DTS HD 5.1 MA (English)

I'd like to think that the concepts of what makes a good children's movie is somewhat international. While cultures may vary, kids all over the world are pretty much the same. They look for the same kinds of characteristics in their heroes. While the martial arts film is somewhat cultural, there have been more than enough child-friendly martial arts films for me to conclude that these kinds of acrobatics and old fashioned good kicking-evil's-butt themes work for kids of any nationality. The recent Jackie Chan The Spy Next Door outing is one good example of the genre-crossing martial arts children's movie.

My relationship with romantic comedies has not been one of wedded bliss. More often than not, it is something I get forced into. Once you are forced into something, then you automatically have a pre-disposed attitude against the movie. Hence, I haven’t liked too many of these things. Thankfully in the last few years, if I see a romantic comedy it’s been mostly because it ends up in my review queue. This in turn has given me a softer approach to these movies but don’t think I’m going all sentimental just yet.

"I try to believe in as many as six impossible things before breakfast. Count them, Alice. One, there are drinks that make you shrink. Two, there are foods that make you grow. Three, animals can talk. Four, cats can disappear. Five, there is a place called Underland. Six, I can slay the Jabberwocky."

To be perfectly honest with you, I have never read either of the two Lewis Carroll books on which this film has been based. Under ordinary circumstances, that would put me at a decided disadvantage

"On Robben Island, in Pollsmoor Prison, all of my jailers were Afrikaners. For 27 years I studied them. I learned their language. Read their books, their poetry. I had to know my enemy before I could prevail against them. And we did prevail, did we not?"

Leave it to Clint Eastwood to make even rugby look interesting. Of course, Eastwood himself would correct me and observe that Invictus isn't really about rugby. As the words of Nelson Mandela above suggest, this movie wasn't really about rugby at all.

Mel Brooks has often been called the Master of Comedy. The moniker might be a bit too grandiose, but he was certainly the master of the parody. In recent years that has become more evident than ever. Too often I've been forced to sit through something called a comedy. Not only can I do so without ever actually laughing, but there are far too many titles of late that don't even give me the chance to crack a smile. It's not that I've seen so much that it's hard to find anything original. I can still laugh like crazy when I watch a Sanford and Son episode I've seen at least 50 times or an Abbott & Costello routine

"We're all put to the test. But, it never comes in the form, or at the point, we would prefer, does it?"

When The Edge made its debut in September of 1997, you would have thought it had a lot going for it. The idea of putting Alec Baldwin and Anthony Hopkins together in a winter wilderness sounds like a pretty good idea. Audiences didn't seem to think so. The film was gone after just 5 weeks and less than $30 million box office receipts. It lost nearly half of its screens in just 2 weeks. So, what went wrong with this movie? The answer is nothing, and everything.

"It doesn't look like they have chicken tenders here."

How can you not like Jackie Chan? If there has been a more versatile action or martial arts star, I haven't heard from him. The man made a name for himself in China's film industry as a remarkable martial arts performer. For decades he's been the closest thing the film industry has seen to Bruce Lee. But, unlike Lee, Chan wasn't content with being the best in a single genre. When he finally came to Hollywood, he decided it was a good idea to work a bit more lightheartedness into his films,

"Even in the most primitive man, the need to create was part of his nature. This need, this talent, clearly separated early man from animals who would never know this gift. And here, in a cave somewhere in the North American Continent, about two million years ago, the first artist was born. And, of course, with the birth of the artist came the inevitable afterbirth ... the critic."

That's me. Afterbirth here. Brooks always did love to poke fun at the critics. And why not? Unfortunately, this was not one of his better films and likely received a lot of poking from the brethren.

"You, sir, are guilty of disseminating disbelief. Killing dreams. Committing first-degree murder of fantasy, which by Fairy Law, in order to pay your debt to humanity, you are hereby ordered to serve time as a Tooth Fairy. The normal sentence is one week, but because you have the nerve, the unmitigated gall, to actually call yourself a Tooth Fairy, thus making a mockery of everything we stand for, I'm sentencing you to two weeks Tooth Fairy duty."

Dwayne (once The Rock) Johnson has made a bit of a new career move over the last few years.

"The Legend Had It Coming."

It seems that pretty much every decade has had its screen version of Robin Hood; sometimes it's on television. Robin Hood is one of the most popular characters in film, and there have been plenty of versions, each with their own particular take on the multiple legends that have made up the character over the centuries. Currently Ridley Scott has just released his own epic version of the tale with perfectly-cast Russell Crowe in the title role.