Keanu Reeves really really wants to break out of his pigeonholed role as the charismatic good guy in an action film, but sometimes he just can't help himself, and takes the easy paycheck (Chain Reaction may be a good indication of that). But in the action roles he's noted for, both as Neo in The Matrix trilogy and as John Constantine in Constantine, he's got the "protagonist with an internal conflict" down pat, that's for sure.

Written by Kevin Brodbin (who came up with the initial story) and directed by Francis Lawrence, who was previously well-reputed as a music video director (think Tarsem or David Fincher maybe), Reeves plays Constantine as a man with a conflict. While others may think that he has a gift in exorcising and deporting demons, he sees it as a burden, a duty he thinks he should get into heaven for. With the help of a grizzled priest (Pruitt Taylor Vince, Nobody's Fool) and an aspiring apprentice (Shia LaBeouf, IMDB), he plods along through the days and nights, doing his duty while battling an aggressive form of lung cancer which he doesn't make any better by chain-smoking.

Sybil is one of those movies that has turned into something of a running joke. It certainly didn't start out that way, though. Probably no other made-for-TV movie is as famous as this one, based on a true story about a woman that had an astonishing 13 distinctly different personalities. Looking back on the film now, there are some definite cheesy moments. However, the vast majority of the film is really quite compelling, especially when the viewer reminds themselves that this is a true story.

Sa...ly Field, who plays the nut-job in question, won an Emmy for best actress for her work in the film. She really is extraordinary here, essentially playing thirteen different roles at once, many of them intertwined and overlapping. It is a role that would have made the film nothing more than a glorified After School Special in the hands of a lesser actress. Instead, Field plays the character(s) deftly and flawlessly, making the movie's three-hour running time fly by. This is an amazing film even by today's standards, and I hope this new edition brings an all-new audience to the film.

The women on this show are easily the most selfish, self-centered, hateful, wretched wenches that I have ever seen. The fact that they would voluntarily put themselves on this show proves it. Who would ever watch this show (whose sole purpose is to show how horrible a person can be) and think to themselves, “I would really like to be on that show. I want the whole world to see me acting that way.”

Even so, here they are. The second season (!) of this show features eight episodes and eight brides-to-be at thei... absolute worst. It's all here, from flower problems to cake difficulties to the simple fact that somebody isn't paying the bride enough attention 24-hours a day. I can't imagine why anyone would voluntarily purchase this title on DVD. The women here are absolutely horrible people, and it's generally my practice to steer clear of people who act in this way. However, if you are the kind of person that enjoys seeing people make asses out of themselves, then maybe you will enjoy watching this show. I most certainly did not.

On Jerry Seinfeld's first comedy CD after his run on Seinfeld ended, he does a joke where he talks about why he hasn't done a movie yet. He talks about what a huge commitment it is to do a movie, and how he fears that when it is all over, he will be on the screen looking out at the audience saying, “this sucks, doesn't it? I didn't know. I really meant well.”

This movie is that punchline. Catching Ray Romano after his show's run and Kevin James just before the end of his sitcom, the two pair up as a co...ple of door to door meat salesmen who somehow get themselves involved in a situation between the mob, some killers... whatever. You know the drill. On the one hand, I can most certainly understand how someone could get talked into something that sounds better than it is actually going to be. On the other hand, surely they read the script before hand, didn't they?

In our last thrilling episode, I talked about Vampyres as being one of the pinnacles of European erotic horror. I felt that I couldn’t very leave the topic without saying a few words about the man whose lengthy career has largely been built around this form: Jesús (Jess) Franco. Cult movie connoisseurs will already be very familiar with him, and should feel free to stop reading now. For the rest of you, consider this a brief, guarded, introduction.

The word “prolific” hardly begins to describe Franco...s output. He’s directed over 150 films, most of which he also shot, wrote and scored. But are they any good? They are certainly very personal, and fine arguments for the auteur theory (but then, so are the films of Ed Wood and Doris Wishman). Lucas Balbo, Peter Blumenstock and Christian Kessler rightly titled their excellent book on Franco Obsession. Franco IS capable of putting together a well-crafted piece of cinema, though this tends to be the case earlier in his career. Kim Newman, writing about Russ Meyer, said that he “knows how to make good films, but refuses to do so,” and the same could very well be said of Franco. (Being utterly consumed with the erotic is something else the two directors have in common, but Franco has none of Meyer’s technical perfectionism). Though Franco’s films are very sloppy, are plagued by a horrendous overuse of the zoom lens, and have plots that can most charitably be described as “loose,” they are also very improvisational, much like the jazz Franco also loves (and plays), and can be rewarding in the most unexpected ways.

Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.

For such a low budget film, Pitch Black made a pretty big impact on DVD. Its success eventually lead to a sequel, The Chronicles of Riddick. The superb DTS track also leads to a solid demo quality disc that may not be in the realm of the Star Wars and King Kongs of the world, but is still a worthy addition to your demo disc collection.

Phantasy,a Monster release and Wrestling with something huge, Welcome to the carafe of luke warm coffee known as Dare to Play the Game.

Louis L’Amour has been synonymous with the modern Western novel for decades. His stylized depictions of the Old West are always populated with colorful characters. Foremost of these characters would have to be The Sackett Brothers. Two of L’Amour’s Sackett adventures contributed to this 1979 mini-series. “The Daybreakers” and “Sackett” combine to form this 3 hour presentation.

Fresh off the enormous success of such Western shows as Bonanza and Gunsmoke, his mini-series has all the earmarks of that traditional television western. But by 1979 the genre had pretty much run out of steam. The Sacketts feels a lot like a wonderful swan song to a bygone era both in American history and entertainment. A pre-Magnum Tom Selleck leads this dynamic cast as Orin Sackett. Sam Elliott and Jeff Osterhage play the remaining two brothers. Elliott’s portrayal is particularly inspired. Add to the mix Western veterans Glenn Ford and Ben Johnson and you have a mighty fine cast. Louis L’Amour introduces the piece.

New from Sony Home Entertainment comes the complete series of Jim Henson's The Storyteller starring Mr. Elephant Man himself, John Hurt, and a slew of eye-popping creations from Jim Henson's Creature Shop. The series focuses on classic folk tales, fables, and legends, including "Fearnot," "The Heartless Giant," "The Three Ravens," and six other wonderful family-friendly tales on one disc. Also provided as part of the set is an additional disc entitled Greek Myths, which provides even more Henson-esque entertainment with the following four tales: "Daedalus and Icarus," "Orpheus and Eurydice," "Perseus and the Gorgon," and "Theseus and the Minotaur." There are thirteen episodes in all. Henson's typical production efficiency is present in each episode. His craftsmen always make the most of their miniscule budgets, and their work offers a refreshing break from these days of CGI-heavy effects.

What's so great about this series is its willingness to incorporate a myriad of cultural folk tales, many of which may be foreign to first-time viewers. Taking its selection from Greece, Russia, and Germany, the series never reached its full potential on account of the short run. However, it manages to educate and entertain children of all ages, and endures as a fine piece of family programming despite its brevity. Hurt is fabulous as usual, really sinking his teeth into the narrator role and telling each tale with an enthusiastic punch in his voice. Brian Henson also does a fine job voicing The Storyteller's cynically fearful dog. While effects may have advanced much since 1988, Creature Shop create a lovable character in the talking mutt, which is sure to enthrall younger viewers. Thankfully, these two characters are able to relate to that crowd without talking down to them. One last thing: watch for a minion of fine actors in early roles, including Gabrielle Anwar, Miranda Richardson, Joely Richardson, Alison Doody, and Jonathan Pryce.

Well, let’s skip the pleasantries (besides, I’ve got a whole big introduction lined up and can save for a week anyway) and let’s get down to business.

The last couple of weeks have seen a decided uptick in HD and Blu-Ray news and notes, perhaps most significant among them is that Warner Brothers has decided to release some of the same already available HD-DVD titles on Blu-Ray, so come August 1, there will be a lot of people frantically getting their screenshot comparisons up and ready to go. Of course, tho...e titles are Rumor Has It, Training Day and Kiss Kiss, Bang Bang (and the Blu exclusive Good Night and Good Luck), but Warner media advertising appears to also note that 16 Blocks, The Perfect Storm and Million Dollar Baby may be on the way as well.