Posts by Gino Sassani

Every now and then we try and give a little push for films made here in our back yard in Florida:

Check out the trailer for Step Up:Revolution hitting theaters on July 27th.

"Every insect lives for just one purpose: Survival of its own kind."

In 1997 Guillermo del Toro made his first English-language film. Mimic was based on a rather creepy short story by Donald A. Wollheim. Unfortunately, for del Toro and film fans everywhere, the director had more than his fair share of struggles with the studio powers that be, and he never really had the chance to make the movie he really hoped to make. The result is certainly an atmospheric and interesting film, but one wonders what the movie might have been like if del Toro had had his chance to make his own movie. A few years ago we were given at least a glimpse into what that would be like with the home video release of a Director's Cut of the film. While it doesn't allow the fanciful director to include those shots he never got to shoot, he describes this version as the closest to his vision now possible. No question this version of the film is the anchor for the new Mimic 3-film collection just out from Lionsgate on high-definition Blu-ray release along with the two direct-to-video sequels, which del Toro had nothing at all to do with.

"People might just need a little old fashioned."

It goes back to the 1960's and 1970's, considered by many to be the Second Golden Age of Comics. That's when Stan Lee and Jack Kirby joined forces to make Marvel the dominating face in comic books. They did it by making their heroes people we could identify with. These superheroes were often flawed and in conflict with themselves and each other. But they still always got the bad guy and saved the day. I was one of those kids. Comics were a huge part of my life, and they delivered excitement and escapism long before there were video games and home theaters. It's been a long time since I've felt that kind of excitement. For two and a half hours, The Avengers made me feel like that all over again. This review isn't being written by the adult who usually writes in these pages. Today I'm a 15-year-old boy who isn't thinking about bad economies or cutthroat politics. Today I'm just smiling, and Joss Whedon and The Avengers is the reason.

Here's the second of two panels with the actors. Our friends at Marvel asked us to pass them along.

Enjoy. Bang it here for the Avengers interviews. Avengers Part 2

Hungry for some Avengers action?

I've seen the film now, and it's fantastic. Our review posts on Friday.

When I was a kid there was one summer when all of the radio stations were playing a song called Billy Don't Be A Hero. Somehow I don't think that Billy Bretherton was quite what they had in mind. Sure, Billy goes where most of us would be afraid to tread, but he's also got to be the biggest crybaby sometimes. Hero or not, Billy and his brother Ricky have put in a fourth season of Billy The Exterminator, and it's now available on DVD.

Billy Bretherton is the owner of Vex Con Pest Control in Shreveport, Louisiana. It's a family-run business. Mom is the office manager and takes all of the service calls and then dispatches the technicians to their various jobs. Dad is the office mascot. He's had a heart attack along with a few other medical scares, so he's not really very hands-on. You might say his main job is to worry and complain. Mary is Billy's wife. She quits halfway through the first season, appearing only a couple of brief moments in the second season. Still, she's a part of the opening credits. Ricky is Billy's brother and often his partner on many of his two-man jobs. It's interesting that we're constantly told that Ricky is deathly allergic to wasp stings. One sting and it's an airlift ride to the ER, Billy is always reminding us. But when a wasp call comes in, who do you think Billy takes along to help? Of course, it's Ricky. Mom always reminds us of the allergy and admonishes Billy to be sure his brother doesn't get stung. It's things like this that make this the most frustrating A&E series I've ever watched.

Meet the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly. He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling life-style. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.

The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread. I think they need to lay it to rest going into season 2.

Say goodbye to the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly .He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling lifestyle. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.

The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread.

"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."

So just in case you have access to all kinds of firearms and a few spare acres to set up a range, you might want to think twice before trying to reproduce the challenges you'll find in History's latest reality show Top Shot. It's part Survivor and part Big Brother with the added dimension of marksmanship. And, honestly, it's quite a bit more compelling than either of those shows.

"At the top of the world, there's a job only a few would dare. The Ice Road Truckers are back.."

It was the peak of the 1970's, and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those Smokeys. The man practically started a new genre of music with the hit song Convoy. The song was so popular that the backup band used their cut to start a little project of their own. They became Mannheim Steamroller and used the cash to cut their own music. The movies started giving us things like Smokey And The Bear. Truckin' was in fashion, and a good time was had by all.