DTS HD 5.1 MA (English)

"Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones, and shag carpets. Of a kaleidoscope of underwater life. Now go explore it."

Jim Carrey narrates this IMAX experience that takes you deep under the ocean. The film focuses on five particular locations: New Britain and Milne Bay (both in New Guinea), South Australia, the Great Barrier Reef, and Indonesia. Because this was filmed with IMAX equipment and presented here in high definition, you can expect a pretty spectacular ride on this one. Most of the animals shown here are obscure and rare, including plenty of cuttlefish segments and some really bizarre but striking sea dragons. The coral reef settings are extremely beautiful. It was originally presented in 3D during its IMAX run, but that version is not included here.

One of my soft-spots in films (puns aside) are erotic thrillers. This genre includes some of my favorite movies of all time include the likes of Basic Instinct, Sliver & Fatal Attraction. As it turns out, Basic Instinct & Sliver’s screenplay was written by one Joe Eszterhas. Then I get a copy of Jade to review on Blu-Ray which just also happens to feature Joe on screenplay credits. Color me interested.

Kyle Medford has been murdered at his own lavish estate. He was found with a fertility mask on his head and the murder weapon was a hatchet that looks to be from the middle ages. On the scene is David Corelli (played by David Caruso), an assistant D.A. with political aspirations who is there to investigate the case. The place is thoroughly searched and one of the most interesting things they find on the premises appears to be an assortment of metal tins that contain pubic hair.

Growing up in life came a little later for me than most people. Most people seem to hit maturity right around their later teen years and early twenties. Honestly, I didn’t really grow up until I hit my mid twenties. But what would happen if one was forced to grow up sooner, say around their seventeenth birthday? Well then, you might be like Jenny Mellor from An Education who had to grow up a lot sooner than she probably expected to.

It’s 1961 in England. Jenny Mellor (played by Carey Mulligan) is 16 and entering her last year of school. She studies literature, plays the cello and is certain to ace her A-levels and be accepted to Oxford University. Her weakness is currently Latin but she promises to bring up that grade as soon as possible. Or else her father, Jack (played by Alfred Molina) says that she won’t make Oxford.

"We're back..."

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group. They first appeared as puppets on The Ed Sullivan Show. Alvin and the boys got their own television show in 1961. When Ross died in 1972, the Chipmunks would continue on under the guidance of his son. In 1983 The Chipmunks had yet another popular cartoon show and had appeared in countless specials and films. Today they are pretty much a hallmark at the holidays, and a Christmas song collection just wouldn’t be complete without them.

One might have to legitimately ask about the thinking behind this particular children- targeted release. I have to admit that I was a little uncomfortable with the idea of reviewing this film at this particular time. I have two issues that are just unavoidable here:

They both deal with the film's two central stars here. Bindi Irwin is the daughter of famed Crocodile Hunter Steve Irwin. You all remember Steve. He used to approach some of the most dangerous animals on the planet and quite casually tell us just how deadly they were while tempting them to tag him. We all suspected that Steve might one day get a little careless and get himself killed. The truth is that didn't exactly happen. It wasn't a particularly dangerous animal or any carelessness on Irwin's part that led to his rather unexpected death a few years ago. It was a usually harmless stingray that sent a barb through his heart in what can only be described as an unfortunate freak accident. Now, even before his death, the family had been preparing their very young daughter to follow in Daddy's rather unusual footsteps. Bindi's done several documentary films, including her own television show in the wake of her father's death. Here I can't help getting the feeling that the appearance is somewhat exploitive of the whole business. When I look at Bindi's mom in the extra features, I can't shake the feeling that she's cashing in here. I don't know these guys, so I'm not trying to claim that I know their hearts and minds. I can only report the feeling it leaves me with, and it's not a good one.

"It's New Year's Eve on the Poseidon. Partying voyagers toast the future. The future comes in a rush; a 150 foot rogue wave flips the cruise ship over. And a struggle to survive begins."

Poseidon doesn’t waste any time getting to the action, so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc…). But we don’t watch movies like Poseidon for character exposition, do we?

"Boggis, and Bunce and Bean. One fat, one short, and one lean. These horrible crooks, so different in looks, were none the less equally mean."

Roald Dahl was one of the more eccentric writers to come upon the scene. While he often wrote for children, his work is most decidedly dark and often quite sinister. He's most known for such tales as Charlie And The Chocolate Factory. His work has not been adapted to film as often as you might suspect given his popularity. The most famous was certainly Gene Wilder's Willy Wonka And The Chocolate Factory, which was far brighter and more cheerful than the original work. It took Tim Burton and his trademark brand of darkness to create the story Dahl intended in a more recent film which used the correct title of the work. This is not the first stop motion film to be adapted from his stories. Quite a few years ago we were given James And The Giant Peach, which enjoyed little box office acclaim. Wes Anderson is obviously a Dahl fan and immersed himself in the author's world as he prepared his screenplay for Fantastic Mr. Fox. The effort shows in the way Anderson captures Dahl’s pointed wit and social sarcasm. I think that if you're looking for something Dahl himself might have created, this is your movie.

"The year is 208 AD. After 30 years of civil war, a deathly calm has fallen over northern China. One by one the rebel warlords have met their end under the sword of Prime Minister Cao Cao. Now even the Emperor bows before his power. Yet, from the south a challenge is heard. Two leaders rise against Cao Cao's tyranny. The aging Liu Bei and the inexperienced Sun Quam. So Cao Cao petitions the Emperor to brand these men as traitors and declare a new war against the peaceful southlands."

And so the stage is set for John Woo's enormous epic Red Cliff. The scale of this film is simply one that must been experienced to quite understand. It has the grandeur of any of the largest films in Hollywood's history. But this film is not a product of Hollywood. Woo filmed his massive triumph in his native China. You won't find a bigger story told with more elaborate sets or with such a legion of actors, required to bring these historic battles to life. Gladiator. Kingdom Of Heaven. The Ten Commandments. Red Cliff deserves to stand with the best of them, and it will.

Around Thanksgiving of last year, I started to see trailers of a particular movie that quite literally made me laugh out loud. The reason behind it is because I knew with the title of the movie and the obvious plot, there was no way I was not going to review it when it came to dvd & blu-ray. I have a reputation for certain movies, I guess you could say. That movie was Ninja Assassin. Several months later, I am reviewing it for a mass audience. Funny how that works.

An old man and master of tattoos (played by Randall Duk Kim) is filling in an elaborate tattoo on a young gangster named Hollywood (played by Sung Kang)’s back. A henchman brings Hollywood a sealed envelope. The envelope is opened and out spills black sand. The old man is startled. He starts to spin a tale about ninjas and how he saw an envelope just like that before everybody around him was assassinated.

If you are a regular reader here, you know I'm not much for the romantic comedy department. I tried to pass this one off on the rest of the staff but couldn't find a taker. We finally got a woman to review this stuff, but not even she was enthused enough about this title to take it on. This experience is pretty typical when it comes to Did You Hear About The Morgans. With a $58 million budget and a $30 million gross at the box office, it would seem that a lot of folks took a pass on the movie. In less than 4 weeks it dropped from nearly 3000 screens across the fruited plain to just about 500. We're not talking about an unknown cast here. The real mystery is, why did such an impressive cast take this movie on?  Hugh Grant is pretty well known, if not for his movies, then for his back seat antics with a hooker. So, his judgment should already be in question. I mean, who would give up Elizabeth Hurley for a 20 dollar hooker? Sarah Jessica Parker has been riding pretty high on her Sex In The City fame. Perhaps she was just trying to solidify a romantic comedy image here. Both made horrible choices here, and neither generated a character worth caring about. What's worse, the two share no chemistry and even a devout romantic comedy avoider like me knows enough to understand that the two most important elements in the genre are chemistry and characters that you feel something for.

Paul and Meryl (Grant & Parker) are a married couple who have been separated for three years because Paul had an affair. Both are highly successful in their chosen fields. Paul is the senior partner in a prestigious law firm and Meryl runs a very elite real estate agency. Paul wants to patch things up, but Meryl is not so sure. So the two agree to meet for a date and see if they can talk about their situation. The dinner date doesn't go very well and is completely ruined when the two witness the murder of a man who was about to turn state's evidence. Now their relationship issues are the least of their problems. The killer knows who they are (Meryl's picture is pasted everywhere from billboards to bus stations) and he's not about to let them testify against him. Enter the Witness Protection Program. The two are given new names (The Fosters) and sent to rural Ray, Wyoming where the local sheriff happens to be a Federal Marshall who has experience protecting witnesses. Marshall Clay Wheeler (Elliott) and his wife Emma (Steenburgen) are simple folk who live miles from civilization, making their home the perfect place to hide the couple. Now forced together, the two have to deal with their relationship issues to save their own lives. You know the killer's going to track them down, and through the carelessness of the couple's two personal assistants and Meryl's inability to stay off the phone, he tracks them down.