Posted in: Disc Reviews by J C on February 3rd, 2017
“In chess, the small one can become the big one.”
It's hard to stand out in the Disney family when your big brothers and sisters are Star Wars, Marvel, and the studio's own blockbuster animated offerings. (Not to mention live-action re-imaginings of its own classic animated offerings.) While those properties have been making a racket at the box office, the Mouse House has also been quietly cranking out family-friendly, multi-cultural sports dramas in recent years, including 2014's Million Dollar Arm, and 2015's McFarland U.S.A. I'm not sure if Queen of Katwe is the best of that bunch (I really enjoyed McFarland) but it certainly has the most unlikely hero.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2017
“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”
The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long. We know the song, but did you know where it originated from? It was back in 1940 and the release of Walt Disney’s, in fact, the world’s, second ever feature-length animated film: Pinocchio. Now Disney brings us this timeless classic on high definition and Blu-ray. What a marvel this release is.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2017
American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our former president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. This season he is plagued by a hip injury that should be replaced. Of course, he's having trouble dealing with a hip replacement at 41. The guys also have a new pain in the rear in Andy Garcia's Andre Allen, who owns the largest agency in Miami. When Spencer and Joe decide to poach one of his clients, it turns into a war that the guys can't win.
Posted in: Disc Reviews by Brent Lorentson on February 2nd, 2017
It’s been 40 years since the release of The Man Who Fell to Earth, and in that time a lot has changed. If I’m being honest, this isn’t a film that really holds up too well. Last year the star of the film, David Bowie, passed away, and it would seem prosperous and logical to crank out an anniversary edition of the film. As it stands this film isn’t considered so much a classic, but a cult film that fans of Bowie and certain sci-fi fans hold in high regard. For me, this was simply a title I had heard of in passing during talks about Bowie or sci-fi films, but it was never a film that really called to me. To the disappointment of several friends, I’m not much of a fan of David Bowie’s music, and science fiction just isn’t a genre I’m in love with. But when the call came in from Upcomingdiscs headquarters about reviewing this film, well, I decided to finally check this film out, and the result…well it certainly left me pondering the film afterwards.
I’m going to start off by saying this is a strange film, not just in subject matter but how the story is told. Today we’re used to seeing films in a traditional linear manner, where basically the story unfolds from start to finish in an ABCD manner. Well, this film goes that direction but chooses to skip over C to get to D. What I mean is there are gaps in story and time that are not explained, and there is no reason for this, and don’t dwell on it much despite how often this occurs.
Posted in: Disc Reviews by Archive Authors on February 1st, 2017
Forbes magazine called Jack Reacher and author Lee Childs the strongest brand in publishing as much for his over $100,000,000 in sales and billion-dollar imprint as for the strong loyalty of fans and favorable ratings of the readers. The 21st Jack Reacher novel, Night School, is coming out in a couple of weeks (which I’m sure Simon & Shuster would thank me for mentioning, but they don’t need my help), and Reacher fans will be buying in droves. The second Reacher movie will be out on November 21. One of the first things I want to address is that Lee Childs had been actively involved in the picking of Tom Cruise to be Jack Reacher. It was a controversial decision, but Childs rightly said there are no big movie stars who could accurately portray the physical characteristics of Reacher. I personally am 6 ft. 4in tall and 250 pounds, so I could be a close proximity except for the fact that I am not a movie star nor could I disable eight opponents simultaneously. The closest movie star I could name who approximates Reacher’s physical dimensions is Vince Vaughn, and I doubt anyone would say he is as big a movie star as Tom Cruise (box-office-wise, that is). Five Mission Impossible movies alone demonstrate that Cruise’s box office is as strong as ever based on their increasing popularity.
By next week, there will be 21 books to read, which contain a lot of developing characterization. The essential information about Jack Reacher is that he retired as a major at 36 and now roams the country with no luggage. It has been said the books can be read out of sequence.
Posted in: Disc Reviews by J C on January 19th, 2017
“My husband used to tell me I have an overactive imagination…”
The idea at the core of The Girl on the Train is equal parts provocative and relatable: a lonely commuter observes an attractive couple from a distance and imagines what their seemingly perfect lives must be like. Anyone who’s ever done any people-watching will recognize the appeal of inventing a backstory for a stranger, and the story is a healthy reminder that things are never quite what they seem from the outside. But despite a powerhouse lead performance, this Train is ultimately derailed by an unsatisfying mystery and a lack of flair that causes this potentially juicy story to lose steam as it chugs along.
Posted in: Disc Reviews by Brent Lorentson on January 16th, 2017
It would seem as though Ben Affleck is finally starting to shed the stigma of doing bad films. He’s been on a roll since he took on the role of George Reeves in Hollywoodland and has also in the process become an accomplished director. When the trailer first dropped for The Accountant, I wasn’t sure what to expect, but as you look at the laundry list of talent that fills the cast, it quickly became a film I had my eye on. What is surprising is despite there being franchises that seem to cover the same territory i.e.: Jack Reacher and the Jason Bourne films, is there room for another lone-wolf killing machine film? Before going into this it was a question that bothered me; heck, I’m already burnt out of the Jason Bourne films, and with a new Jack Reacher film on the horizon, the saturation is noticeable. But thankfully, The Accountant doesn’t just come out swinging but exceeded all expectations and has raised the bar for this brand of action film.
Christian Wolff (Ben Affleck) is, as the title would lead you to believe, an accountant. He runs his own firm and is exceedingly good at what he does when it comes to solving accounting problems people may have. He’s exceptional at solving problems, and what makes this all the more impressive is he does all of this as a high-functioning autistic. This may be one of the first times I’ve seen a character with a disability on screen, but not once is it ever played as a way to sway sympathy; instead, it’s just another layer to this character. We see the everyday hell Wolff goes through, but we also see how far he’s come from his childhood after his mother gives up hope and abandons her family.
Posted in: Disc Reviews by J C on January 11th, 2017
“I don’t want to be in this relationship anymore, and I don’t know how to get out.”
A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.
Posted in: Disc Reviews by Brent Lorentson on January 10th, 2017
In 1999 The Blair Witch Project was released, and it was a horror film that created a stir like I had never seen before. I remember going to Tampa Theatre to see it opening week. The line was wrapped around the building for the sold-out screening. Discussions were going on in the line about the film actually being real, some even talking about how they heard the bodies of the three filmmakers were never found. It’s this kind of mindset going into the film that made it such an impact as I walked out of that first showing. At the time I knew I had seen something unique, but I never would have expected it to spawn an entire style of genre filmmaking that would be copied over and over again. Now nearly two decades later, director Adam Wingard (You’re Next) attempts to inject new life in the found-footage genre and into the film franchise that started it all.
The film picks up years after the disappearance of the film students in the first film. James (James Allen McCune) has been looking for evidence since his sister first disappeared. A digital video has surfaced that may have more clues as to what happened to his missing sister. It’s this hope that takes James and his friends to the woods where is sister vanished and where the legend of the Blair Witch continues to flourish. Lisa (Callie Hernandez) makes plans to document the trip to the woods as they hope to acquire this new evidence, and she comes armed with an array of high-tech gadgets to document the journey.
Posted in: Disc Reviews by Brent Lorentson on January 9th, 2017
There is something about a Rob Zombie film that will always be a draw, and it is always the realism that he brings to the screen. Whether it’s The Devil’s Rejects or his version of Halloween, he always presents it in a way that I feel is grounded in reality. Perhaps it’s also because I live in Florida, and there are some small towns that you don’t want to break down in at night for fear of crossing some crazed backwoods types. To put it out there, I was a fan of Rob Zombie before he was putting out movies, and I have all of his albums; he’s just a guy who does stuff that I really dig. That being said, I can be objective in saying his films have been a bit all over the place, but Lords of Salem was a piece of work that I simply loved, and I felt it showed a lot of growth from his previous films and worked well as a slow burn. Now he’s released 31 upon the masses, a Kickstarter film that was initially (if not mostly) financed by fans. Is it worth the investment? Well, it depends on what you were hoping for.
The film opens in a static shot with Doom-Head (Richard Brake) approaching the camera and unloading a menacing monologue. This is the kind of opening that should get any horror fan excited and anxious for the kind of violence that is about to be unleashed in the film, yet sadly the film never quite lives up to this scene. This doesn’t mean the film is bad; I just mean that the opening is just THAT good, and it just leaves you with anticipation to see so much more with this character.
