Posted in: Disc Reviews by Archive Authors on July 15th, 2006
Lately, I've been wondering out loud about what will happen to these over-produced teen pop stars who are thrown all this media exposure by their parents (to the point of exploitation). When are we going to start seeing some Playboy or Maxim photo shoots? When are we going to see someone on Cinemax After Dark, or even Night Calls? I mean, it's obvious at this point that Ashley Simpson can't sing, and she's starting to look more and more like her sister in an attempt to become her, without the appeal. And since there's a rumor floating around that she turned down a multimillion dollar Playboy photo shoot (after the proverbial "great deal of thought"), it seems to be the next logical step.
Enter Joanna Levesque (RV), a.k.a. "Jojo". I don't know what song she's famous for, I don't know what she's doing lately, but I know she's been thrown a lot at MTV and Nickelodeon for whatever reason. I know this because I watch copious amounts of both. She plays Hailey in Aquamarine, a bit of a tomboy and a close friend of Claire (Emma Roberts, Blow), who is the granddaughter (I think) of owners of a beach club of some sort, and they both seem to have a crush on Raymond (Jake McDorman, Echoes of Innocence), a local life guard and resident teen hunk.
Posted in: Disc Reviews by Archive Authors on July 15th, 2006
Tommy Lee Jones makes his directorial debut with The Three Burials of Melquiades Estrada, a new take on the western genre. Set in modern times, this is a unique revenge picture with a more positive message than most. Jones also stars as Pete Perkins, an old cowboy, who embodies all the classic western ideals. Estrada (Julio Cesar Cedillo) is his Spanish-speaking friend and ranch hand, who falls victim to an unfortunate shooting at the barrel of trigger-happy border patrolman Mike Norton (Barry Pepper). After a...failed attempt at cover-up, spearheaded by crooked police officer Belmont - a masterful portrayal by country music star Dwight Yoakam - Estrada's body finds itself in Perkins' possession, and a journey for a proper burial begins. But Perkins isn't going back to Mexico alone. He kidnaps Norton and forces the man into the role of Estrada. Jones does a great job of walking that line between insanity and friendship, nowhere more apparent than the scene, where he proudly boasts of his triumph to slow his old friend's decomposition. (I'll never look at antifreeze the same way again.)
Shot from Guillermo Arriaga's literary script, Jones' interpretation of time and place is stunning. The film begins in a strange place and jumps around with great frequency. Pete and Estrada's relationship contains not a word of English. One minute, the title character is alive. The next, he's dead. Then, he's alive again. It would have been too easy for the film to crumble under its own structural weight, if not for Jones' seamless direction, which keeps the film's nomadic tendencies surprisingly clear. By excluding English (and subtitles) from the scenes with Pete and Estrada, the audience realizes just how special the young immigrant was to Perkins. Their relationship was something exclusive, and it seems as if it was the closest Pete ever came to loving another human being. Unfortunately, there will probably be a few snickers if I don't clarify; but for the record, it's a non-sexual love. It's friendship, plain and simple. And the fact the audience doesn't even get to invade that bond tells all the more what Estrada meant to Perkins.
Posted in: News and Opinions by Archive Authors on July 13th, 2006
Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.
If you’re like me, then you have an old pair of jeans or shoes that need to be thrown out and replaced. But for the love of God, you just can’t bring yourself to do it.
Posted in: Disc Reviews by Gino Sassani on July 13th, 2006
Teddy Roosevelt once delivered a speech with a bullet lodged in his chest from an assassination attempt. It was that kind of bravado that made him one of America’s most colorful Presidents. I’m into Presidential history, having taught it for many years. I also live in Tampa, so have an increasingly avid interest in this particular American figure. Tampa was the staging and training grounds for the Rough Riders before they embarked for Cuba. It was also from a cigar warehouse in Tampa that Roosevelt’s orders were sent hidden in a cigar. History has no shortage of battle cries and slogans. “Remember the Maine,” a bold challenge issued by newspaper baron William Randolph Hearst, was one of the most memorable. An American battleship, the Maine, was sent to Cuban waters to protect Americans in the increasingly hot war zone there. An explosion later revealed to be an armament malfunction on board ship, was nevertheless blamed on Spanish aggression. With no small effort on Hearst’s part, America was soon engaged in the Spanish-American War.
What can we say about Ted Turner? This Atlanta Southerner has explored about every aspect of the Civil War in his productions that there likely is left to exploit. Fast forward a few decades, and now Turner set his sights on the Spanish-American War. It’s somewhat ironic, as Turner himself has often been compared, whether favorably or not, to Hearst himself. Credit Turner for being fair in his depiction of Hearst as an overzealous antagonizer for war. “You supply the pictures, I’ll supply the war,” he was once heard saying to a photographer. Even if George Hamilton appears grossly miscast in the role, the characterization was mostly accurate. In fact it is the acting that hurts this film the most. Tom Berenger is way too manic as Roosevelt. It is unlikely he was always so jovial even as his brothers in arms were dying around him. The portrayal is more often than not a complete caricature instead of a faithful attempt to portray a multifaceted individual. Berenger appears to have but one tone. Even by film’s end when his character can’t help but be overwhelmed by it all, silence is the only way Berenger can reveal Roosevelt’s obvious inner turmoil. Truth be told, too many of the characters are far happier than realism should dictate. Sam Elliott provides the best acting in the film as one of the regiment commanders. Unfortunately for him, his craft appears out of place. Other notable cast members include William Katt, Gary Busey, and Brian Keith as President McKinley.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on July 12th, 2006
Homers, Player Hating, and Swinging the ole Battle Axe, welcome to the weener dog that was left on the grill an hour too long known as Dare to Play the Game.
Posted in: News and Opinions by Archive Authors on July 12th, 2006
Fox Home Entertainment will release Thank You for Smoking (starring Aaron Eckhart, Maria Bello, Sam Elliott, Katie Holmes, William H. Macy, and Robert Duvall) in separate widescreen and fullscreen releases on October 3rd. Extras will include an Audio Commentary (by Director Jason Reitman), Deleted Scenes, Two Featurettes ("Making-of" & "America: Living In Spin"), and a Charlie Rose Interview with the cast.
Posted in: Disc Reviews by Archive Authors on July 12th, 2006
I guess because of some anniversary related to the initial version on Disney, someone decided to do a remake of 20,000 Leagues Under the Sea and not only lengthen it, but turn it into a miniseries. Built over a couple of parts, the piece, adapted by Brian Nelson (Hardy Candy) and directed by Rod Hardy (December Boys) stars some familiar names and faces, but is it really worth it?
Posted in: Disc Reviews by David Annandale on July 11th, 2006
Gregory Peck plays Francis Chisholm. After losing his parents as a young boy, and then his sweetheart (to moral turpitude, it seems), Francis enters the priesthood. His unorthodox ways make him a failure initially, but kindly bishop and mentor Edmund Gwenn sees potential in the man, and sends him off to China to be a missionary. There too, things get off to a rocky start, but a turnaround happens when he saves the son of a local mandarin. His struggles are far from over, but through it all, he remains a triumphantly decent man.And one would expect no less from Gregory Peck, now would we, in this, his screen debut. This is old-fashioned religiosity following in the vein of The Song of Bernadette and Going My Way. It certainly is easy to cynical about it, and there is more than a whiff of cultural imperialism about the affair. Even so, and in spite of the very stately pace, the film is so fundamentally sweet-natured that it is very hard not to be caught up in it.
Audio
Posted in: Disc Reviews by Gino Sassani on July 11th, 2006
When Star Trek: The Next Generation began, we were introduced to a new crew and a new Enterprise. What I remember most about that first episode, however, was the new villain of sorts: Q. John De Lancie has created one of Star Trek’s most memorable and endearing characters. Some claim the Q character was really introduced in the Original Series episode Squire of Gothos. William Campbell plays the all powerful gamester Trelane who turns out to be a child of omnipotent parents who was merely playing with Kirk and his crew. While I can see the similarities, the Trek gurus have not officially endorsed this connection. I hope it stays that way. I didn’t like that episode. Trelane was quite an annoying character. That leads me back to my feeling that it’s really De Lancie and not necessarily Q that we’re in love with. Let’s face it. While some of the best Next Generation episodes feature Q, some of them are also pretty lame. Still, no matter how bad the episode is, it’s still worth watching Q. I guess I’ve always been a sucker for the clever con artist characters. Sid the Snitch from Hill Street Blues is another of my all-time favorite characters. In case you don’t know, Q is just one part of an omnipotent Q continuum. This omnipotent race or collective usually keeps to themselves. Our Q, however, has found a playmate in Picard and some of his counterparts. He seems intent on being that stone in Picard’s shoe while expressing some sincere interest in the human condition. While most of his appearances have resulted in mere annoyance, we can’t forget that it was Q who brought the Federation in contact with its most powerful and perhaps most popular bad guys, the Borg.
I tend to frown on such multiple dipping, but in the case of these fan collections I think they’re generally a good idea. The entire Trek collection would cost several thousand of your hard earned dollars. If you have most of this stuff on laserdisc like I do, you’ve been reluctant to plunk down the coin again. For me these collections are a good way to upgrade some of the more important stuff.
Posted in: Disc Reviews by Archive Authors on July 10th, 2006
On paper, The Ringer must sound like the most un-PC movie in the history of cinema. After all, Johnny Knoxville from MTV’s Jackass plays a character in need of some cash, so he pretends to be “Jeffy” -- a mentally challenged athlete -- in order to fix the Special Olympics.
However, this movie is produced by the Farrelly Brothers, and as they have done in their past films (There’s Something About Mary, Shallow Hal), the Farrellys treat mentally and physically challenged people with resp...ct -- casting them in large supporting roles -- which allows The Ringer to become an endearing film, rather than the offensive and insulting piece of crap it could have easily become.







