Posts by Gino Sassani

Get on the road again...ice roads that is. Our friends at A&E and History have given us a 2 copies of Ice Road Truckers The Complete Season 5 on DVD to give away.  Follow Lisa, Hugh, Alex and a couple of rookies as they haul their big rigs over the North American ice roads.

To win this DVD set just follow these instructions.

"This is how it starts..."

You know, it's getting awfully hard to make an original alien invasion film. Most filmmakers have accepted the obvious and go for mind-blowing f/x and never mind the story. Still others go the trendy found-footage route. I was pleasantly surprised that The Darkest Hour appears to prove that there just might be more than just fumes in the creative tank after all. I'm not going to try to convince you that the film doesn't rely on much of the tried and true standby material. It covers most of the traditional formula. What I will try to convince you of, however, is that The Darkest Hour feels fresh even if it does rely on many of the standard conventions. In the end, it's a very entertaining film that proves you don't have to break the bank or take the shaky camera angle to put some quality on the screen.

As a nation, the United States is pretty evenly divided on most of the larger issues of the day. Nowhere is that more evident than the opinions on capital punishment. If you took a poll today, you'd likely still find a slim majority of Americans continue to support the death penalty. Unless, of course, you were to take that poll in Texas. The Lone Star State has pretty much led the way in dealing out death sentences since the practice was resumed in the 1970's. For a time in the 80's and 90's Florida was giving Texas a run for their money, but today there isn't a state that comes close. In both states Old Sparky has been retired in deference to lethal injection.

In 2001 Michael Perry and Jason Burkett wanted a red Camaro belonging to Sandra Stotler. They killed her and took the car. They also took her body to an isolated lake and proceeded to dump her in an area often used to illegally dump garbage as if she were nothing more than the trash that littered the area already. They went back to the house but found they could not get into the gated community without the code. So they waited for Sandra's son Adam and his friend Jeremy Richardson to return. They lured the two boys out to the lake where they also brutally murdered the young boys. They got themselves a car to joyride in while three innocent victims lost their lives violently. The pair bragged about their heinous deeds, and when the police came to arrest them they engaged in a firestorm shootout. They even ran one officer over with the stolen car. If ever there was an argument for the death penalty, Michael Perry and Jason Burkett were it.

Most of us first heard about camel spiders in the early 1990's during the first Gulf War. Apparently, these 6-inch bugs were causing quite a stir with the troops and were responsible for as many horror stories as the war itself. We were told they were instantly deadly and could grow to enormous sizes in a matter of days. Rumors had it that the creatures were killing machines that roamed the Middle Eastern deserts feeding off camels of all things. Or humans if they got in the way.

Of course, the reality is that none of it is true. They aren't even really spiders. They don't have any poison at all, and they only grow to about six inches. Turns out that the camels are perfectly safe, as well. None of that comes as too much of a surprise to me. What does amaze me is that it took this long for someone to make a monster movie about the critters. And, if you're surprised that it was Roger Corman who did it, you don't know very much about the history of the B horror film.

"They're gonna rock the boat"

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group. They first appeared as puppets on The Ed Sullivan Show. Alvin and the boys got their own television show in 1961. When Ross died in 1972, the Chipmunks would continue on under the guidance of his son. In 1983 The Chipmunks had yet another popular cartoon show and had appeared in countless specials and films. Today they are pretty much a hallmark at the holidays, and a Christmas song collection just wouldn’t be complete without them.

War Horse began life as a novel by Michael Morpurgo and went on to become a relatively successful Broadway play. I haven't read the book, and it's hard for me to imagine the material on the stage. But in the hands of Steven Spielberg there is little left to the imagination. This is definitely one of his most inspired films and contains some of the more beautiful and compelling images. That's saying a lot when you think about the many iconic images Spielberg has brought us from ET to the dinosaurs in Jurassic Park and the great white shark in Jaws. Yes, the images rank right up there. Unfortunately, the film itself doesn't come close.

The story begins with the birth of Joey, a thoroughbred horse. But this is not really the beginning of the story, is it? Joey is sent to auction where drunkard farmer Ted Narracott (Mullan) falls in love with the impractical animal. Helped by the taunts of his landlord Lyons (Thewlis) he bids too much for the animal and wins him. The problem is that he needed a working horse to plow his fields, and Joey isn't going to make wife Rose (Watson) very happy at all. But his son Albert (Irvine) instantly sees what his father saw and falls in love with Joey. He promises to train him. If he can't the family will lose their farm. But even this isn't really where the story begins.

Bob Newhart may not have a ton of range as a comic actor, but the television personalities he created in both The Bob Newhart Show and Newhart were lovable enough to bring great success to both of the shows. One could safely admit that he was really playing the same character in both, and the final episode of Newhart pretty much acknowledged that fact with one of the more clever series finales in television history. So, with two pretty solid hits under his belt, it wasn't a complete surprise to see the comic enter our living rooms once again in 1992 just a couple of years after his last show finished its run. The name could have been just as predictable: Bob.

Bob McKay (Newhart) had once created a comic book hero named Mad Dog. It was about a vet who conducted experiments with the adrenal gland of a Doberman. The result was a new superhero with the enhanced senses of a dog. The comic lasted just 12 issues and quickly faded into obscurity. During that time Bob was putting his artistic talents to use with a greeting card company, a job he hated. Along comes Mr. Terhorst (Cumpsty) whom we never see. He's always just a voice over the speaker phone. He's bought ACE Comics and wants to hire Bob to bring back Mad Dog. It's the chance of a lifetime, except he's teamed with Harlan Stone (Cygan) who grew up a Mad Dog fan but now has some radical ideas for the new book. Bob has to constantly rein him in to save the integrity of the hero. The office also includes Albie (Bilgore) who is the office gofer. He's shy and completely inept in social situations. There's Chad (Fall) the comic's colorist who is a super geek. Iris (Kobart) is the old crotchety woman who letters the book. His daughter Trisha (Stevenson) comes to work for the team as well. At home is faithful wife Kaye (Watkins) and their lively cat Otto.

"In the pantheon of predators, it's one of the greatest discoveries since the T-Rex: a snake 48 feet long, weighing in at 2,500 pounds. Uncovered from a treasure trove of fossils in a Colombian coal mine, this serpent is revealing a lost world of giant creatures. Travel back to the period following the extinction of dinosaurs and encounter this monster predator."

With a title like Titanoboa: Monster Snake you might be expecting the latest huge monster mash-up from Roger Corman or the latest cheap CG creation from the SyFy's Original Movies series. Huge snakes have been common fodder for both of these places. But the monster snake depicted in this film comes to us from The Smithsonian Channel, and this guy really existed.

The Killing began life as a Danish television series. We are used to seeing British shows reinvented for American audiences, but it's rare to find something from Danish television that someone found so compelling they decided to work it for the competitive American television landscape. It's no surprise that such an effort would find its way on cable rather than network television, where boundaries can really be pushed and explored.

AMC is a pretty good choice to land such a show. They've committed to some pretty groundbreaking shows in the few years they have produced original programming. Anyone who has caught an episode of The Living Dead certainly knows what I'm talking about here. The once movie-exclusive network has already proven a willingness to push the boundaries of television. So with all of this boundary pushing you might expect a cutting-edge series that plays out unlike anything in the genre. You would think so, but you'd be pretty disappointed.

Wallace and Gromit is the brainchild of animator Nick Park. The British filmmaker tried for years to bring his clay creations alive, but on his own finished a mere 10 minutes in a little over two years. When he met up with Aardman Animations, he was teamed up with the creative talents he needed to make his dream come alive, and come alive these two characters did indeed. They’ve become an overnight sensation in the UK and now all over the world. I was introduced to the characters with the full length feature Wallace And Gromit In The Curse Of The Were-Rabbit.

I have to admit that I was completely won over by the magic of this creation. It’s so simple-looking that it almost appears to be child’s play. The truth could not be further from the perception. Stop-motion animation goes back to the beginning of the cinema itself. Pioneered by the genius Willis O’Brian and perfected by Ray Harryhausen, it is one of the most painstakingly tedious tasks in the film industry today. It has been all but abandoned except for a select few who still follow in the footsteps of greatness. Give Nick Park credit for keeping the art alive and making it look effortless.