Posts by Gino Sassani

It appears that Kevin Sorbo has shed his heroic image for that of the direct-to-video family film. Back in 2009 we interviewed the actor for another horse film called Tommy And The Cool Mule. Interestingly enough, Storm Rider also involves a mule. He appears quite comfortable with the change. And while he's not playing the kind of heroes he did in Hercules or Andromeda, he has been working quite a bit in these smaller productions. I'm sure that the fans would love to see him once again in the larger-than-life roles that made him famous. For now you'll have to settle for heartwarming and small-budget. For now, you'll need to settle for Storm Rider.

Dani (Churchran) is used to getting what she wants. Her family is filthy rich, and she gets to ride thoroughbred horses in competitions. As the movie begins, we see she has a rather huge collection of blue ribbons for such a young teenage girl. It all comes tumbling down when her father (Howell) is busted by the Feds for security fraud. Now we know how they got so rich. Her stepmother (Sorbo) jumps ship as soon as things go bad. That's no big loss, but she takes Dani's younger half-brother with her. She's forced to sell her favorite horse Admiral to her rival. Since Dad's on his way up the river, she has to move in with her Uncle Sam (Sorbo).

"There's nothing like good wine and friends. Or cheap wine and relatives."

No one is going to get you closer to Mama for the holidays than Time-Life and Star Vista. It's the moment that fans have waited for over 20 years to arrive. The complete series of Mama's Family is finally out on DVD, and that means there's a lot to talk about. No one is trying to say that Mama's Family was the best sit-com to hit television. I'm not even sure I'd put it in the top ten. But it's the little show that could and survived six years on television and even longer in reruns. Few shows have beaten the odds this many times and come out on top. Mama's Family did just that, and here's how it happened.

The Three Stooges might well be one of the most famous comedy teams in American entertainment history. What started as a Vaudeville act in the early 1920's would take theater audiences by surprise in the Depression years of the early 1930's in the famous shorts for Columbia Pictures. The shorts featured brothers Moe and Curly Howard with Moe's vaudeville partner Larry Fine. The shorts found them in all manner of situations from plumbers to Civil War soldiers. Moe was the domineering leader of the trio who ruled with an iron fist, usually slammed against Curly's head or Larry's jaw. The boys took slapstick rather literally, and before long their routines became part of the pop culture. The shorts appear violent even today. Moe wouldn't think twice about slamming a sledgehammer into Curly's head. The show's sound effects would become iconic as well.

In the 1960's and 1970's the Stooges found new fame when their shorts showed up on television. A brand new generation was introduced to the Stooges, who had gone through a few line-up changes over the years. When Curly became too ill to go on, brother Shemp joined the gang. Other incarnations included Joe Besser and finally Joe DeRita as Curly Joe. Moe and Larry remained for the entire run. It's these television airings that first introduced me to the boys.

31 Nights Of Terror isn't over just yet. We've got some more goodies to give away. This time it's A Monsterous Holiday from our friends at Arc Entertainment. The animated special features the voice talents of Brooke Shields, Sean Astin, Jon Heder and Kyle Chandler. It's teenage Frankenstein mayhem to be sure.

To win just follow these instructions.

"46,000 people died here. Do you think it's haunted?"

It would have been so much better for me if I had seen the first season of American Horror Story. Of course, it isn't necessary. This has to be one of the most clever television ideas I've encountered. You don't have to have seen the first season because, while the actors are pretty much the same, they play completely different parts in a completely different story in the second season. This kind of television takes you back to the early days of sketch television and reparatory theater. The difference is that this stuff has an edge. It has an edge so sharp that you're very liable to hurt yourself if you're not very careful.

"We always thought that alien life would come from the stars, but it came from deep beneath the Pacific."

The only thing we seem to love more than giant monster movies are movies about giant dudes going a few rounds with said giant monsters. It was huge television fare in the 1960's and 1970's. We had Ultraman, Space Giants, and Johnny Socko. All of them were Japanese imports that gave us daily or weekly monsters doing the old "Tokyo Stomp", and just when things appeared at their darkest, the giant hero would arrive and give us a show more akin to the weekend wrestling shows than anything else. We'd get choke-holds and body slams that would make the rubber suits jiggle as they fell. It was all in good fun and appears to have pretty much disappeared from the television and film landscape. That is, until Guillermo del Toro brings us one of the summer's eagerly awaited tentpole films: Pacific Rim.

Direct-to-video sequels of successful animated films are tricky at best. The video release is usually a sign that either the studio is trying to cash in quickly on the franchise or they are just not confident enough in the sequel to put it up on the big screen, usually with good reason. Smaller budgets mean less impressive animation and a lack of A-list voice actors. Every studio has been guilty of one or the other and more often both. But what's the story when the original film made a disappointing $25 million at the domestic box office? That usually signifies that a sequel of any kind is not likely in high demand. Such is the quandary of Alpha & Omega 2: A Howl-iday Adventure.

The original film wasn't near as bad as the box office figures would have you believe. It was pretty much an average computer-animated feature film. It had a very solid voice cast that included such talent as Justin Long, Danny Glover, Dennis Hopper and Christina Ricci. It just didn't have a lot of punch to it, and it fizzled. I'm not sure how anyone thought that this one would have any more heart or punch after you take away the great talent and substitute relatively unknown names. That doesn't mean untalented, by any means. They do pretty much what's expected of them here. I just wish I could say it was entertaining.

31 Nights Of Terror is just getting out of control with these giveaways. Our friends over at Mill Creek have given us a Triple Feature horror-fest to give away. One lucky Upcomingdiscs fan will get Deceived with Goldie Hawn, Summer Of Sam with John Leguizamo and The Rich Man's Wife with Halle Berry.

To win just follow these instructions.

"Try not to be distracted by the cleavage and the hairspray."

It all started out as a mock trailer written by Robert Rodriquez for the 2007 farce Grindhouse. The project combined such talents as Rodriquez, Quentin Tarantino, Eli Roth, Rob Zombie and Edgar Wright. They were all fans of the 1970's exploitation grindhouse films. You can certainly see the influences in the movies these filmmakers have made on their own. Machete was equally a farce and only intended to give you that drive-in trailer feeling during Grindhouse. Along the way the segment staring Danny Trejo became something more.

How long has it been since you've spent some time with Mama? It's hard to believe that it's been almost 25 years. Our good friends at Foundry Communications and StarVista have decided that it's just been too dang long. Of course, we're talking about the television classic Mama's Family staring Vicki Lawrence. We're teaming up to give you a good deal of time to spend with Mama. We're giving away 5 sets of the first two seasons to our lucky followers.

To win just follow these instructions.