Posted in: Disc Reviews by David Annandale on January 22nd, 2010
One of the lesser-known, but more visible, provisions of the Obama administration's stimulus bill is the provision that there must be at least one Sandra Bullock movie in the theatres at all times, regardless of quality. So now, as Bullock collects awards for her turn in the enormously profitable The Blind Side, here is the summer's offering making its home video debut. Our heroine this time around is a deeply eccentric crossword creator whose social skills are somewhere south of Pee-Wee Herman's. Her parents set her up on a blind date with TV news cameraman Bradley Cooper. She is immediately smitten. He is immediately terrified. He heads out on the road, working with reporter Thomas Haden Church. Faster than you can say “restraining order,” Bullock takes off after him. Cue the merry cross-country picaresque chase.
Posted in: Disc Reviews by David Annandale on January 21st, 2010
It is the last month-and-a-bit of Delta Company's tour of duty in Iraq. The IED disposal squad has just lost its leader, and he is replaced by Staff Sergeant James (Jeremy Renner), a brilliant bomb defuser who is also something of a loose cannon, prone to taking foolish risks. What follows is Kathryn Bigelow's best movie to date, as finger-gnawing scenes of bomb disposal and combat alternate with portraits of men's psyches being taken apart by war, both because of what happens to them, and because of what they must do.
Posted in: Disc Reviews by David Annandale on January 4th, 2010
The film begins in the middle of the story, at the end of one journey and the beginning of another. Marlon (Aldemar Correa) and Reina (Angelica Blandon) are illegal Columbian immigrants, and have just arrived in New York City. They are staying in a beyond-seedy hostel in Queens, and Reina has just spent their last coins on a fruitless phone call. Frustrated, Marlon hits the street, and after a panicky encounter with the police, winds up lost in NYC. So begins his second journey one that is both a search for belonging as well as his beloved Reina, that is intercut with flasbacks to the trip that brought Marlon and Reina to the city in the first place, beginning with their leaving the relative comfort of their lives in Medillin and tracking their increasingly nightmarish trek to the States.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Tycoon Tom Arnold sends employee and all-signs-point-to-being-future-son-in-law David O'Donnell and daughter Sarah Thompson (a ghastly person who is clearly Ms Wrong) to O'Donnell's home town in order to seal a real estate development deal. There O'Donnell comes up against former flame Nicole Eggert, who is fighting to preserve the town's pristine self. And yes, all of this is happening over the Christmas holiday, though it could just as well be the Fourth of July. At any rate, based on this setup, if there is a single one among you who can't anticipate every single turn of the story, allow me to be among the first to welcome you to the planet Earth.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Eight-year-old Buddy (T. J. Lowther) likes living in the Alabama countryside with cousing Sook (Julie Harris in a tiny role), but circumstances dictate that he go to New Orleans for Christmas, there to stay with the father he has never seen (Henry Winkler). Old dad is, it turns out, a con artist with an inflated sense of self-importance, currently wooing Swoozie Kurtz, whose mother (Katharine Hepburn) recognizes Winkler for what he is. This being a Christmas movie, hard lessons and redemption will be called for.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Kate Frazier (Kelly Macdonald) has fled her abusive husband and begun a new, solitary life for herself in Chicago, where she fends off the romantic interest of a number of men, and the curiosity of a great many people who all want to know how she received her black eye. One night, leaving the office, she sees a man about to jump from a building roof, and her scream startles him, breaking his suicidal trance. The man is Frank Logan (Michael Keaton), a contract killer. No longer interested in killing himself, he tracks down Kate, initially intending to kill her, since (though she doesn't realize this), she saw him moments after a hit. He collapses with pneumonia before he can carry out his plan, and she helps him to the hospital, whereupon a most unlikely relationship begins to bloom between two wounded people.
Posted in: Disc Reviews by David Annandale on December 20th, 2009
Host Tom Cavanaugh takes us for a tour of the some of the lesser known or rarely seen corners and byways of the Smithsonian Institution. The tone is breezy and mildly irreverent, and the exhibits encountered are unfailingly interesting. The episodes this season are “Let's Eat!”, “Top Secret,” “Nature's Vault,” “Crystal Ball,” “Going, Going, Gone,” “Sex 101” and “Villains and Rogues.” The episodes are actually even less specific than the titles might suggest (and they already grant a fair bit of freedom to jump from topic to topic). Thus, “Villains and Rogues” looks at a couple of, well, rogues, and then having Cavanaugh refer to them as snakes is enough of a segue for the episode to suddenly shift its attention to – you guessed it – actual snakes.
Posted in: No Huddle Reviews by David Annandale on December 19th, 2009
Lo these many Christmases ago, I received a wonderful book by Peter Dickinson called The Flight of Dragons. Gorgeously illustrated by Wayne Anderson, the book's simple yet rigorously pursued conceit is the idea that dragons really existed. Dickinson sets out to show just how this could be, how they flew, how the fire breathing worked, and why there is no fossil record of their existence. In other words, Dickinson takes a hard SF approach to high fantasy, and the result is magical. Now, as part of its Archive Collection, Warner has resurrected a 1982 Rankin-Bass animated adaptation of the book.
Posted in: Disc Reviews by David Annandale on November 25th, 2009
In early-20th-Century Dublin, a winter's musical gathering is being held. The first two-thirds of the film takes us through the course of the evening, from the arrival of the guests, to the musical entertainment, to the dinner and its discussions (and arguments), and finally the departures. During the party, one is aware of a certain tension or distance between one couple: Donal McCann (nephew to the hostesses) and his wife (Anjelica Huston). As they prepare to leave, Huston hears one of the guests sing, and is rooted to the spot. Later, McCann asks her why the song affected her so much, and a painful memory from her past comes out.
Posted in: Disc Reviews by David Annandale on November 23rd, 2009
We are in the late 1920s, and to the family manor comes Ben Barnes, in the company of new wife, Jessica Biel. That this woman is both American and a race car champion does not sit well with the very conservative mother Kristin Scott Thomas. That her nose is out of joint delights husband Colin Firth, a veteran of the Great War who, thoroughly world-weary and disillusioned with just about everything, wants nothing to do with the petty concerns and squabbles of his family. What follows is a clash of cultures and generations, veering between slapstick comedy and something rather darker.