Dolby Digital 2.0 (Japanese)

When I am not writing reviews, playing games, having a family, oh, and also having a job (because writing reviews doesn't exactly pay), I do try to dabble in the occasional short story.  Perhaps it's fantasy or science fiction, but I like spinning tales about a world that I want to be a part of even if its just for a few minutes.  It's relaxing, and that's why when I saw the opportunity to review Wheel of Fortune and Fantasy, a collection of three tales steeped in chance, culture, and some wonderful word banter, I knew I'd enjoy my time.  Let's take a look.

The stories are broken out in "Episodes".  Here is a brief summary of each one:

Director Ang Lee has come a long way since his 1991 debut film Pushing Hands.  When you look at Ang Lee’s impressive resume, the only film that stands out is sadly his only major misstep as a director, and that’s the 2003 film Hulk, the movie I feel audiences have been trying to forget and comic fans simply want to pretend doesn’t exist.  When you look at the rest of his resume, there are some impressive titles that have made a difference within the Hollywood cinema landscape.  Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi are just a few of his films that are standouts that were commercial successes but at the same time define his unique style and focus when it comes to character. Pushing Hands is character study that was released during the rise of independent cinema in the 90’s when film focused more on characters and finding unique voices that could tell great stories on a limited budget. What makes the film all the more unique is that it’s a martial arts film without the violence we’re used to seeing on the big screen, and instead its focus is more on the holistic methods of tai chi.

The film opens with Mr. Chu (Sihung Lung) and Martha (Deb Snyder), his American daughter in-law, at odds with one another.  The two butt heads most because of their cultural differences, and we get to see how difficult it is for them to live under the same roof. Back in China, Mr. Chu was a well respected tai chi master, but now he lives in America with no understanding of the language, living under his son’s roof, and he simply rejects the American way of living because he is stuck in his old ways. Martha is a housewife who is attempting to write her first novel but is thwarted by her father-in-law’s antics that are a constant distraction. Alex Chu (Bozhao Wang) is the dutiful son who is caught in the middle of being a loyal and loving husband while being the caretaker of his father. This dynamic and how it’s presented is very relatable for those in culturally blended families. If this was the only layer to the story the film would still be pretty good, but there is so much more going on that makes this a fun and charming viewing experience.

This year, I have gravitated more towards watching movie courtroom dramas. I watched Anatomy of a Murder for the first time. The same could be said for the Verdict with Paul Newman. I re-visited A Few Good Men in glorious 4k with pleasing results. Then I got an opportunity to review The Third Murder, a courtroom drama that takes a look at the Japanese court system when one lawyer decides to seek the truth. Even though I was about to go on review hiatus for the holiday season, I eagerly wanted to take a look, and I am glad I did.

In the dead of the night, Misumi (played by Koji Yakusho), a fired factory worker hits the back of his former boss's head repeatedly with a hammer. After this continues for a few brief minutes, Misumi then douses him with gasoline and then sets him on fire to watch him burn. Misumi stares into the night with death on his cheek. We fade to black.

When you have done movie reviews for a very long time such as I have, you acquire knowledge about certain films and movies that in a normal life span one would probably never come across. One of those for me has been the Power Rangers series. I have reviewed several of the American adaptations for the site, and while they are not my cup of tea, I am familiar with how they work and operate. Last week, I received one of the Japanese original Super Sentai series, Chojin Sentai Jetman, and I was eager to check it out. Let's see how this all unfolds.

The year is 199X, Sky Force's Earth Ship orbiting the Earth are the guardians of peace on the planet. Suddenly an emergency is detected. It appears a robot has gone rogue and is terrorizing the ship. Ryuu Tendoh (played by Kotaro Tanaka) and Rie Aoi (played by Maho Maruyama) jump into action. Rie saves a baby, and Ryuu is able to turn off the robot which restores order to the ship.

A group of high school girls heads off into the woods to make a movie for their film club. What only the two organizers know is that they are heading for the site of a previous film club’s massacre. Their shoot descended into madness, with a participant in a deigan mask killing all the others, and the whole thing was recorded on tape. It isn’t long after the girls arrive that things start to go wrong, and it seems that history might be repeating itself.

I do like the footage we see of the earlier film – it has a genuinely disturbing quality, and when it arrives, it raises one’s hopes that the perhaps the terminally pedestrian set-up is going to give way to something livelier. No such luck. Much in the way of squabbling, wandering around on one’s own, and off-screen murders transpires. The characters are caricatures when they can be distinguished at all, the cinematography is dishwater dull, and the plot, by the end, makes little sense, though it is very unlikely that most viewers will care one way or the other by then.

To say I am not a big fan of racing is something of an understatement. I never find myself watching the races, Nascar or Indy and could really care less about the sport where you turn left a whole lot. When it comes to cartoons or video games, it is a somewhat different tale since I have enjoyed the show Wacky Races as well as loved to play anything in the Burnout series of video games. So when it came to reviewing the anime film, Redline, I was not sure exactly what to think but looked forward to the review.

“In the far distance future when cars are giving up their wheels in the change over to air-cars, there still exist fools who carry on a vanishing spirit of racing.”

My mother was born in Poland thus making me 50% full Polish. Growing up, I was often told stories about the Second World War and how my grandfather primarily was affected by it. So much so, that he never really spoke of it (I got my stories second hand through my grandmother and mother) most likely due to the horrors endured to the Polish invasion and other unspeakable depictions of violence. Today’s review takes us to an interesting Anime that is set in Russia during the same war with a supernatural feel.

1942, Russia. The Eastern Front. The Soviet Union is trying to withstand Germany’s attacks and avoid defeat at any costs. We change our focus to a battle inside Russian lines with one of the Russian commanders yelling instructions at his troops. As he does so, he does not notice a giant black knight on a horse swinging about to swing a sword at his head. The commander’s head goes clean off in a brilliant fashion. Blackness. Then a little girl named Nadya wakes up who is traveling with a troupe to entertain the troops.

Over-the-top movies can be enjoyable vehicles to invest ninety minutes into. Movies like Planet Terror where somewhere behind the blood splatter and the lovely Rose McGowan who had a machine gun leg was an actual enjoyable story. But these movies do not just exist in America. Abroad, over in Japan, this type of film has been taken up to the Nth degree by the company Sushi Typhoon. This review covers their newest flic, Helldriver. Let’s see what we got.

A guy (played by Yukihide Benny) drives up in a bicycle wearing some black latex and goggles. No, this movie is not starting off strangely at all. He scales the wall in front of him using a grappling hook. He gets to the top and sits down to overlook the earth below. Out of his satchel, he produces a grizzled human head and throws it to the ground below him. Slowly but surely, a few zombies come out of the woodwork to enjoy a meal.

"Barugon: The Freezing Monster - This carnivorous reptile, a nightmare cross between a monitor lizard and a chameleon, is found only in New Guinea's Valley Of The Rainbow. It is born every 1000 years, according to legend, from an egg resembling a large opal. It has a long, darting tongue used as a battering ram, while the tip sprays a freezing mist that immobilizes its prey..."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds. Godzilla would likely dominate the conversation, and for most of the last 60 years the folks at Toho have been synonymous with large monsters. But they didn't exactly hold a monopoly on the big beasts. Kadokawa Pictures had their own little monster franchise going on. From 1965 through the 1970's the studio would produce 8 Gamera films in all.

"In our findings on Gamera, we've ascertained that: Firstly, it is attracted to and consumes fire. Secondly, it also seems to possess an internal power plant, of sorts. This emits a signal frequency that can jam radio communications. In order to store up energy reserves, Gamera consumes inorganic resources. Not only does it consume petroleum as well as other mineral and fossil fuels, but Gamera may also seek out atomic bombs."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds. Godzilla would likely dominate the conversation, and for most of the last 60 years the folks at Toho have been synonymous with large monsters. But they didn't exactly hold a monopoly on the big beasts. Kadokawa Pictures had their own little monster franchise going on. It all started in 1954 with Gamera: The Giant Monster. From 1965 through the 1970's the studio would produce 8 Gamera films in all.