Posted in: Disc Reviews by Gino Sassani on October 3rd, 2008
The holiday season is coming fast. It should come as no surprise with all of the Chipmunk DVDs being released that a Holiday Collection was going to be included. Of all of the sets, this is the best. There 12 episodes in all, and each is among the best of the classic show. You get three discs, one for each of the upcoming special days: Halloween, Thanksgiving, and Christmas. There’s plenty of Chipmunk antics and some great song selections included in each disc.
Posted in: Disc Reviews by David Annandale on September 26th, 2008
Damon Runyon’s stories would most famously make it into musical form in 1955 with Guys and Dolls. But in the meantime, this 1952 effort featured many of the same sorts of characters – wise-cracking-but-harmless gangsters and their glamorous molls. Here, Numbers Foster (Scott Brady) hightails it out of town to avoid a Congressional hearing, and on the way back, he picks up country songbird Emily Ann Stackerlee (Mitzi Gaynor), much to the displeasure of New York girlfriend Yvonne (Marguerite Chapman). Heavier on plot and lighter on numbers than some other musicals of the period, this is a jovial effort, but understandably in the shadow of its more famous cousin.
Audio
Posted in: Disc Reviews by Gino Sassani on September 26th, 2008
If you come to this DVD set in the hopes of discovering something to do with Jason or even his machete wielding momma, you will be very disappointed. There is no
Posted in: Disc Reviews by Gino Sassani on September 25th, 2008
The Alvin Collection is another group of episodes of The Chipmunks from their popular Saturday Morning series,
Posted in: Disc Reviews by Gino Sassani on September 25th, 2008
Duckman began life as an underground comic created by Everett Peck. It gathered to itself quite a cult following, and like all such things caught the attention of
Posted in: Disc Reviews by David Annandale on September 19th, 2008
Star of song and stage Jeannie Laird (June Haver) returns from a triumphant tour to settle down in her new suburban home. Next door is widowed cartoonist Bill Carter (Dan Dailey), and sparks fly between the glamorous star and the low-key nice guy. The course of true love doesn’t run smoothly, however, due to Bill’s son Joe (Billy Gray, of The Day the Earth Stood Still), who doesn’t take kindly to the new woman in his father’s life.
Though the romance may play out as expected, it’s still interesting to see such domestic issues dealt with in the context of a musical. Meanwhile, spirited and imaginative song-and-dance routines are on order. An intriguing entry in the Marquee Musicals series.
Posted in: Disc Reviews by Gino Sassani on September 19th, 2008
The character of Charlie Chan was created by writer Earl Derr Biggers in 1925 in the book A House Without A Key. He based the character on real life
Posted in: Disc Reviews by Gino Sassani on September 19th, 2008
The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at
Posted in: Disc Reviews by David Annandale on September 11th, 2008
A mixture of biopic and musical, this vehicle stars Susan Hayward as Jane Froman, an incredibly popular singing star in the 40s who had to battle back from terrible wounds suffered in a plane crash after her first performance for American troops overseas during WWII. The film begins with Froman’s triumphant comeback, and flashes back to the events leading up to this. The pic is efficiently put together, and Hayward’s lip-synching (Froman dubbed in her own singing) is unusually convincing. But the crash itself is disappointingly undramatic.
Audio
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
“Hey Hey Hey, It’s Fat Albert!”
That’s right, it’s Fat Albert. Bill Cosby invented the portly young Albert for his stand-up and album releases in the 1960’s. The character, like many of Cosby’s stories, is based on elements of his own youth. My parents were huge Cosby fans, so I had heard all about these Cosby Kids long before they hit television in 1972. Fat Albert And The Cosby Kids was an almost instant hit on the Saturday Morning cartoon menu. Unlike most of those early morning toons, this one mixed in some live action elements with Cosby himself. He acts as a host for the stories. The show was also known for its attempt to teach some kind of moral lesson with each episode. Standard lessons like it’s not cool to call someone names, or drugs are bad business, were often the week’s taglines. Cosby would accentuate the lesson himself, and usually the show ended with a song played by the Kids with their junkyard instruments that again played on the moral of the week. Cosby used a staff of educational psychologists for the show and made no apologies for the often heavy-handed lessons. Off and on the series ran for about 12 years, finally ending original programming in 1984.