Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
“You are invited to a reunion.”
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing. Somehow 1991’s Snoopy’s Reunion has managed to escape my notice all of these years. Why isn’t this particular special among the classic cartoons of that era?
Posted in: Disc Reviews by Gino Sassani on April 19th, 2009
"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Star Trek: The Original Series finally makes it to high definition. If you’re anything like me, you’ve been waiting for this day for what seems like centuries. They’re here. One of the best features about this set is the multi-angle option. Remember how we were promised all of this control way back when DVD’s first hit the market? We got the same promises when Blu-ray arrived, and we weren’t going to hold our breath. Hey, I still have a red, yellow, blue, and green button on my Blu-ray remote. What are they ever going to be good for? Anyway, we finally have a use for the angle button. You can use it to toggle between the new digital f/x Paramount recently created for the show, or you can watch the original f/x if you’d rather. With that button you now have the ability to toggle between the two. Through the use of branching technology you can go between them as often as you like and never stop the show. I will warn you, however, that many of these shots occur so quickly that the second delay in transition might not allow you to see the entire segment. It also does not change while the video is in pause. It’s one of the best new features out there and perhaps the best reason to upgrade your recent purchase of season one to the Blu-ray release.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
The Last Kiss is based on the internationally acclaimed Italian movie L’ultimo bacio which was written by Gabriele Muccino and adapted for this American version by screenwriter Paul Haggis. From all reports the movie is remarkably similar to the Italian classic with only the ending modified. Haggis tells us in the extras of this release that he attempted to merely translate the original work and performed little in the way of modifications. From the looks of things, the ending was a bit of a struggle for these filmmakers, as there are three different versions available on the release. I think it’s safe to say that the more open-ended version which was ultimately used was probably the best of the choices I’ve seen.
The plot of the film is a rather difficult one to summarize. The movie is less about plot points or beats and is more about the emotional journey of many of the characters. The main story is about Michael (Braff). He’s 29 and fast approaching 30, a time when many people begin that introspective examination of their lives. He’s been with his girlfriend, Jenna (Barrett) for some time but has avoided the ultimate commitment of marriage. We quickly learn it’s a four letter word in their relationship. Now she’s pregnant, and Michael is facing fatherhood. He’s worried that his life is now set out before him with no more “surprises” or diversions left to him. While at the wedding of one of their friends, Michael meets Kim. She’s much younger and is attracted to Michael. Of course, this gives his ego a boost, and he begins to spend inappropriate time with the girl. While he resists actually having an affair until after his secret is out, it damages his relationship with Jenna. Suddenly faced with the loss of his “safe” and “predictable” life, he realizes he had it pretty good and wants it back. All of this doesn’t happen in a vacuum. Around him, Michael’s friends are also going through major life crises. One friend is married with a young child and but wants out. Another friend appears to be happy. He’s on his own and sleeps with a different chick every day. But even he’s beginning to tire of his “carefree” life. Even Jenna’s parents are struggling with the ins and outs of their own “routine” life. Strangely, each character sees another’s life as far better. It’s a perfect example of the old “grass is greener” axiom.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2009
Everybody who is old enough remembers Mutual of Omaha’s Wild Kingdom. It was once one of the highest rated shows on television. On NBC it ran from 1963 until 1971. It would continue to run in syndication for decades. An elder Marlin Perkins would host the show, while a young Jim Fowler would be out in the field. Every week they would show us animals in the wild from all over the world. Long before there was a Crocodile Hunter or Nigel, there was Wild Kingdom. Strange Wilderness attempts to urinate all over our fond memories, all the while trying to tell us that it’s funny. As Terry Bradshaw is fond of saying, “That ain’t funny.” Say it again, Terry. “That ain’t funny at all”.
Peter (Zahn) is the son of a world renowned naturalist and star of the classic television show, Strange Wilderness. He’s gone now, and Peter has taken over the show. No longer an educational platform, Peter doesn’t let things like facts or work interfere with his version of the show. It doesn’t take long before he’s destroyed the show’s credibility and lost any following the show might still have. He’s been relegated to the 3 A.M. timeslot. He’s about to get cancelled when a rival nature show producer, Sky Pierson (Hamlin) pitches his program to the station. He has two weeks to turn the series around, or it’s gone. Enter Bill Calhoun (Baker) an old friend and colleague of Peter’s father. He claims to possess a map that reveals the lair of Bigfoot. So, in an entirely unlikely series of events, the incompetent crew heads off to South America to capture Bigfoot on video and save the show.
Posted in: Disc Reviews by Gino Sassani on April 16th, 2009
Raise your hand if you’re sick and tired of Lindsay Lohan. Fortunately I can type with one hand. Honestly. How did this girl get to be so big? Why is she dominating our entertainment news cycles? Are there more than a handful of folks out there who think she has any talent at all? She’s nothing close to hot. It’s that wonderful modern phenomenon of being famous for being famous. It really does tend to color one’s opinions when you watch her in a film. She’s so overexposed, in more ways than one, that it’s impossible to watch her play any character without seeing the spoiled bratty whiner she has become so perfect at. Here she is supposed to be playing the sympathetic character, but am I just incredibly nasty because I can’t help but take glee in any punishment her character’s given? I’m rooting for the bad guys, or the Mean Girls, as the case may be.
Mean Girls has all the earmarks of a Saturday Night Live skit that ran too long. It could have to do with the production team that includes Lorne Michaels and the writing team that includes Tina Fey. And, while I’m at it, you know, I’m getting sick and tired of Fey, as well. These efforts at times go remarkably well, but more often than not, go horribly awry. Can you guess what direction this one goes? Actually, you might be surprised. Mean Girls is actually quite watchable and at times even very entertaining. It makes you wonder what in the heck happened to Lindsay Lohan.
Posted in: Disc Reviews by Gino Sassani on April 16th, 2009
The curtain finally falls on Wings on DVD some 12 years after the show came in for its final approach on television in 1997. The end was a planned one so that the final episode was a fitting goodbye for the series and its collection of crazy characters. The final episode finds Joe and Helen off to Vienna to live while Helen studies cello. Brian is left alone to man the business. For us, we’ll get this one last chance to laugh it up with the clever and often hilarious television series.
Posted in: Disc Reviews by Gino Sassani on April 16th, 2009
“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the 100 Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.
But I can’t recognize my old friends any longer. Where has Christopher Robin gone?
Posted in: Site News, Uncategorized by Gino Sassani on April 15th, 2009
Hey Gang,
I thought I would give you a heads up on our most recent contest winners:
Posted in: Disc Reviews by Gino Sassani on April 14th, 2009
“I found out that if you wanna know the purpose of a thing, you can’t ask the thing to tell you. A car doesn’t know why it’s a car; only the manufacturer knows what it was meant to do. And I guess that’s the same way it is with God.”
Not Easily Broken was written by a minister, Bishop T.D. Jakes. So you should expect a very spiritual message when you watch this movie. If that’s not your cup of tea, as they say, this really isn’t going to be the film for you. The message is quite clear throughout the film: Life will throw everything it’s got at you. It will try you. It will test you. The movie proposes that only through a spiritual connection with God can you overcome these obstacles. The story uses the example of marriage, but it’s obviously intended to apply to every aspect of life.
Posted in: Disc Reviews by Gino Sassani on April 14th, 2009
In 1951 Robert Wise made the Earth stand still. The United States, in fact the entire planet, was in the middle of a frightening cold war. If you believed the media at the time, we were standing just moments from nuclear annihilation. We were given images of a crazy man’s itching trigger-finger poised over a button. School kids were led in air raid drills that promised protection from this powerful menace by the wooden tops of your desks. The government and private sectors were engaged in witch hunts to smoke out “commie” sympathizers. The fear touched every aspect of our lives. Hollywood was no exception. We confronted these atomic fears with giant creatures and post apocalyptic humans, all mutated by radiation fallout. But Robert Wise delivered a morality tale that offered something far different. It offered hope.
I avoided this remake at the box office. This time it wasn’t just because I was too busy. I love the Wise classic and have long considered it off limits for a remake. When I heard about this one, it brought cringes. I had flashbacks to Steven Spielberg’s total rape of War Of The Worlds. Suddenly the new story wasn’t about hope or an interplanetary federation. It was a Captain Al Gore fantasyland come true. I stayed away.