Posts by Gino Sassani

"In our findings on Gamera, we've ascertained that: Firstly, it is attracted to and consumes fire. Secondly, it also seems to possess an internal power plant, of sorts. This emits a signal frequency that can jam radio communications. In order to store up energy reserves, Gamera consumes inorganic resources. Not only does it consume petroleum as well as other mineral and fossil fuels, but Gamera may also seek out atomic bombs."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds.

"Let's Be Careful Out There!"

It started as a mid-season replacement on NBC and ended up anchoring NBC's famous Thursday night lineup for seven years. In that time Hill Street Blues racked up enough awards to fill a lot of trophy cases. The face of television would be changed forever. There was nothing like it before, and there hasn't been anything like it since. It was a breeding ground for brilliant television show-runners like Scott Brazil (The Shield), David S. Milch (Deadwood), Walon Green (ER), Dick Wolf (Law & Order), Ken Olin (Alias) and David Black (CSI:Miami).

Karl Mueller is a new director on the horror scene. His Mr. Jones is out today from Anchor Bay. It's a sort of hybrid "found footage" and nightmare thriller. The film features Jon Foster (Accidentally On Purpose) and Sarah Jones (Vegas). I had the opportunity to chat with Karl about his unique film. Bang it here to hear what he had to say about the elusive Mr. Jones: Karl Meuller Interview

 

"There are dark days ahead."

When Marc Webb took over the reigns of Spider-Man over at Sony, I had very mixed feelings. I was a pretty big fan of the comic as a kid, and the Raimi films were a pretty exciting time for me. OK, maybe not the third one. Webb came along and he put a fresh spin on the web-spinner by returning much of the story to its roots. I liked his first film, although it hasn't aged as well for me as the Raimi films did. But you can't get much better than Spider-Man, and I watched with diminishing anticipation as word leaked out bit by bit what Webb and Sony had in store for Peter Parker beyond The Amazing Spider-Man.

"This is class here, and you don't ever want to spit on class."

All this week we've been talking about Hill Street Blues. Why? Because Shout Factory has finally given fans what we've literally waited decades to have. The entire seven seasons of Hill Street Blues are finally available in one fine collection. I've been hard at work on the review, but we're talking 144 episodes, and I'm eating them as fast as I can. We hoped to have the review up today, but there is still a little more to watch. In the meantime we have another character profile to keep you going until next week.

Hill Street Blues is finally out on DVD, and we're celebrating all week long. Yesterday we shared the various awards that the show has earned in its seven years on television. We've also shared a couple of character profiles starting with the Captain and Detective Belker. This time out we're going to talk about two characters who were patrol officer partners for the entire run of the series. What makes them special is that they were killed off in the pilot. What the heck is that about? Read on, my friend.

Today Shout Factory releases the entire 7-season run of Hill Street Blues. We will be celebrating all week with more character profiles and our full review on Friday.

Until that time, let's look at some of the awards the series won in its 7 years.

I have to be honest. Director Richard Shepard probably lost me in the first 10 seconds of Dom Hemingway. I can't help believing that my opinion was shaded a bit as I watched Jude Law as the titular character rambling some nonsensical dialog while having himself "taken care of" by a fellow inmate in prison. It's an image that lives with you long after the scene is done. Surprisingly, I did start to settle in for what looked like a more promising ride than I had first believed. And for about 40 minutes it actually became an almost good film.

There is nothing wrong with your movie screen. Jonathan Glazer controls all that you see and hear. That tiny speck of light you see is just the beginning. The beginning of an experience you will not soon forget. The light appears distant...cold... foreboding. It's coming closer to us, or we are coming closer to it. The distant star grows while you are assaulted with some of the most bizarre sounds you have ever heard. It's somewhat uncomfortable. You squirm in your seat. The light grows; its alien forms finally settles into an unexpected familiar form. Still, it's all rather unsettling. Jonathan Glazer controls more than all you see and hear. For the next two hours he controls your sanity... your very humanity.

"Hi, little guys."

There was a time, decades ago when Walt Disney Studios was doing quality documentaries on a pretty regular schedule. Many of them appeared on the television show The Wonderful World Of Disney, and more than a few were released as feature films. And while that tradition has continued somewhat, it's been a while since I was truly impressed by a Disney documentary. That all changes with the release of Bears.