numerous other reviewers, whether they're critical or simply just internet journalists like myself, have labeled this one as this year's Crash. A statement like that made me worry going into this one because simply put Crash isn't Best Picture material nor is it even close to Best Picture material. While I haven't seen every other Best Picture nominee, I wouldn't completely mind if the Academy did award Babel with the Oscar.
Babel tells the story of Richard (Brad Pitt) and Susan (Cate Blanchett), two rather wealthy Americans from San Diego who're vacationing in Morocco. Their two kids are back in San Diego with their Mexican housekeeper named Amelia. During their vacation in the country, a local herdsmans' young children find a rifle and, unknowingly, take aim and fire at passing spectators on a bus. Unfortunately Susan is hurt during the incident. At the same time we learn that a trip involving Richard, Amelia and Richard's two children has put these characters in a complex situation that may result in them not being able to return to America. And at the same time as that's occurring, another event is occurring in Tokyo involving a widower who just happens to be tied to the earlier mentioned rifle via an ownership right. But this widower also has to worry about the straining relationship he's having with his deaf daughter Chieko.
![Babel [HD-DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/babel-hd-dvd-large.jpg)
Posted in: Brain Blasters, News and Opinions by David Annandale on February 23rd, 2007
The cult film collector will often have a rather divided personality when it comes to DVD editions of desired movies. On the one hand, perfection is ardently sought – no better example of this can be seen than the down-to-the-very-last-frame detail of the reviews in Video Watchdog. In a perfect world, all movies would be released by Criterion.
On the other hand, down that road lies both madness and bankruptcy. And the fact of the matter is that many films, particularly of the B-level (or lower) from ...he 50's and 60's, will never look amazing, no matter how much care is given to the transfer. The source material will remain firmly and wonderfully in the realm of the sow’s ear.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
If you'd asked me last year whether I thought Ridley Scott and Russell Crowe should work together again, I would have said "absolutely." No hesitation. We're talking about the director and star of Gladiator, after all, and I'd love to see another epic picture from that team.
What I didn't expect to see was A Good Year, a romantic comedy that wholeheartedly joins the ranks of the "wine is like life" camp. What's with that, anyway? Maybe it's time to move on to another beverage, like coffee. You know, coffee and life have a lot in common - plenty of lessons to be learned there.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2007
An epic is defined as an artistic work that celebrates the feats of a legendary figure. The film Cleopatra actually deals with many such figures, the title character being merely one of them. The truth is the film was never really about the Egyptian queen as much as it was about Rome and its relationship with Egypt.. Of course, Elizabeth Taylor's portrayal has achieved something of a classic status that is not completely deserved. Much has been made of the Richard Burton and Elizabeth Taylor pairing in this film. Certainly both delivered entertaining and even at times compelling performances. However, these efforts pale in comparison to the brilliance of Rex Harrison as Julius Caesar and Roddy McDowall as Octavian. Others like Martin Landau add considerable weight to often underused characters. It is doubtful much would have been made of this film at all, let alone Burton and Taylor's overrated contributions, without such help. Taylor in particular makes more use of her looks than any thespian grandeur here. Elaborate and frequent costume changes are designed to take full advantage of her more obvious attributes. She does appear a stark contrast to the unusual woman most notable in recent years for her staunch loyalty to Michael Jackson. The enormously grand cinematography also plays no small role in the film's ultimate success. This release is intended to pay homage to the Academy Awards taken by this film, which included statues for cinematography and visual effects.
Cleopatra runs over four hours and can be broken down into four distinct parts. Hour one is clearly a setup for things to come. Julius Caesar (Harrison) is close to a glorious victory over his rival Pompey Magnus in a Roman civil war. His quarry has fled to Egypt, where Caesar is in pursuit. Upon his arrival Pompey's head is presented by the boy king Ptolemy. Caesar inserts himself into Egypt's civil war in favor of the King's exiled sister, Cleopatra (Taylor). Upon his fathering a son with the Nile Queen, the hour ends with her safely back upon her throne.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
Comments on the supplemental material on this edition have been ported over from Brendan Surpless' excellent (and recent) review of the Blu-Ray disc, which also can be enjoyed on this site.
Now onto the review...
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
For the sake of full disclosure, I wrote this review while I was sitting in a meeting. For the sake of having a challenge, I wanted to start every sentence in this review with the name of the movie, for no discernible reason whatsoever. Feel free to call shenanigans on me at any time, as it helped me get through my meeting and to a larger extent, the film.
Crossover is a film that at least as of this writing, has no positive reviews on Rotten Tomatoes for some sort of reason, and I think that's because of the razor sharp casting that was employed. Crossover includes Anthony Mackie, who was more recently seen as the drug dealing Frank in the Ryan Gosling Oscar-nominated film Half Nelson, but that's the only praiseworthy casting decision in the film. Crossover includes a supporting performance by Wayne Brady (Whose Line is it Anyway?) who is supposed to be a greedy sports agent who is running an underground street basketball league involving several teams, however in playing a bad guy, he makes his appearance in Chappelle's Show look really smart, because he's simply not believable. Crossover has a female role played by Eva Pigford, who was more recently seen in America's Next Top Model, so I guess if you can impress the scrutinizing eye of Tyra Banks, there's nowhere to go but up. Crossover also features a few real life "streetballers", including one whose name is "hot sauce". Crossover doesn't explain why this nickname was given, but I think it's the second dumbest athletic nickname I've heard, save for those whose nickname is the first letter of their first name and the first three letters of the last, like A-Rod, T-Mac.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2007
Marisa Tomei caused quite a stir in 1993 when she walked away with the Oscar for Best Supporting Actress for her role in My Cousin Vinny. Even after watching the film again, I guess I'm still a bit amazed. Now that's not to say she doesn't do a wonderful job here. The fact is the entire cast did a splendid job. I can't say I found her performance any better than Joe Pesci as Vinny "Sack Of Potatoes" Gambini or the wonderful portrayal of the judge by Fred Gwynne. While it's not my intention to open up an old can of worms, it is that award which brings us to the re-issue DVD of My Cousin Vinny. To help celebrate this next round of Academy Awards and to line the old pockets with a little more gold dust, Fox is releasing some films that have taken those statues in the past. Unfortunately Fox did not see fit to add anything or even shine the print up in any way. This disc is identical to the 2000 release in every way. The video and audio transfers are exactly the same as is the commentary and small list of extras.
The story is nothing more than an elaborate setup for Pesci to do his thing. Billy, played by the old Karate Kid Ralph Macchio, is driving through backwoods Alabama with his buddy Stan (Whitfield). They accidentally steal a can of tuna from a small store. When the cops chase them down and cart them off to jail, they consider the threats of execution a bit harsh for shoplifting. That is, until they discover the clerk was killed shortly after they left, and now they're charged with his murder. Short on cash, they call in Billy's cousin Vinny who has finally after 6 years passed the New York Bar Exam. Vinny's in over his head, and his New York Italian attitude doesn't earn him any points with the down home justice ideology of Judge Haller. Desperately outclassed, Vinny must resort to street smarts to save the boys. The case turns on the testimony of automobile expert girlfriend Lisa (Tomei). The truth is, there are several rolling in the aisles funny moments here. Stan's seen too many prison films, so when he first meets Vinny he fears the man is there to have his way with him. In a play on words conversation that would make Abbott and Costello proud, this 20 second joke plays out for a few minutes of gut busting hilarity. Pesci's interplay with Gwynne is also classic, and while always predictable, it is nonetheless very funny.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on February 21st, 2007
Mario Kart of old, Halo 3 Beta of new, & Sonic, well he’s blue - Welcome to the column that so borrowed that this writer will end up in a clearance sale @ the Salvation Army store known as Dare to Play the Game.
Posted in: Disc Reviews by Gino Sassani on February 21st, 2007
There were a lot of changes in store for the Bunkers in the sixth season. The Jeffersons, long a source of irritation for Archie and a ton of laughs for us, were moving on up to the East Side and that big de-lux apartment in the sky. Mike and Gloria finally move out of the house, but only as far as next door in the vacated Jefferson home. Most importantly, little baby Joey joins the family. For the 30 years since All In The Family, there is still speculation as to just how Carroll O' Connor was able to take such a bigoted, seemingly irredeemable character and make him loved by millions. We get perhaps the best insight into that mystery in year 6. In the now famous Joey's Baptism episode, we see just a glimpse of the Archie Bunker that O'Connor had been playing all along. Arguably the best episode of the series finds Archie worried about his grandson's soul when Mike and Gloria refuse to have the child baptized. Archie takes matters into his own hands, culminating in one of the most touching moments in television history. Archie Bunker is a complicated man, and nowhere has that been more evident. Season 6 is well worth your time. This was the peak of the show, and it would never again regain the ratings numbers enjoyed at this point.
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