Posted in: No Huddle Reviews by Michael Durr on August 8th, 2022
Some of my favorite movies are ones where they use the "author" as the focal part of the story. Films like Secret Window, Misery, and The Ghost Writer are ones that immediately come to mind for me. However, Westerns tend to be somewhere down on the list of genres for me, and only ones like Tombstone or Unforgiven tend to spark any interest. So when I received Jesus Kid, which features a Brazilian author who likes to write Westerns, well, you can kinda understand my apprehension. However, my curiosity was also piqued at the same time for the very same set of reasons.
Eugenio (played by Paulo Miklos) brushes his teeth late one night. He follows it up with a mouth rinse ... and a cigarette. Then a swish with some whiskey and some pills. Seems like a typical night for the author. Eugenio writes western tales about a cowboy simply known as Jesus Kid (that's Geesus, not Haysous). In fact, he's published twenty books about the character, and his latest manuscript entitled Ballad of the Nerves is ready for publication.
Posted in: Disc Reviews by Michael Durr on May 1st, 2017
Even though I was born in 1975, I don't remember a thing until I was about 5 years old, therefore I missed most of the "Disco" era. My dad would play music from the 70's, but that consisted of Led Zeppelin, Queen and Black Sabbath among other bands; no disco in sight. But one faithful day in my middle school years, I did find my mother's record and 8-track collection. There was some Barry Manilow, Julio Iglesias, and something called the Bee-Gees. I wouldn't say anything crazy like it turned my life around, but after listening, I clearly understood. I clearly understood that my mother was crazy and I was much better off listening to Whole Lotta Love. Anyway, we have a movie to review, let's continue with Saturday Night Fever.
A train whistle calls in the distance as we overlook the Verrazano Bridge. A tune to the name of Staying Alive chimes in. Tony Manero (played by John Travolta) walks down the street in his red shoes; perfectly in time to the music swinging a paint can. He checks out a few girls, orders a couple of slices of pizza and then makes his way to the paint & hardware store. Apparently, he works there for Mr. Fusco (played by Sam Coppola).
Posted in: Disc Reviews by William O'Donnell on March 18th, 2013
Worlds Away is the tale of a young woman named Mia who happens across a debilitated circus, where she is enchanted by the performance of an Aerialist. Mid-performance, both she and the aerialist are sucked into a parallel universe that is littered with strange, seemingly supernatural circuses. Both are lead from performance to performance in an attempt to escape, or at least find each other.
Each performance we see is taken from a pre-existing Cirque Du Soleil show (most of which a part of their Las Vegas lineup). Only the portions featuring Mia and the aerialist traveling to, through and from them are unique to this film. The story is not new to the Cirque world as I have seen the story of someone brought into the magical/surreal world of amazing acrobats many a time before. The idea is to have the audience identify with that character and share in their awe of these uncanny performers.
Posted in: Disc Reviews by William O'Donnell on November 29th, 2012
Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the 2 and a half hour long chase.
Abagnale committed these crimes in a time that was far more trusting than it is now (in fact, Abagnale would go on to use his skills to boost the security of the currency and checks he took advantage of before). Whenever Abagnale's crimes are described, his statistics are read like highlights from a sportstar rather than someone malevolent. We do not see any actual victims. Even his nemesis, Agent Carl Hanratty (portrayed by Tom Hanks), eventually gains a lifelong friendship after multiple years of pursuing (and frequently being humiliated by) Abagnale.
Posted in: Disc Reviews by William O'Donnell on September 26th, 2012
The first word that springs to my mind when considering this box set is “essential.” I try to use that word without all of the marketing baggage that comes with it, conjured up by countless previous DVD releases of other films that have claimed to be “essential.” This set lives up to that term perfectly. Raiders of the Lost Ark alone is an incredibly important film (as my review below explains in a gushing fanboy-ish manner) and the entire series is a must have for any true fan of American cinema. This transfer to Blu Ray is a very successful one, making this the ultimate collection to purchase.
Raiders of the Lost Ark:
Posted in: Disc Reviews by William O'Donnell on July 7th, 2012
An aimless slacker named Jeff shambles out of his mother's basement (where he lives, hence the movie title), tasked with a chore, but is sidetracked by a theory that he is being given signs. What are these “signs” meant to mean? Not even Jeff knows as he runs into his brother and mother along his seemingly random path. The films asks, is said path truly random? Or is he finally on a journey to find true meaning in his life?
This film is essentially about people who are dissatisfied about their placement in life and are in need of something drastic to shake them out of it. Jeff, played by Jason Segal, seems to focused on fruitless theories and journeys to ever make something of himself. His brother, played by Ed Helms, suspects his wife of infidelity after she blows up at him over buying a new Porsche without consulting her. Their mother, played by Susan Sarandon, is a widow who has not had excitement in her life since her husband passed on. When an anonymous love note arrives, she takes the chance of discovery who her “admirer” is.
Posted in: Disc Reviews by William O'Donnell on June 18th, 2012
Take the supernatural comedy of Groundhog Day, merge it with the in-your-face ultra awkwardness of HBO's comedy Extras, then shave away all that stuff I said about “comedy” and you have this film. Oh yes, this film follows the formula of a Comedy, but has none of the fun implied in such a label.
Eddie Murphy plays a successful Book agent named Jack McCall, who makes his living by the way he can spin his words. There is a running gag that he represents authors and yet does not take the time to actually read books for he's too busy talking...but it's about as humorous and the sentence I wrote describing it just now. When McCall tries to reel in a religious guru to sign with his agency, he is soon cursed (or blessed, depending on whether you've guessed there's a happy ending by now or not) with a tree that holds a thousand leaves (mind you, this is not the actual amount but a random guess made at one point), which represent a thousand words McCall speaks. Each time he says a word, a leaf falls off of the tree. What happens to a tree after it loses it's leaves? To a Californian, it is dead...to me (as a Canadian) it simply means it is winter....but here I am trying to be funny when I've got a gosh darn Eddie Murphy film to talk about!
Posted in: Disc Reviews by William O'Donnell on June 18th, 2012
There are countless John Wayne Westerns in existence, but a hearty handful stand out above the rest. Hondo is a part of said handful. The story is a somewhat familiar one; that of a lone gunman seeking redemption by helping out a young woman fight off Indians...it just howls “John Wayne Western.” That being said, there are some standout performances and the portrayal of Native Americans is tad more progressive than what was within Westerns of the previous decade.
This film was created at the tail end of the first wave of 3D films, in the 1950s, and it only seems to be utilized during the opening credits and the climactic battle scene (mostly via arrows being shot almost towards the camera). 3D is a term that seems to imply a certain level of campiness, but Hondo avoids that pitfall by developing its characters and enriching the story with some (non-corny) twists and subplots that help move past the larger, cowboys vs. Indians story.
Posted in: Disc Reviews by David Annandale on April 21st, 2012
The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done.
Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?
Posted in: Disc Reviews by David Annandale on March 17th, 2012
In the 1930’s, the orphaned Hugo Cabret (Asa Butterfield) lives in the access tunnels of the Gare Montparnasse in Paris, winding the clocks, making sure that no one knows his guardian uncle has long-since gone AWOL, and filching bits and pieces of mechanisms that will allow him, he hopes, to repair the automaton he keeps in his living quarters. This is his last connection to his deceased father, and his dream is that the repaired machine will grant him a message from the beyond.
But there are obstacles to his quest. Foremost is the tyrannical station inspector (Sacha Baron Cohen), who likes nothing better than rounding up street urchins and packing them off to the orphanage. Hugo also runs afoul of the bitter, disappointed old man (Ben Kingsley) whose toy store has been the source of much of his material. This encounter proves fateful for them both. The old man is none other than Georges Méliès, whose films are the ground zero of all fantasy in cinema, but who has since been forgotten by the industry he helped create. Hugo and Méliès’ granddaughter Isabelle (Chloe Moretz) become allies, determined to give Méliès back the sense of joy and wonder he once gave to so many.
