Posted in: Disc Reviews by Gino Sassani on February 27th, 2009
Season two marks the actual first complete season of Nash Bridges. It’s time for the show to deliver on the high octane, high attitude it was to be famous for. This was also the year that both of the main actors reunited with their former partners. Tommy Chong and Philip Michael Thomas both guested on the episode Wild Card. The show paid homage to both of the former partners. Chong plays a pot dealer, and Thomas plays a hotshot gambler friend of Nash's who likes to dress up like the Vice characters did . It was a pretty sweet episode on top of everything else. It might be the best Nash Bridges episode ever, definitely for this season. Don Johnson also got to stretch his acting chops a bit in an episode where he believes Cassidy, his daughter, has been killed in an accident. Nash also goes up against the infamous Zodiac killer in an episode crosses real life surreal episode. In Till Death Do Us Part, Joe thinks he’s only got a couple of days to live after he’s exposed to a deadly toxin. Cheech Marin really works this for all it’s worth. Marin also has an incredibly good episode in Inside Out, where he goes undercover as a prison inmate to take down a Mexican gang leader. In Knock Out, we learn that Nash’s sister is gay. Given an entire run of episodes, Nash has finally arrived for real in the second season.
When Miami Vice finally left the air in 1989, Don Johnson was a very hot commodity indeed. He decided to try and parlay that success into a film career that never really brought him the breakout roles and fortunes he envisioned. Not too proud to return to his roots, he signed a deal with CBS that gave him pretty much a blank check to star in whatever kind of television series he wanted. It was a rare deal that forced CBS to air, or at least pay for, whatever Johnson came up with. Many of us were expecting pretty much a Miami Vice clone when it was announced he would once again be playing a cop. It was all sounding pretty familiar. Bridges was a super cool cop, this time from San Francisco with a rather tattered personal life. He was going to be teamed up with a partner, who wasn’t going to be a cop, but an investigator whose cases would cross paths with Bridges’. It was rumored that the partner might not survive the pilot, thereby killing the buddy cop routine that was beginning to sound very much like Johnson’s previous show. It appeared doomed to failure, and even CBS was at first looking to back out of the deal. They tried to buy Johnson off, but he was by now very excited about the new show and insisted he get his episodes. But how could this new show not be compared to the old? How could anyone have the kind of chemistry with Johnson that John Diehl had? On March 29, 1996 everyone held their collective breaths as Nash Bridges appeared on the scene. Cheech Marin ended up with tons more chemistry with Johnson, helped by the fact the two had been friends for over 25 years. In short order Nash Bridges had arrived, and television audiences everywhere found themselves saying: “Miami Who?”
Posted in: Disc Reviews by Gino Sassani on February 27th, 2009
While nowhere does anyone actually say it, Caroline In The City is obviously inspired by/ripped off from the popular newspaper comic strip Cathy. Each episode, for a time anyway, would begin with an animated scene from one of the “Caroline” strips. The topic mostly deals with the pitfalls of being a single New York City girl. From these roots there was an often awkward attempt to create a warm and fuzzy romantic comedy that never seemed to find its own focus, let alone footing. It didn’t help matters that the title character was played by Lea Thompson, best known for her role as Michael J. Fox’s mom in the Back To The Future films. Here as she was there, Thompson is relatively unemoting, a tragic flaw in a romantic character. She’s a good enough actress, but she does appear to be missing charisma in the role. Caroline was joined by her comic strip colorist, Richard, played by Malcolm Gets. Here again we have a pretty reserved actor. Now we’ve got a couple of very low key actors playing a couple where sparks should be flying, and it never works. Most of the laughs, in fact, don’t even come from our leads. Instead Amy Pietz has most of the funny lines as intrusive next door neighbor Annie. Annie’s a cast member in the then huge Broadway production of Cats. She would often barge into the apartment where Caroline and Richard are working/sniping at each other and offer the comic relief in this situation comedy.
What’s most disappointing about the show is that it comes from minds like James Burrows, who brought us so many great moments on Cheers. On the surface there really isn’t anything wrong with Caroline In The City. There are many funny moments, but most of the time it simply hangs there leaving you waiting for the punch line, until you realize you’ve already heard it. I found the characters somewhat charming, but there’s no dynamic or chemistry there to suck you into these characters’ foibles. In the end it neither pleases nor displeases; it was merely just there. Gone soon and as quickly forgotten.
Posted in: Disc Reviews by Gino Sassani on February 27th, 2009
I used to think that any movie that Robert De Niro attached his name to had to be good. And that used to be true. I was willing to take a chance on low budget or blockbuster films, knowing that De Niro wouldn’t lead me wrong. Then along came Stardust, and honestly, the man hasn’t been in a good film in some years now. Still, my loyalty remains, and What Just Happened looked to be interesting enough that my buddy, Bobby D couldn’t disappoint me again. So, what did just happen? He let me down.Films about filmmaking are always a hazard. We all think that we want to see inside the true Hollywood, don’t we? Gossip programs and internet sites would seem to indicate that we can’t get enough of the inside poop. So, the temptation to deliver accurate films that portray these inside aspects of Hollywood come along every once and awhile. We peek, because we think we want to know. The truth is that voyeurism gets boring pretty quickly. We all want to eavesdrop on other people’s private moments. I’ve done it both professionally as a private detective and even for fun with a scanner that allowed me to listen to cell phones back in the old analog days. You know what? People are boring. It was exciting at first and my friend Mike and I would sit and listen to stuff for hours. We would get together and talk about what interesting things we heard. Before long we both realized that most of it was so painfully mundane that we just sort of stopped doing it. That’s what these films remind us. No matter how exciting the world of movie stars, directors, and producers might look from the outside, 90% of it is pretty pedestrian stuff. Unfortunately this film doesn’t spend much time in the 10% that might be exciting. In the end, not even some good casting could save this picture from making me feel like I did listening to those cell phones.
Robert De Niro is Ben, a big time producer and power broker in Hollywood. He’s dealing with two films at the moment. One is already shot and stars Sean Penn. The film’s director, Jeremy Brunell (Wincott), is a temperamental pill addict. When the advance screening doesn’t go so well, he’s told he has to redo an ending that shows a dog get blasted dead by the film’s bad guys. He doesn’t want to compromise his artistic integrity, but the studio boss, Lou Tarnow (Keener) will pull the plug on his Cannes premier if he doesn’t play ball. Ben’s upcoming film stars Bruce Willis, who shows up for his fitting appointment overweight and sporting a “Grizzly Adams” beard, which he refuses to shave. The studio bosses insist they’ll shut the film down and sue everybody involved if Willis won’t shave the beard and work out to lose weight. Willis’s agent is a crazy hypochondriac who is deathly afraid of his client, so Ben can’t get him to lay down the law. The agent is played wonderfully by quirky character actor John Turturro. Ben needs both pictures to work out because he’s supporting two ex-wives who are used to fancy living at his expense. The film is mostly told from Ben’s point of view, often through De Niro’s narration, as he attempts to save both pictures and deal with the more recent of his ex-wives. They’re actually in therapy to learn how to live without each other.
Posted in: Disc Reviews by Michael Durr on February 26th, 2009
Most of you know that video games are very near and dear to my heart. When it comes to video games on my TV, I’m usually restricted to G4’s X-Play or perhaps somebody got a hold of a license and turned it into a bad movie. Sure, there are times when they try to turn video game comedy into a sitcom of some sort. Game Over even though it was awesome, only lasted six episodes. In fact, Code Monkeys is the only current sitcom I know of that is using video games as a primary source of material. Needless to say, I was very interested when I saw Videogame Theater on my review list. I found my expectations to be too high.
Ever wonder what would happen if various video game legends were made into puppets and given a more real world approach to their character? There is Pac-Man who must be addicted to “Power Pills” and have a broken family. There is Donkey Kong and Mario who work at a construction site and fight over the foreman’s daughter. Lara Croft, well she’s part of a college sorority and in danger of expulsion if she can’t pass the archeology final.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
Escape To Chimp Eden tastes a lot like Orangutan Island. Both shows deal with the rescue of captive abused primates. In both shows the animals are taken to a rehabilitation center where the goal is to teach the animals basic survival skills. The hope is that they might one day return to the wild and be able to survive and socialize with other wild primates. That’s about as far as the similarities go, however. In Orangutan Island, the show is very much about the apes themselves and their growing skills. In Chimp Eden, however, the spotlight is almost always on the incredibly melodramatic Eugene Cussons. This guy could give William Shatner lessons in overacting.
In the show’s opening credits, Cussons announces that he once intended to have a “normal” life. He considered being a software “king”, whatever that is, and settle into a 9-5 job. However he was so touched by images of abused and neglected chimps in captivity that he felt a calling to perform these self-described rescue “missions”. First of all, my wife is an IT person, and I don’t know who told Cussons it was a 9-5 job, because it most certainly is not. If it is, someone forgot to fill my wife’s employers in on that rule. You IT folks should feel just a tad insulted here. I was, and I’m not even an IT guy. Anyway, Cussons walks around treating these “missions” as if he were James Bond on some dangerous espionage case. At many points he turns to the camera and tells us how exhausted he is now. He looks mentally shot in almost every frame he’s in. The man’s a drama queen in the extreme. In one frame he has to lift the door on a transfer cage, and then let it drop. That’s all he has to do. When he’s done he sprawls out over the cage, wiping imaginary blood and sweat from his face, and tells us how he’s drained and exhausted. He refers to one place where he keeps a couple of chimps until he can get his paperwork in order as a “Chimp Safe House”, then he shows us how he has to let the owner know all about chimp care. Apparently this was the first case for that safe house. He details his paperwork efforts as if he were Indiana Jones trying to get to the Holy Grail. He has no respect for the humans he interacts with. He constantly condescends and yells at them, telling them “I’m giving the orders here”. If you have a low tolerance for this kind of showboating, “watch me suffer for my work” mentality, this show will wear thin for you before you really get to see the chimps in action at all.
Posted in: Disc Reviews by Gino Sassani on February 20th, 2009
Natalie Wood was born Natalia Nikolaevna Zakharenk. Her parents were born in Russia. Obviosly a name change was in order for her to pursue an acting career, particularly when said career was in the era of The Red Scare and Hollywood was blacklisting some of its most talented products for even a hint of Comunism. That career was to start when Natalie was just 4 years old. But it wasn’t until 1947’s Christmas Classic, Miracle On 34th Street that she won over the hearts of a nation as Susan Walker. She was married to television and film star Robert Wagner, not once but twice. She was out on a yacht with her husband and Christopher Walken when she fell and drowned in the open ocean. The year was 1981, and at just 43 the young actress was gone. An odd coincidence involving the tragedy was that Wood had a severe fear of drowning. It has been rumored that she had to be tricked into appearing in a reservoir scene for Splendor In The Grass. Her death has also provided one of those Hollywood mysteries about what exactly happened on that yacht. The tabloid speculations were bad enough to inspire Don Henley’s song, Dirty Laundry.
Posted in: Disc Reviews by Gino Sassani on February 20th, 2009
In 2004 Morgan Spurlock released the controversial documentary Super Size Me. In the film he goes on a 30 day fast food only diet. His purpose was to alert the public of the danger to health the fast food industry has become. The film was more about the obesity problem in America and less about the evil McDonald’s Empire, but he makes several points which one might interpret as being pro-fast food regulation. Spurlock became somewhat of a cult figure among the health conscious crowd and was considered a hero, of sorts. It appears he suffered severe kidney and liver problems during the diet, but soldiered on.
Along comes Tom Naughton, who found some faults with that film. So, Tom decides to go on a 30 day fast food diet as well. The difference is that he will pay attention to his calorie, fat, and carb intake and attempt to eat somewhat sensibly during that month. Tom has somewhat better results that Spurlock did. He actually lost weight, reduced his fat count, and improved his cholesterol situation, making his physician a little unhappy at what he was proving. Is Tom Naughton saying that eating a full slate of fast food is good for you? No, that’s not his point. He’s really preaching personal responsibility. He makes that point by spending an entire day hanging around the outside of fast food restaurants, waiting for someone to drag him inside and force him to eat. Obviously, that doesn’t happen. He also films a segment where a McDonald’s employee asks the age old question, “Would you like fries with that”, to which Naughton replies, “No”. He shows the feigned surprise when the employee accepts his answer. The point, again, is that no one is forcing you to eat anything you don’t want to eat. He challenges Spurlock’s contention that these chains make it hard to get the nutritional information on the food. It turns out that most provide it right there. If not, every single chain provides it on their web site. No computer, you say. Naughton shows us just how easy it is to use one at the local library. Still too hard? He went to his small town’s smallest bookstore and found 5 books in short time that published the information.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
It all starts with antique dealer Uncle Lewis. He made a deal with the devil to help His Evilness to distribute cursed and evil objects through his store. Objects included Jack The Ripper’s scalpel. Finally Satan comes to collect Uncle Lewis and his tattered soul, leaving his niece Micki (Robey) to clean up the mess. She and cousin Ryan (Le May) have the unenviable task of tracking down these items and sealing them safely away so they can do no more harm. They were often assisted in their task by Jack (Wiggins) who knew something of the occult. The series ran from 1987 to 1990 and never made more than a ripple in the ratings. The show included Steve Monarque as Johnny Ventura in this second season.
We pretty much pick up where the previous season left off. Uncle Lewis might have been defeated and killed, but Lewis had enchanted a mirror before he died, allowing him to open a portal to Hell and escape. So it’s back to tracking down the artifacts and getting them all returned. Artifacts this season included a voodoo mask, antique radio, violin bow, make-up case, handkerchief, pocket watch, World Series ring, pendant, snow globe, and snow shoes.
Posted in: Disc Reviews by Michael Durr on February 19th, 2009
Sabrina, the Teenage Witch is a character that actually originated in 1962. She debuted in Archie Comics for the publication Archie’s Mad House issue #22. She was intended to be one of those one-shot characters, but the audience liked her so much that she found a home in Archie Comics for a while, even getting her own book starting in 1971. In 1996, a television show was launched. It would last seven seasons and one-hundred and sixty three episodes. This was a great run for a show that was only created to bring a little bit of magic into everybody’s lives.
Sabrina Spellman (played by Melissa Joan Hart) has enrolled into Adams College. She decides to leave behind her aunts, Hilda and Zelda (played by Caroline Rhea & Beth Broderick) and move into the dorms. Salem (voiced by Nick Bakay), her talking cat (he’s really a trapped warlock) also can’t come as she must try to adjust to college life alone.
Posted in: Disc Reviews by Archive Authors on February 19th, 2009
Made-for-TV crapper Depth Charge, a new action film starring Jason Gedrick and that B-movie slut brother of Julia Eric Roberts, hits DVD with a bare bones release you will welcome, if by chance, you happen to work for Upcoming Discs and want to get your next bad movie project over with as quickly as possible.All others may find it difficult mustering enthusiasm for what is essentially an ultra-low budget remake of Die Hard on a submarine.
