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It's funny how the zeitgeist works, in that it is hardly unusual for two films with very similar high concepts to hit the screens at close to the same time. Dante's Peak and Volcano. Deep Impact and Armageddon. Hell, The Towering Inferno came about as a result of Fox and Warner cooperating in order to avoid making identical films. And this year, two animated features with super-villains as their protagonists: Despicable Me and our current subject: Megamind.

Most of you watched in horror as we went through our first round of the trilogy of terror. Round 2 in this Romantic terror-thon is coming right up. In this chapter, we explore two godparents who get thrown together after a baby devours her parents whole. Scared yet? No. How about the parents were thrown into Hell to act as Oprah’s personal foot massagers and the couple of Katherine Heigl and Josh Duhamel have to pick up the pieces? There we go. Let’s explore this mess shall we?

"If you're going to face the fires of Hell, you need to be prepared."

And that's exactly what someone should have told the folks behind the horror thriller Case 39. This has been one of those cursed films from the very beginning. The film appears to have begun production way back in 2006. It appears the film was done, at least in one form, by 2007, but there were reshoots and pick-ups for so long that it's going to be hard to imagine what the film might have originally been intended to look like.

His name was Fleming, Ian Fleming, and he would go on to create the most famous spy in literary history. James Bond would actually be based on Fleming's own experience in Her Majesty's Secret Service. But Fleming had another side. It's hard to believe that the man who gave us such ubervillians as Dr. No and Goldfinger brought us one of the most enchanting children's stories of our time. Chitty Chitty Bang Bang's bond association doesn't end with its celebrated author. Albert "Cubby" Broccoli might have been just as instrumental for the success of Bond as Fleming himself.

When Wes Craven delivered his first Nightmare On Elm Street film back in 1984, there wasn't much expectation for the film to do anything but deliver a little profit for the new independent studio New Line Cinema. The film did quite a bit better than that. It made the small studio into a player in the industry with the budget to make mainstream films that would have never been possible if not for Craven's little Nightmare. You could say that The Lord Of The Rings owes its very existence, at least in the form of the Peter Jackson films, to Freddy Krueger.

"The Toys Are Back In Town"

That's right. All of your favorite toys are back in Pixar's latest great film Toy Story 3. This time the toys are dealing with the inevitable. Andy (Morris) is about to go off to college. It's been a long time since he's played with his friends, and they are getting desperate and worried they will get tossed away. Although Andy bags them to be stored in the attic, a misunderstanding sends them to the curb and a date with the garbage truck.

WELCOME! TO THE MOULIN ROUGE! *tips her purple satin top hat with an amethyst topped cane* Come in, come in! Take off your cloaks and have a drink of Absinthe! So many lonely women here tonight that need a partner... to dance with of course! Hope you brought lots of cash, your dancing shows, and perhaps a nice big diamond for one of our infamous Diamond Dogs! What's that? Oh! Yes of course! I know, you came to see a show, and of course to see our lovely Satine! Well take a look see, here she comes! *cues "Diamonds Are A Girl's Best Friend" and the curtains pull open!*

For most people in high school, Romeo and Juliet by William Shakespeare is required reading. Sometimes more than once. Somehow, whenever it came time to read aloud in class, I always ended up with the part of Romeo. It certainly wasn’t for my striking good looks but apparently for my charming voice. As a result, I remember most of Romeo’s part to this very day. But would I be able to enjoy a fairly recent adaptation of Romeo and Juliet directed by Baz Luhrmann? We shall see.

In June of 1987 many of us took to our local theaters to watch two future state governors tackle an alien creature in the jungles of southeast Asia. Director John McTiernan had combined the Rambo mercenary-styled film with that of a creature feature. The result was an impressive $60 million on a mere $15 million budget, and a franchise was born. From its first reveal in those Asian jungles, the Predator was an impressive sight. The creature was highly intelligent, to be sure, but it possessed those baser instincts of hunting and survival. It was a monster, but one who utilized advanced technological weaponry to accent its own fearsome brutal nature.

Jon Favreau's Iron Man was one of the happy events of 2008. It was a superb piece of super-hero entertainment, one that handled lightning-quick shifts in tone (grimness in Afghanistan, hilarity in Malibu) with a deftness that made the very hard work look very easy. It also reassured comic fans and mainstream audiences alike that there were still terrific movies to be made based on Marvel characters, reassurance that was sorely needed in the wake of the dire Spider-Man 3. So, the question with Iron Man 2 is, given the returning director and cast, was that same magic recaptured? The answer is a delighted yes.