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Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later.

"Long story short, I want to reshape my navel, and allowance won't cover it."

Long story short is precisely the words I would use to describe Excision. You see, it started out as a short subject film and writer/director Richard Bates, Jr. decided to make it his first feature film. That was his first mistake. While I have never seen the short film that inspired this feature, I get the strong feeling that this was better served in that format.

"I'm so proud of my boys. They never forget their Momma."

What did you do for your mother the last Mother's Day? Did you buy her some flowers and candy? Perhaps you took her out for a little adventure. You might have even cooked her a special meal. If you're like Ike (Coffin) and his brothers, you treat your mom to a show. You torture, rape, and kill a few women who happen to find themselves in the woods. Good times, right?

“When is everything gonna get back to normal?”

Is a happy, well-adjusted Don Draper a good thing? That’s one of the biggest questions posed during Mad Men’s excellent fifth season, and it’s aimed at the other characters in the show as well as a passionate TV audience that has become seriously invested in Jon Hamm’s suave antihero.

“What cannot be disputed is your imagination is the inspiration of a horrendous crime.”

The Raven may not be a turkey, but it doesn’t really soar either. Director James McTeigue (V for Vendetta) attempts to fashion a historical fiction around the mysterious final five days of Edgar Allen Poe’s life. A notorious drunk and opium addict, Poe (John Cusack) careens through 19th century Baltimore dead broke, bitter from years of writer’s block, and harassed by the locals for being a blustering has-been. Due to a distinct lack of social sympathy, he can’t even borrow money for a single drink

"In space no one can hear you scream."

It was the tagline that brought us by the droves into our neighborhood cinemas in 1979 to see one of Ridley Scott's two classic science fiction adventures. Alien was one of the scariest science fiction films we've ever seen. It wasn't just the wonderfully organic H.R. Giger designs that had us on the edge of our seats. Scott delivered a claustrophobic nightmare that caged us with this remarkable killing machine. Much the same feeling I had recently trapped in a minivan with a large spider on the prowl.

"Do you want me to give it to you straight?"

When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore?

When I first learned that Adam Green (director of Hatchet and Frozen) would be creating a show to air on Fear Net, this seemed like a slice of heaven to me.  I love horror, and with the exception of The Walking Dead and American Horror Story there just hasn’t been much to watch from the genre.  So when I discovered that Green was going to be actually developing a sit-com instead, it would be fair to say I was more than a little disappointed by this news.  But then I was given a glimmer of hope when I heard it would be about a pair of struggling horror filmmakers. As a film graduate and a lover of horror, this instantly became something relatable to me.

“Greed is Good.”

No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street. Bud Fox (Charlie Sheen) is a small-time stockbroker, making cold calls to businessmen who won’t give him the time of day.

Ever wonder what a martial arts epic directed by Baz “Moulin Rouge” Luhrmann would look like? Me neither. But that’s pretty much what we get with Legendary Amazons, (loosely) based on the exploits of the Yang family during the Song Dynasty. The story has an intriguing hook — the men of the Yang clan are massacred in battle, leaving their women to throw on armor and take to the battlefield — but is ultimately bogged down by its cartoonish tone and embarrassingly bad production values.