Posted in: Disc Reviews by Gino Sassani on March 16th, 2010
If any studio out there knows princesses, it has to be Disney. Uncle Walt has brought us so many memorably magical moments in the realms of fairy godmothers and the rags to riches tradition. A list of such Disney characters would serve as a rather complete roll call of such familiar animated ladies: Snow White, Cinderella, Ariel, Sleeping Beauty, Jasmine, and now you can add yet another name to the growing list. The studio that invented the animated fairy tale returns to its hand-drawn animation roots with The Princess And The Frog.
When Pixar finally landed permanently at Disney, no one was more excited than I was. It seemed somehow quite fitting that the studio that invented the animation feature should now take the lead with the company that invented the computer animated feature. It was a match made in heaven, or at least Neverland. But, I was as shocked and dismayed as many fans of the medium when Disney made a rather abrupt decision to close down its hand-drawn animation studios. There was plenty of rancor from the move and more than a few talented artists suddenly without jobs. It appeared that the Mouse House had traded one legacy in to acquire another. And so it looked as if we would never again see the wonderful marvels of a hand-drawn Walt Disney creation. Ah, but we all forgot. Disney is in the fairy tale business, after all. And like every good story, just as it looks like the villain has triumphed and all hope is gone, a white horse bearing a hero can never be far behind.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2010
"Perseus and Andromeda will be happy together. Have fine sons... rule wisely... And to perpetuate the story of his courage, I command that from henceforth, he will be set among the stars and constellations. He, Perseus, the lovely Andromeda, the noble Pegasus, and even the vain Cassiopeia. Let the stars be named after then forever. As long as man shall walk the Earth and search the night sky in wonder, they will remember the courage of Perseus forever. Even if we, the gods, are abandoned or forgotten, the stars will never fade. Never. They will burn till the end of the time."
Talk about your perfect storm. You take the master of stop motion technology, Ray Harryhausen, and you combine those creature animation talents with one of the oldest stories surviving today in Perseus and Andromeda. How can the combination not be magical? The story has always been a favorite of mine, likely because I was born on the Summer Solstice, the critical moment of this story. I was preordained to love this film. The truth is that this film never got quite the recognition it so richly deserved. Now, on the cusp of a computer generated remake, it was my unmitigated privilege and joy to watch the original 1981 film in the glory of high definition.
Posted in: Disc Reviews by David Annandale on January 22nd, 2010
One of the lesser-known, but more visible, provisions of the Obama administration's stimulus bill is the provision that there must be at least one Sandra Bullock movie in the theatres at all times, regardless of quality. So now, as Bullock collects awards for her turn in the enormously profitable The Blind Side, here is the summer's offering making its home video debut. Our heroine this time around is a deeply eccentric crossword creator whose social skills are somewhere south of Pee-Wee Herman's. Her parents set her up on a blind date with TV news cameraman Bradley Cooper. She is immediately smitten. He is immediately terrified. He heads out on the road, working with reporter Thomas Haden Church. Faster than you can say “restraining order,” Bullock takes off after him. Cue the merry cross-country picaresque chase.
Never let it be said that Sandra Bullock is anything less than gifted when it comes to physical comedy. Her amorous lunge for Cooper, brought up short by a seat belt, is one for the books, echoing the dog-on-a-chain gag from Looney Tunes. She is also very good at inhabiting characters, and she does so very well here. Too well, in fact, as she very convincingly creates a protagonist you wouldn't be able to stand being around for five minutes, let alone the 99 of the movie. Yes, the film is aware of its creepy premise, and yes, it allows a tiny (very tiny) measure of realism to squeeze into the fantasy of its finale, but for the most part, this is a flat, unengaging and unsympathetic would-be romantic comedy.
Posted in: Disc Reviews by Gino Sassani on January 13th, 2010
"Have you ever felt like you were a little bit different. Like you had something unique to offer to the world, if only you could just get people to see it? Then you know exactly how it felt to be me."
The title is taken from a very short children's book written by Judi and Ron Barrett. I say the title and not the story because this movie takes only the most basic concept from the book to create the movie. Most of the characters are brand new creations, and the plot of the entire film deals with events not covered in the book. You have to credit Phil Lord and Chris Miller for pretty much everything you see happen in this film. I have only a passing familiarity with the kiddie book, but have now had the chance to see the movie in this Blu-ray high definition release.
Posted in: Disc Reviews by Gino Sassani on January 13th, 2010
"... It is a dark time for the rebellion. Although the Death Star has been destroyed, Imperial troops have driven the rebel forces from their hidden base and pursued them across the Galaxy. But, you know this story..."
Know this story, you do. It's the opening of the second, or actually the 5th in sequence, but it is the second one made, unless you count... Never mind. This is the prologue to The Empire Strikes Back, more commonly referred to the 2 hour trailer for Return Of The Jedi. Not so long ago in this Galaxy, Family Guy took a shot across the bow of those Imperial Cruisers with its extremely funny and on the spot spoof of the first Star Wars film, or actually the 4th chapter.... Star Wars: A New Hope. It was only a matter of time before Seth Mac Farlane would steer his own ship back into George Lucas's universe once again. With equal parts faithful adaptation and off the wall detours, he's done it again, delivering another very funny tour into the dark side.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2010
"Every day I get letters. I think I get more letters than Santa Claus, Zac Efron, and Dr. Phil combined. I'm kinda the shit. Sometimes the letters are from people who say they are praying for me. They tell me everything will be OK if I just accept Jesus Christ into my heart. I say the words, but nothing ever happens. Nobody comes back. Nobody gets off the cross."
There hasn't been this much hype for a mainstream horror film in quite a long time that I can recollect. Certainly, quite a few have created more buzz after their release and subsequent box office power. But this one was supposed to be the real deal. It didn't hurt that the titular body in question would belong to Megan Fox. With the huge dominance of the Transformers films at movie theaters across the globe, Fox has had a lot of ... eh ... exposure over the last couple of years. She's made a ton of those “sexiest” polls, and combined with this somewhat provocative title, I'm sure there were expectations of, at least, reasonably large draw. Unfortunately, it just never happened. The film barely made back its modest $16 million budget.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2010
If you are looking for some kind of logical sequel to the WWE film The Marine which starred wrestler John Cena, you will be greatly disappointed. The film doesn't even feature the same character. There is absolutely nothing about this film that connects it to the original beyond the name. The WWE doesn't even use one of its bigger names in this film. While I have heard of Ted "The Million Dollar Man" DiBiase, Jr., I was not aware that he had a son who has followed his footsteps into the wrestling arena. I would suspect that Ted DiBiase, Jr. is a name only known to the fans who follow the WWE. Of course, that does provide for the major draw for these kinds of films, but I would also suspect that the WWE is hoping for more wide appeal by branching out into these films. So far it doesn't seem like the sports organization is having any luck. The Marine 2 will not do anything to further the cause.
The film opens with the obligatory mission sequence. This scene does not really join with the actual film plot except to give us a chance to see Joe (DiBiase) in action. We quickly see how good he is. The scene also adds some pathos to the character when a young boy is caught in the crossfire and killed. Now we have a skilled Marine carrying around a bit of guilt over the dead boy. The mission ended, our hero gets a little R&R time. His plans to spend some quiet quality time with his wife, Robin (Cox) are somewhat sidetracked, because she has a mission of her own to conduct. She's helping a wealthy financier open his latest tropical resort. She's a PR person who will have her hands full with environmentalists and locals who resent the exploitation of their home. But Joe agrees to accompany her for what he expects will be five days of sun and sand. When they arrive at the resort, the 24 hour armed guards are our first clue that Joe's going to have to go "Marine" and do some butt kickin'. And, for a while the film settles into Blue Lagoon territory as Joe and Robin have some romantic time in the surf. They also meet up with the local boat tour guide who is also ex-military. He's a powder monkey, jargon for demolitions expert. You already know that this is no accidental meeting and that ex-Ranger Church (Rooker) is going to play a part in the events to follow.
Posted in: Disc Reviews by Gino Sassani on December 8th, 2009
"When the lights go off the battle is on."
Sequels are a dangerous business. They've gotten the best of some of the biggest heroes. Just ask Indiana Jones, Luke Skywalker, or Neo. Expectations are always going to be high. You've already shown us what you can do. We assume you did your best on the original film, now go and do better. Often filmmakers interpret this mandate to just make it bigger. More explosions and hard hitting action and special effects. They tend to remember everything but the story. I'm happy to say that Night At The Museum refused to fall into that trap. The film is certainly bigger. There are far more characters. The f/x have absolutely gone up a notch. But everything that made you love the first film is back ... and more.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
Who doesn’t remember the original Witch Mountain films from Disney back in the 1970’s. They were clever family films. They were camp, to be sure. But, most of us remember them fondly, if not as particularly outstanding films. While Disney’s reimagining of the franchise doesn’t have a great deal in common with those earlier films, you can pretty much describe the reaction as being spot on. Race To Witch Mountain isn’t going to be breaking any box office records, but it is the kind of film you get a pretty warm feeling for, and like its predecessors, you’ll end up remembering it with fondness.
A flying saucer crashes in the Nevada desert near Las Vegas. The crash just so happens to coincide with the arrival of a huge UFO convention in Sin City. The Defense Department has secured the crash site. They quickly discover that the ship’s passengers have slipped through their perimeter. Now it’s a race to find the extraterrestrials before they can hatch whatever nefarious plan has brought them to our planet. The investigation is spearheaded by Henry Burke (Hinds). Meanwhile Vegas cabdriver Jack Bruno (Johnson) is busy ferrying the “nut jobs” to the UFO convention. Bruno was once a gifted race car driver as well as excelling in demotion derby driving. He had once worked a stint as a mob driver and has gotten out of the business. But, as we all know by now, you don’t just retire from the mob. So, there are some goons after him to “persuade” him to return to the job. All of a sudden a pair of teens appears in his car loaded with a huge wad of cash and a mysterious electronic device. The teens request to be taken to a remote location that appears to be being directed by the unknown gizmo. When his cab is assaulted by a convoy of black SUV’s, Bruno thinks it’s his old mob heavies, but it’s Burke and his ET hunters after the kids, who happen to be the escaped aliens. For the rest of the film Bruno and his unusual passengers, Sara (Robb) and Seth (Ludwig) try to locate a device that contains information that will stop an impending attack on the Earth. The kids must find the device, get their ship out of Burke’s hands, and return to their own planet before an all out invasion is launched at our planet. All the while the group is being pursued by the mob, Burke’s boys, and an alien bounty hunter with a ton of weapons at its disposal. They have two weapons of their own. First, the kids have some remarkable powers. Sara can move objects with her mind and talk to animals, and Seth can manipulate the density of his molecular structure, thus enabling him to pass through solid objects or withstand a head-on collision by an oil tanker. The second weapon is Dr. Alex Friedman (Gugino), an attractive scientist who speaks at these UFO conventions for a living, who happened to be one of Bruno’s earlier “nut jobs”. Together they race against time to save the planet, interacting with some peculiar characters along the way.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”
“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.
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