Posted in Disc Reviews by Gino Sassani on July 11th, 2002
Sins of the Father is an emotional film. It is overflowing with disturbing images of both racial and domestic violence. The cast is quite convincing. This film is not for everyone. The portrayal of the racial tensions of 1960’s Alabama closely resembles the historic footage interwoven in the film for realism. The film often switches from 1998 to 1963 and the transitions are often confusing.
Posted in Disc Reviews by Gino Sassani on July 11th, 2002
Hard Cash wants very much to be a smart movie, with not one but three separate heists that are thought out and executed in complicated style much like the far superior films, Heist and The Score. The problem with Hard Cash is that it can’t resist being campy as well. Hard Cash also wants to be funny. The end result is a movie that does both adequately but neither very well. Val Kilmer looks so uncomfortable in his role, you wonder if his shoes are on too tight. Slater is accually quite convincing, but he can’t get any of the other actors to come along for the ride
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Posted in Disc Reviews by Gino Sassani on July 11th, 2002
Synopsis
Jennifer Saunders and Joanna Lumley star as Edina and Patsy, terminal fashion victims and loathsome relics from the sixties. Edina is a psychopathically narcissistic motormouth (conveniently, writer Saunders gives herself the lion’s share of lines), and Patsy is a vaguely sinister man-eater. She spends most of the time lurking about on the edges while Edina makes life miserable for her long-suffering daughter. The sum total of the series’ humour is graspable within five minutes, but that did…
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Posted in Disc Reviews by Gino Sassani on July 6th, 2002
Film
Walking With Dinosaurs plays out like a National Geographic special, tracking dinosaurs and their kin in the field. Wonderful CGI recreations of some of the more obscure beasts set this special apart from all other dinodocumentaries.
Synopsis
The vast worlds of prehistoric times are brought to life in a series of documentaries starting with the beginning of life in the seas and ending with the death of the final land giants. There are 6 segments: “New Blood”, “Time Of …
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Posted in Disc Reviews by Gino Sassani on June 28th, 2002
Film
Criterion has done it again! Along with Buena Vista, Criterion has transformed this flawlessly executed film into a masterpiece on DVD. For you Rushmore fans out there, you will absolutely love this film… I actually liked this film more then Rushmore. If you have not seen any works by Wes Anderson (director), you should really check this film out.
“The Tenenbaum kids were all once child prodigies, despite growing up with an ineffective father. Determined to make things …
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Posted in Disc Reviews by Gino Sassani on June 27th, 2002
Synopsis
The second season still shows a strong connection to the Robert Altman film, with the movie’s closing credits narration, for instance, still being used, and the first episode still finding it necessary to let us know who the characters are. At the same time, while still following traditional sitcom patterns, the series is also clearly pushing against that envelope.
Audio
The soundtrack is the original mono. The sound reproduction is clear and unmuddied, and th…
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Posted in Disc Reviews by Gino Sassani on June 25th, 2002
Aliens was one of those rare sequels that must include T2 where everything gets taken up a notch without spoiling the elements that made the first successful. This is not to say Aliens is better than the original, but very different yet somehow very much the same. Sigourney Weaver acts with a confidence made possible by the first film. It’s hard to believe but Ripley just gets stronger. The story is much more complex but still retains the chilling simplicity of a horrible creature stalking its prey. There are more cr…
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Posted in Disc Reviews by Gino Sassani on June 24th, 2002
Film
It has been a few years since I last saw Speed… but it is still as enjoyable as ever. Sure, Keanu Reeves is a bland actor, but other then his role in The Matrix… this is some of his best work. The action is hot, and the story is solid. For those who have not seen this film (what rock have you been hidden under?), this synopsis is for you:
“Jack Traven is a risk-taking SWAT Team officer, pitted against a mad-bomber, Howard Payne. Howard has a pattern of coming up …
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Posted in Disc Reviews by Gino Sassani on June 22nd, 2002
Synopsis
Twelve-year-old Carlos is brought to a dilapidated boarding school. He is struck by the odd sight of a bomb standing in the middle of the courtyard. But even more unnerving is the ghost of a young boy that soon makes its presence known. Unravelling the mystery of this ghost isn’t Carlos’ only problem however. There are bullies in the school, and the brutal handyman has his eye on the gold in the safe. Said handyman is determined to get at the gold, and doesn’t care who gets hurt (or worse) i…
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Posted in Disc Reviews by Gino Sassani on June 19th, 2002
Film
If one thing can be said about Michael Bay films, it would be that they are beautifully shot. I cannot think of many directors’ that have such a unique cinematographic feel to their films… and Pearl Harbor is no exception. This film contains some of the best fighting sequences ever put onto film. Unfortunately, this fabulous action is tainted by a sub-par love story that is interwoven into the story. With the elimination of this love story, Pearl Harbor would have been an amazing action film…
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Posted in Disc Reviews by Gino Sassani on June 19th, 2002
Synopsis
Crowe plays John Nash, schizophrenic genius. The film follows him from his grad student days at Princeton, to his revolutionary formulation of game theory, to his later breakdown, and climaxes in his reception of the Nobel Prize in 1994. Though overlong, often burdened by an excessively emphatic score by James Horner, and following all the usual conventions of Hollywood melodrama, the film also offers stunning cinematography by Roger Deakins, uncharacteristically good dialogue by Akiva Golds…
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Posted in Disc Reviews by Gino Sassani on June 18th, 2002
“In space no one can hear you scream” was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future companies are quasi-government agencies and these astronauts are not explorers out for glory and…
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Posted in Disc Reviews by Gino Sassani on June 13th, 2002
Film
Robert DeNiro has built a tremendous career out of portraying men who are to be feared. Starting with Vito Corleone in The Godfather Part II through Good Fellas, DeNiro has established himself as the Hollywood Don. Analyze This is a brilliant comedy that cashes in on that long body of work. There’s no setup required for us to accept DeNiro as the head of a crime family. What makes the film work on an even higher level is the addition of Billy Crystal and the fact that both powerful actors play against what you would expect.
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Posted in Disc Reviews by Gino Sassani on June 11th, 2002
Synopsis
Tom Cruise is the deeply shallow David Aames, who undergoes a conversion when he falls in love with Penelope Cruz (repeating her role from the original). This upsets Cameron Diaz, who commits vehicular suicide with Cruise in the passenger seat. Horribly disfigured, he nevertheless re-establishes his relationship with Cruz. And then reality starts coming apart at the seams.
The film looks terrific, and has an interestingly eclectic soundtrack (I’m amazed that they dug up “Doot Doot”…
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Posted in Disc Reviews by Gino Sassani on June 8th, 2002
There was a time when everything Stephen King wrote was considered movie material. Somewhere studios were trying to figure out how to make a film franchise from his shopping lists. Most of the time the films fell massively short of the original material. The Green Mile is a noteworthy exception, as this is far superior to the King story. There are no monsters or ghouls (unless you count guard Percy), instead, this film manages to pull on your emotions in subtle ways in contrast to King’s usual M.O. of hitting you over the head with your fears.
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Posted in Disc Reviews by Gino Sassani on June 8th, 2002
One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix, seven… eight discs is what you’ll get in this colossal horror collection. Freddy is one of the more memorable monsters from the slasher era that also brought us the Halloween and Jason films. Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality… The first and third are the best story-wise, while the last might be the most unpredictable and original.
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Posted in Disc Reviews by Gino Sassani on June 8th, 2002
Synopsis
Tyrone Power is the intensely irritating American flyboy who flies a delivers a bomber to England to earn some money. Once there, he spots old flame Betty Grable, and enlists in the RAF so he can woo her back. Grable is also being courted by Power’s commanding officer, who possesses all the decent qualities Power lacks (i.e. just about everything).
The romance, which central to the film, is not exactly enthralling, since you’re rooting for the wrong man. The combat scenes, however,…
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Posted in Disc Reviews by Gino Sassani on June 5th, 2002
Synopsis
State police officer Inayat Khan’s son is critically injured in a fall and dies because doctors, intimidated by a terrorist’s threat, refuse to treat him. Khan launches an assault on the terrorist, and during the battle guns down the family of 11-year-old Altaaf. Khan and his wife adopt Altaaf, whose new life is shattered when he discovers Khan’s role in the loss of his parents. Ten years later, Altaaf is now a terrorist working for the deeply sinister Hilal Kohistani, who has sent him on a …
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Posted in Disc Reviews by Gino Sassani on June 3rd, 2002
Welcome to Oliver Stone’s history 101, where Vietnam looked a lot like Florida, and JFK was killed by a conspiracy so large it included the mafia, FBI, CIA, the Teamsters, and two bag ladies on Pennsylvania Avenue. Hollywood has always tinkered with history, but Oliver Stone performs reconstructive surgery. Nixon is no exception to this rule. It is much easier to view the film more as a character study than an historical piece. The film has you believe that Nixon used the F word more times than Richard Pryor on a roll, hated most of his advisors, and also had a hand in the JFK ordeal.
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Posted in Disc Reviews by Gino Sassani on June 2nd, 2002
Fresh off of its multiple nominations at the 2001 Academy Awards, and Academy’s winner of the Best Original Screenplay, comes Gosford Park to DVD. Most who have seen this film have fallen in love with it, I on the other hand, felt the story moved far to slow, and my interest waned as the film progressed. Though I was not captivated by the film itself, the acting was superb, and the premise was solid.
“It is November, 1932. Gosford Park is the magnificent country estate to which Sir William McCo…
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Posted in Disc Reviews by Gino Sassani on June 1st, 2002
Haven’t we all fantasized about what it would be like to be invisible? Most of the common perks come to mind: spying, getting into movies and amusement parks free, even the baser peeping tom inclinations come to mind. James Whale would pair his Frankenstein masterpieces with this equally trend-setting film. The film is only loosely based on the popular H.G. Wells novel and is played more for chills. Claude Rains does such a wonderful role when you consider that for most of the film he is denied physical presence on the screen.
Posted in Disc Reviews by Gino Sassani on June 1st, 2002
It’s hard to imagine, but in the 1930’s sequels were almost unheard of. If a work was considered to be a franchise, it was released in serial form before the main features. By today’s standards, Bride of Frankenstein would be no surprise. James Whale was reluctant to continue the Frankenstein saga as was the Monster himself, Boris Karloff. Universal was relentless and the world is the benefactor of its greed. Bride of Frankenstein not only lives up to its original but in many ways surpasses it. The sets are far more grand and the story was Universal’s most compelling.
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Posted in Disc Reviews by Gino Sassani on May 31st, 2002
Monster’s Ball is a very raw and powerful film. The story and the cinematography are wonderful, as is the acting… thus the Best Actress Academy Award for Halle Berry.
“MONSTER’S BALL is a hard hitting Southern drama tempered by a story of powerful, life-changing love. It is the story of Hank (Billy Bob Thornton), an embittered prison guard working on Death Row who begins an unlikely, but emotionally charged affair with Leticia (Halle Berry), the wife of a man he has just executed.” – Lions Gate
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Audio
This film sounds great on DVD. The subtle soundtrack is smooth, and the soundstage is used wonderfully. The sound dispersion and separation is very clean, and the dialog is precise.
Video
The video quality on this DVD is also very good. There is very little damage to the print by the way of debris and grain, and the raw feeling of the film is maintained nicely. The skin tones look natural and both the colors and darks are very accurate.
Special Features
This disc does not contain lots of special features, but it does contain very good special features. The menus are very nice… clean and theme oriented, with a solid score, animated menus, and smooth page transitions.
This disc contains two separate audio commentaries. The first commentary features the films director (Marc Forster) and Director of Photography (Roberto Schaefer) in which is a very informative, but somewhat dry track. The second commentary includes Director Marc Forster, as well as co-star’s Halle Berry and Billy Bob Thornton. This track, though it started of very disjointed and awkward, turned into quite an interesting track. If you have to choose one of these two commentaries to listen to, pick the second.
This disc also includes two featurettes – Behind the Scenes & Scoring the film. The behind the scenes featurette is quite non-conventional for the fact it does not focus on interviews, but rather actual shot footage of behind the scenes film stock. The featurette on the score is one of the best “scoring” features I have ever seen… it is 8 minutes in length, and it really teaches how and why the film sounds as it does. The features are rounded off with 4 deleted scenes and the theatrical trailer.
Final Thoughts
This is a very solid film and DVD. Lions Gate has created a DVD of very high quality, and has crafted some very nice special features. This disc should be owned, or at least seen by all.
Special Features List
Posted in Disc Reviews by Gino Sassani on May 30th, 2002
Synopsis
Child-like nun Meg Tilly is found one night lying on the floor of her cell, covered in blood, a strangled newborn in her wastebasket. Psychiatrist Jane Fonda is called in to determine whether or not Tilly is fit for trial. Mother Superior Anne Bancroft is convinced that she is not, and does not want skeptical Fonda destroying Tilly’s innocence. Meanwhile, Tilly, it seems, cannot remember anything about that night, and certainly denies ever having been pregnant.
Audio
Posted in Disc Reviews by Gino Sassani on May 28th, 2002
Synopsis
The tale is told in flashback. We begin in 1950, in a labour camp in Czechoslovakia. Franta Sláma (Ondrej Vetch ) is imprisoned there for having flown with the RAF during World War II – his reward for having helped liberate his country. From this beginning, we move back to see Sláma’s experiences in England, his fatherly relationship with his protégé Karel Vojtisek (Krystof Hádek), and their love triangle with the married Englishwoman Tara Fitzgerald.
The impressive battle sequence…
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