Posted in: Disc Reviews by William O'Donnell on March 13th, 2012
A tragic accident after an uncannily choreographed dance party in the country leaves a carload of teens dead, and their hometown vows to ban all public displays of dancing and loud music. Big City hunk Ren MacCormack arrives in town to challenge this outlawing of music and dance by...mostly dancing to music.
This is a modern update of the 1984 hit film of the same name that starred Kevin Bacon in the role of Ren. Young actor Kenny Wormald steps into these dancing shoes and does a decent job being a youth who charms us through his rebellion. His look is much more James Dean-ish than Bacon's version, but still an acceptable doppelganger of the original Ren.
Posted in: Disc Reviews by David Annandale on February 15th, 2012
Back when I reviewed the original Blu-ray/DVD combo release, I said that those wanting special features should wait for the inevitable double-dip. Well, here it is, and so loaded with features that they get a Blu-ray to themselves.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by David Annandale on January 20th, 2012
The Paranormal Activity franchise steps back in time for this third entry, revealing how and why sisters Katie and Kristi come to suffer demonic assaults later in life. We are back in 1988. The blended family of mother Julie (Lauren Bittner), daughters Katie (Chloe Csengery) and Kristi (Jessica Tyler Brown) and stepfather Dennis (Christopher Nicholas Smith) are settling in to life together when the first odd things start happening.
Wedding video producer Dennis is the first to suspect the outright paranormal, and sets up cameras upstairs and down to capture events. Ominously, little Kristi has an imaginary friend, Toby, who, in proper Captain Howdy style, reveals himself to be all too real. What is he saying to Kristi? What does he want of her? Answers are forthcoming, and they are not reassuring.
Posted in: Disc Reviews by David Annandale on November 28th, 2011
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself.
I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished. Super 8 plays like the Lost Spielberg Movie, with all the wonder, thrills, and sentimentality one would expect. There is so much here that works beautifully. The young cast is terrific, the dialogue crackles, the effects are spectacular, and the creature is both menacing and sympathetic, like some unholy version of ET reworked by H.P. Lovecraft.
Posted in: Disc Reviews by David Annandale on September 27th, 2011
In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Michael Durr on September 18th, 2011
Fight Fans welcome. We have for you today in the center of this ring, the story of four young men from different backgrounds but who have all come to fight in the Beatdown. The Beatdown is a place where passion can fuel the desire of the fighters to become the very best. But, there are many obstacles in their way in life and in the ring. What exactly will happen and how many broken bones will take place? Join me in the cage and we shall experience, Never Back Down 2: The Beatdown.
Are you ready?, I said are you ready? Then for the thousands in attendance (or just me and two nervous cats) and the millions (or possibly dozens) watching around the world (okay domestic United States and possibly Canada), let's get ready to go down the cast page and story plotline. We have some interesting characters tonight and there is no way you can follow the action if you don't have a program to go by. Programs are sold at the door and are available at www.donttakethisseriously.com.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2011
"Once, mankind accepted a simple truth: that they were not alone in this universe. Some worlds man believed home to their Gods. Others they knew to fear."
Marvel has rolled out some rather ambitious plans for the next two years. Of course, it has all been leading to the huge Avengers film coming summer of 2012. If you've been watching the scenes after the credits of both Iron Man films, you've already seen the groundwork has been laid. Now comes Thor, and we're talking more than just groundwork here. This is the first in a series of films that lead directly to The Avengers.
Posted in: Disc Reviews by David Annandale on July 25th, 2011
Rango (Johnny Depp) is a chameleon with an enormous imagination. In his terrarium, he has developed a social network with inanimate objects that would be the envy of Castaway’s Tom Hanks. He essentially lives inside his head, but then reality (perhaps – the film maintains a certain ambiguity here) suddenly intervenes and he finds himself cast from his safe, hermetic world. Marooned in the desert, he arrives in the town of Dirt, where his inclination for the dramatic has him claiming to be a sharp-shooting, quick-drawing hero. When he accidentally proves his claim by killing, through sheer stupid luck, a hawk that has been terrorizing the town, he is enlisted by the townspeople to defend them from the tyrants who keep them oppressed and thirsty.
Another day, another self-referential computer-animated film, this one taking on westerns rather than fairy tales. And sure, there are more references than you can shake a stick at, to westerns or otherwise (check out the lightning-fast nod to Depp’s Fear and Loathing in Las Vegas during the highway scene). But this isn’t just a pastiche. The love of classic westerns is palpable, and the film is unapologetic in its adoption of the genre’s convention, but it does take care to fully realize its characters. Visually, the film is extraordinary, displaying a rich palette of colours and moods, an imagination as exuberant as its protagonist’s (a dream sequence becomes exactly what Salvador Dali would have imagined had he been a thirsty chameleon), and the detail work of the animation is bleeding edge. Not everything in the narrative is exactly a surprise, but some pleasures are pleasures precisely because they are familiar, and there are plenty of charming eccentricities to make us forgive the occasional lapses into the been-there-done-that. Certainly one of the better animated films of the year.
Posted in: Disc Reviews by William O'Donnell on July 4th, 2011
The story begins with the immediate validation of superstition. Anesi Gebara is the head of an illegal lottery and so numbers are crucially linked to his life, both in his work and in the aforementioned superstitions that haunt his life.
The first episode features Gebara's dearest son, Anesinho, killing himself, and the rest of the series follows his remaining 3 sons as they vie to take Anesinho's respected place. As seems to be customary with the majority of HBO programs, dark secrets about each character's past come to light before our eyes. Said secrets often involving lurid sex and death (again, staples in the HBO realm).
Posted in: Disc Reviews by David Annandale on April 1st, 2011
One of the (many) reasons that Scream 3 was such a weak entry is that it tried to riff on the rules of trilogies, when, at the time of its release, there really weren't any horror film trilogies, with notable exception of the Omen series (and the not-so-notable exception of the trio kicked off by Captive Wild Woman in 1943). But the last few years have seen the completion of two horror trilogies, whose third parts were a very long time in coming. Dario Argento wrapped up his Three Mothers trilogy with the disappointing Mother of Tears in 2007. And now, hitting home video, is a primal roar that also happens to be José Mojica Marins' 2008 conclusion to his Coffin Joe saga.
Despite his enormous list of crimes and his total lack of repentance, Coffin Joe (Marins) is released from prison after serving a mere 40 years. Administrative bungling appears to lie behind his freedom – a hint of the vein of mordant humour that runs through the film. Met outside prison by his hunchbacked assistant Bruno (Rui Rezende), Joe is at first thrown by the 21st-Century metropolis he finds himself in, and Marins has some fun with the Gothic and wildly out-of-place Joe and Bruno stumbling along through the traffic. But things take a darker turn very quickly, once Joe is back in the slums, and embarks once more on his quest for the superior woman who will bear his son, and ensure the immortal continuity of his blood.
