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Street Hawk is an adventure series about a young cop named Jesse Mach, played by one-time 80s pop idol Rex Smith, who gets injured on the job and is selected to be a part of an experimental motorcycle / vigilante program (funded by the government), that is helmed by computer genius Norman Tuttle, played by a pre-Murphy Brown Joe Regalbuto.

A spin-off from Diff'rent Strokes, The Facts of Life centered around four residents of the Eastland Academy for Girls and their headmistress, Mrs. Garrett (Charlotte Rae). The four girls were characterized in strokes as broad as they way their physical types were presented: Blair (Lisa Welchel), rich, spoiled and blonde; Jo (Nancy McKeon), tomboy and brunette; Tootie, nosy and African-American; Natalie (Mindy Cohn), fun-loving and overweight.

C.O.P.S aired in 1988, one year after the debut of Robocop, and the future-cop theme and design is clearly influenced by Verhoven's violent satire. As a child I caught onto this influence immediately and a part of me always saw it as derivative (along with some Judge Dredd influence). Watching it now I get an eery knot in my stomach as I realize just how silly and loaded with slapstick this cartoon really is, and yet cannot help but still recognize the design influence of Robocop. Throughout there is this strange paradox of immensely threatening looking characters doing terribly silly things.

Warner nearly singlehandedly invented the cartoon medium as we know it today with the advent of their various Bugs Bunny and associates cartoons. Ever since the early 1930’s these characters have become an indelible part of the American pop culture. Their images became an important part of the World War II effort and even helped to put a face on the issues of the Great Depression. They represent one of the richest histories in animation, second only to Walt Disney. There are some, I’m sure, that would argue they might even belong in front of Uncle Walt.

"Right there in that very house is where our story begins. The story of the first Easter Rabbit. And, you know we came within a hair's breadth, if you'll excuse the pun, of never having an Easter Rabbit at all."

Rankin & Bass brought us some of the most memorable holiday specials ever made. Most of us grew up watching these cartoons and stop motion shorts no matter what age we grew up in. You see, this stuff has been on television non-stop for 50 years

Infinity Entertainment's latest themed grouping of public domain movies deserves some props for originality: eight features that were up for Best Picture during the first decade of the Oscars. Not a single one actually won the prize, but as we all know, that doesn't mean they weren't worthy of doing so.

In many ways Barnaby Jones was seen as the Matlock of private Detectives. The title character's age alone gave him a similar, elderly fan-base that sustained the program for eight seasons. As a spin-off from Cannon, producer Quinn Martin offered us yet another protagonist who is designed to be perpetually underestimated (Cannon because of his obesity, and Jones for his age). Buddy Ebsen (who most know best as Jed Clampett from the original Beverly Hillbillies) is Barnaby Jones, who is always accepting a cold glass of milk over a hard drink, and always asking “a lot of questions” to catch the bad guy.

So here we go with yet another heaping helping of public domain offerings from Infinity. I last looked at their Abbott & Costello package, which concentrated on TV shows and only featured a couple of movies. This Mickey Rooney set is heavily oriented towards the movies. Here's what you get:

  • Disc 1:

  • Officer Thirteen (1932)

  • The Big Chance (1933)

  • Lost Jungle (1934)

Oh how the rich can get into mischief. This DVD set is smack dab in the middle of Dynasty's successful nine season run. The mud slinging, both literal and figurative, was at its height in this fourth season, and no $200 haircut or $1000 outfit was left unruffled by the various scandals and plots set into the web of these wealthy Denver residents. In fact, this season was the one and only time this series won a Golden Globe for best TV Drama.

What we have here is, essentially, a great, heaping collection of public domain material from the classic comedy duo. The menu is as follows:

  • 17 episodes of their radio show: The Abbott & Costello Show (1942-1949);

  • 14 episodes of the Colgate Comedy Hour TV show (1951-54) with our boys as hosts;

  • 20 trailers from 1940-59;

  • 2 features films: Africa Screams (1949) and Jack and the Beanstalk (1952);

  • a WWII PSA: “The Autobiography of a Jeep”;

  • a collection of film and TV bloopers.