DTS HD 5.1 Master Lossless Audio (French)

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

Even though I consider myself to be well-rounded when it comes to films, I admit my personal viewing history of French film to be a little lacking.  Go Google any top 20 list of French films, and I've probably seen maybe two or three of the films.  This is very contradictory to say Chinese, Japanese, English (UK), Australian, etc. where I've seen hundreds of films.  But I'm always willing to expand my repertoire, so I jumped when I saw there was a French crime thriller named L'Homme Du Train or The Man on the Train available for review.  Let's see how it plays out.

As we start, A train runs along the tracks and whips by various locales.  We see a man named Milan (played by Johnny Hallyday) who tries to relax, but obviously he can't.  The train finally comes to a stop, and he is only one to get off.  He walks through the town, which is somewhat desolate, and finally ends up at a pharmacy.  There he asks for some aspirin, which he finally receives.  (Unfortunately it's water-soluble, so he also requires a glass of water).

I am not usually into serious zombie movies or television series. I am not a particular fan of The Walking Dead or The Night of the Living Dead.  I do allow exceptions for, say, the Resident Evil series, or perhaps something funny like Shaun of the Dead.  So the first time I saw Paranorman probably about half a dozen years ago, I wasn't expecting much.  Thankfully I did not let my biases creep in, and to be honest, quite enjoyed myself.  So I was very excited when I saw the 4K slide across my desk.  Let's dive in.

This is a feature presentation.  We join a horror movie already in progress.  There are monsters, lost of squishy stuff, and some bloodcurdling screams.  Then the zombie goes munch munch on the brain matter of the blonde heroine.  Rumor was that it was far from satisfying.

LAIKA Films has produced some amazing movies which have elevated the wonderful world of stop motion animation.  Paranorman, Boxtrolls, Kubo and the Two Strings, and Missing Link (all underappreciated by mainstream movie audiences).  But one movie stands above those fine films and is the one for LAIKA that started it all.  Coraline.  Today, I received the Steelbook edition (along with Paranorman) in brilliant 4K.  I can hardly contain myself.  Let's take a look.

As the credits start to roll, we see a doll being undressed as well as un-stitched.  Then that doll is filled up with sand and re-stitched.  A couple of buttons are carefully selected and hair is sewn-in.  It is finally thrust into the world.  Hey, that kinda looked like Coraline, who we will meet shortly.

Musical mockumentaries can often be hilarious. One has to look no further than Spinal Tap to see how funny it can be to blend music with comedy and shoot it like a documentary.   However, it is a delicate balance between fun, smart jokes and perhaps going too far for a simple punchline.  Today's film is Popstar: Never Stop Never Stopping, which has received a brand new steel book from the minds at Shout Factory.  This 2016 film was considered a bomb at the box office, but it has found a home in disc and digital thanks to the gag-a-minute style of Andy Samberg and his supporting cast of musical celebrities and comedians.  Let us take a look inside this limited edition and see if "Conner4Real"  can take on a cult-like status with this film.

We open the story with Conner (played by Andy Samberg), who tells us about growing up and being dope.  He then meets his two best friends, Owen (played by Jorma Taccone) and Lawrence (played by Akiva Schaffer) who later go on to form the rapping group, Style Boyz.  Their first single is the tune Karate Guy.  But as they grew up, the group was not as strong as originally thought.    So they broke up, with Lawrence quitting the business and becoming a farmer.  Owen became a DJ and tagged along with Conner.  Conner became "Conner4Real" and went solo to huge acclaim.  Despite his antics and habit of ending up in the tabloids, his music gathers a ton of fans and fame.

Don’t call it a comeback, but World War II movies are having a bit of a renaissance. (Seriously, don’t call it a comeback…they’ve been here for years.) There are seemingly endless ways to approach a WWII story — Hacksaw Ridge and Allied were in theatres recently, while the next few months will bring The Zookeeper’s Wife and Dunkirk — but the majority of movies that actually get made skew toward the American/British perspective. That’s the main reason Come What May — a somewhat sappy, intensely personal film from France — stands out from the pack.

“The German offensive of May 10th, 1940 drove almost eight million people from their homes.”

I earn money…I meet people…I can pay my debts…I can buy nice things for myself.”

Taken at face value, all of those pursuits sound totally admirable, especially when you consider that the person earning that money, meeting those new people, and buying those nice things is a bitter old woman who slowly comes out of her caustic shell. I mean, the only minor hiccup here is that Paulette — the title character in this wacky, soufflé-light French comedy — turns her miserable life around by selling drugs.

Being a woman's hard work.”

Femininity — the quality and essence of being a woman — is at the forefront of The New Girlfriend, a gender-bending and genre-bending offering from French director Francois Ozon. The film is a curious mix of farce, rom-com hijinks, frank sexuality, and serious drama about loss. The formula isn't always cohesive, but it makes for an intriguing twist on the old “boy meets girl” story.

“This film was inspired by a court case, the public stages of which have been filmed, broadcast, reported and commented on throughout the media worldwide. Nonetheless, the characters portrayed in the film and all sequences depicting their private lives remain entirely fictional.”

The disclaimer that appears at the top of Welcome to New York is only the first indication that this flawed, unflinching drama — based on the Dominique Strauss-Kahn affair — seeks to blur the line between fact and fiction.