Posted in: Disc Reviews by Gino Sassani on February 13th, 2008
Family Ties is likely remembered most as the series that launched the career of Michael J. Fox. There’s no question that he owes a great debt to Alex Keaton. It’s almost a bit awkward now to watch him as this young, extremely conservative teenager after Fox has spent so much of his life as a liberal poster boy in the last couple of elections. Politics aside, it’s hard not to credit his performances in Family Ties and the Back To The Future films for launching him into a well deserved lucrative career.
Posted in: Disc Reviews by Gino Sassani on January 23rd, 2008
Have you ever walked down the street and heard a chorus of “Five Oh” making the rounds? In street lexicon that means the police. It’s a warning to the drug dealers and any other illegal activities that the police are on the way. That’s just one of the ways that
Posted in: Disc Reviews by Gino Sassani on January 23rd, 2008
What started as a Neil Simon play and eventual film became one of ABC’s most endearing comedies of the 1970’s. One could credit the clever premise of putting a neat freak and a slob under the same roof. One might look to the fact that both the film and play were considerable hits to explain the success of the series. The truth is, it was none of these things. Plenty of hit films have spawned crappy shows. Remember That Big Fat Greek Wedding? Even Neil Simon plays have been the starting point for bad television. Remember Barefoot In The Park? My point exactly.
Posted in: Disc Reviews by Gino Sassani on January 14th, 2008
Gunsmoke is the longest running scripted live action television show in history. The series ran from 1955 to 1975. At first it was a half hour black and white show that evolved into a color hour by 1967. It actually started before the days of television, premiering on radio in 1952. Then it was William Conrad as the tough as nails Marshall Matt Dillon. When television came into its own, Gunsmoke made the jump to the bright living room box and made history. Westerns would ride across our small square screens for the next 3 decades, making it the most successful genre of that time, and it was Gunsmoke that started it all. The television version of Gunsmoke was originally conceived as a vehicle for John Wayne
Posted in: Disc Reviews by David Annandale on December 24th, 2007
Robert Morgan (Vincent Price) is the lone human survivor in an LA devastated by a worldwide plague that killed most of the global population and turned the rest into vampires. For three years he has survived on his own, mourning his lost family and systematically staking every vampire he can find, working his way block by block through the city. Then, one day, he sees what appears to be another survivor...
Posted in: Disc Reviews by Gino Sassani on December 18th, 2007
Long before Clint Eastwood was making our day as Dirty Harry or even roaming the badlands without a name for Sergio Leone, he was working the cattle drive on Rawhide. Rawhide was created to take advantage of the huge Western film and television wave that
Posted in: Disc Reviews by Gino Sassani on December 14th, 2007
Gomer Pyle began life as a one of the down home residents of Mayberry, where Andy Griffith held court as the sheriff and Don Knotts blundered his way to fame and fortune. It’s no small task indeed to find a way to shine as a minor character who wasn’t even there from the beginning; he replaced Floyd after the second year. But shine he did. Much of the character’s charm and success has to be given to Jim Nabors. The shy naive Gomer worked as an auto mechanic in Mayberry, but for his own series he appeared in one of the most unlikeliest of places, the U.S. Marine Corp.
Posted in: Disc Reviews by David Annandale on December 6th, 2007
Come with me, gentle viewer, back to the state of horror on TV, Anno Domini 1973. After her long-absent mother dies in mysterious circumstances, Belinda Montgomery attends the funeral where she meets Shelley Winters, an old friend of the family, or so she claims. Winters takes Montgomery into her home, and there our young heroine meets all sorts of strange people, and gradually realizes she is in the clutches of a Satanic cult who believe she is Satan’s daughter.
Posted in: Disc Reviews by David Annandale on December 6th, 2007
Malcolm McDowell’s second collaboration with director Lindsay Anderson, after their triumph with If..., sees McDowell as an enthusiastic new coffee salesmen sent off to make his company’s fortune in an ever widening area of the Britain. In true picaresque style, he has one strange adventure and encounter after another, each more bizarre than the last, and the whole is intercut with studio performances of Alan Price’s songs that comment on the whole enterprise.
Posted in: Disc Reviews by Gino Sassani on November 28th, 2007
Have you ever watched a recent Robin Williams film and yearned for the days when the actor wasn’t so full of himself and stealing every scene he was in? Well, you’re out of luck, because there was never such a time for Williams; however, you can journey to a time when at least he was hungry and wasn’t so over the top. OK. Even in the days of Mork and Mindy Williams was never capable of reining himself in. Still, I thought I would look back on these episodes with that warm nostalgic feeling I tend to get and just remember the good times.
